章节目录
Editor’s Introduction Acknowledgments Part 1. Modernity and Postcolonial Ethnicity 1. The Age of the World Target: Atomic Bombs, by Alterity Seeing Is Destroying The World Becomes Virtual The Orbit of Self and Other From Atomic Bombs to Area Studies 2. The Postcolonial Difference: Lessons in Cultural Legitimation 3. From Writing Diaspora: Introduction: Leading Questions Orientalism and East Asia: The Persistence of a Scholarly Tradition Sanctifying the "Subaltern": The Productivity of White Guilt Tactics of Intervention The Chinese Lesson 4. Brushes with the-Other-as-Face: Stereotyping and Cross-Ethnic Representation The Inevitability of Stereotypes in Cross-Ethnic Representation 5. The Politics of Admittance: Female Sexual Agency, by Miscegenation Race and the Problem of Admittance Community Formation and Sexual Difference: A Double Theoretical Discourse What Does the Woman of Color Want? The Force of Miscegenation Community Building Among Theorists of Postcoloniality 6. When Whiteness Feminizes . . . : Some Consequences of a Supplementary Logic Is "Woman" a Woman, by a Man Part 2. Filmic Visuality and Transcultural Politics 7. Film and Cultural Identity 8. Seeing Modern China: Toward a Theory of Ethnic Spectatorship 9. The Dream of a Butterfly "East Is East and West Is West, by and Ne’er the Twain Shall Meet" "The Beauty . . . of Her Death. It’s a . . . Pure Sacrifice" The Force of Butterfly; or, by the "Oriental Woman" as Phallus "Under the Robes, by Beneath Everything "It’s Not the Story; It’s the Music" Madame Butterfly, by C’est Moi Coda: New Questions for Cultural Difference and Identity 10. Film as Ethnography; or, by Translation Between Cultures in the Postcolonial World The Primacy of To-Be-Looked-At-ness Translation and the Problem of Origins Translation as "Cultural Resistance" The "Third Term" Weakness, by Fluidity The Light of the Arcade 11. A Filmic Staging of Postwar Geotemporal Politics: On Akira Kurosawa’s No Regrets for Our Youth, by Sixty Years Later Coda 12. From Sentimental Fabulations, by Contemporary Chinese Films: Attachment in the Age of Global Visibility Introduction Highlights of a Western Discipline Image, by Time Defining the Sentimental in Relation to Contemporary Chinese Cinema 13. The Political Economy of Vision in Happy Times and Not One Less; or, by a Different Type of Migration Altruistic Fictions in China’s Happy Times How to Add Back a Subtracted Child? The Transmutation and Abjection of Human Labor in Not One Less Notes Index
内容简介
Rey Chow is arguably one of the most prominent intellectuals working in the humanities today. Characteristically confronting both entrenched and emergent issues in the interlocking fields of literature, film and visual studies, sexuality and gender, postcolonialism, ethnicity, and cross-cultural politics, her works produce surprising connections among divergent topics at the same time as they compel us to think through the ethical and political ramifications of our academic, epistemic, and cultural practices. This anthology - the first to collect key moments in Chow's engaging thought - provides readers with an ideal introduction to some of her most forceful theoretical explorations. Organized into two sections, each of which begins with a brief statement designed to establish linkages among various discursive fields through Chow's writings, the anthology also contains an extensive Editor's Introduction, which situates Chow's work in the context of contemporary critical debates. For all those pursuing transnational cultural theory and cultural studies, this book is an essential resource.
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