3030: New Photography in China TThis fully illustrated survey presents the work of 30 of China's most exciting photographers under 30. Here for the first time is presented China’s new generation, unburdened by ideology and immersed in the economic and social changes that have transformed China over the past 20 years. From internationally exhibiting artists to photo-journalists, video makers and web bloggers, their images reveal a diverse range of styles that reflect the influence not only of tradition and politics but also foreign media channels and the development of a home-grown pop culture encompassing TV, music, advertising and fashion. In almost all cases it is the city that provides the inspiration, whether it is Guangzhou in the south, Shanghai in the east or Beijing in the north. And it is partly these regional differences and their influence on each other that lends contemporary photography in China its freshness and strength. Essays by leading scholars and curators from Beijing and Guangzhou introduce the photographers and their work. For students and enthusiasts of contemporary China and photography ‘3030: New Photography in China’ reveals an exciting new force in world art The Photographers Birdhead (鸟头): Song Tao (宋涛) b.1979, Ji Weiyu (季炜煜), b.1980 Cai Wei Dong (蔡卫东), b.1978 Cao Fei (曹斐), b.1978 Chen Wei (陈维), b.1980 Chi Peng (遟鵬), b.1981 Guo Hang (郭航), b. 1983 Huang Kui (黄奎), b.1977 Jin Shan (金闪), b.1976 Li Si En (李思恩), b.1980 Liang Yue (梁玥), b.1979 Lin Zhi Peng (223) (林志鹏), b.1979 Liu Bo (刘波), b.1977 Liu Ding (刘鼎), b.1976 Liu Ren (刘韧), b.1980 Liu Yi Qing (Yiki) (刘一青), b.1982 Lu Yanpeng (卢彦鹏), b.1984 Peng & Chen: Peng Yangjun (彭杨军), b.1977 & Chen Jiaojiao (陈皎皎), b.1980 Shen Hao (沈浩), b.1980 Si Wei (Zao) (司玮), b.1980 Su Han Guang (Alex) (苏焊光), b.1978 Tang Yi (汤艺), b.1982 Wang Yifei (王一飞), b.1984 Wen Ling (Ziboy) (温凌), b.1976 Xu Cheng (徐程), b.1980 Xu Zi Yu (徐梓峪), b.1979 Yang Chang Hong (杨长虹), b. 1979 Yao Yi Chun (姚亦淳), b.1984 Zhang Jungang (K1973) (张君钢), b.1980 Zhao Yao (赵要), b.1981 Zheng Zhiyuan (郑知渊), b.1977

记录生活的方式有多种，有人用日记，有人用DV。还有一些人，他们拿起了相机。 相机不一定要多么高档、多么昂贵，可以是家用傻瓜相机，也可以是普通数码相机，而又有一些人，选择了LOMO。 LOMO是照相机，而对一些人来讲，更是一种生活方式。LOMO有多种中文译名，其中，“乐摸”是最贴切的表达。快乐地抚摸、真切地记录生活中的另人感动的一面。 从事LOMO拍摄的人，可以是与摄影完全不搭界的职业的人。但，他们有共同的地方，那就是都有一双善于观察生活的眼睛，强调鲜明的个性。这就不难理解，为什么摇滚“变色龙”DAVID BOWIE（大卫·鲍依）、已故巴解组织领导人阿拉法特、香港导演王家卫会拥有LOMO相机，成为lomographer的一员了。 本书介绍了LOMO摄影风潮的来历、几款主要的LOMO相机，并收集了LOMO玩家常遇到的拍摄问题。最后，还展示了三位lomographer的作品。他们使用LOMO相机，以独特的视角，记录了平淡生活的精彩瞬间，展现了LOMO特有的真实而又迷幻的一面。而他们只是你我身边普通的年轻人。 书中所有LOMO图片均为底片扫描，除调整尺寸外，没做其他任何改动。只为展现其真实的面貌。

LOMO摄影是一种精神。随意就是潮流，解放传统就是时尚。不要想，随便拍……这是LOMO，热爱生活，随心所欲的拍摄方式。 本书是69位LOMO玩家，花了200天时间，用1500张LOMO作品记录了从晚上18：00到早上6：00夜上海自由个性生活的多姿多彩。 LOMO摄影在海内外文化艺术和时尚潮流界流行十余年，这种自然、即兴、随机的摄影活动也越来越被国内时尚潮流媒体所关注。