A selection of Newton's fashion catalog work! Helmut Newton once said, "Some people’s photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that’s fine. But that’s not why I do them. I’m a gun for hire." (Newsweek, 02/02/04) This prosaic proclamation from one of the 20th century’s most celebrated photographers is not a little shocking, but nonetheless firmly positions Newton as the no-frills image-maker that he was. His work is so powerful, so striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so, and judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised. This book brings together a selection of Newton’s fashion catalog work from as early as 1962 through 2003 and his last editorial photographs for US and Italian Vogue—all work he made as a "gun for hire." Client list: BiBA, Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Italian Vogue, US Vogue, German Vogue, Villeroy & Boch, Bikini Calendar for Sportsmagazin, Absolut Vodka

Contemporary art in a nutshell (TASCHEN's 25th anniversary special edition) This Art Now 25th anniversary special edition brings together recent work and biographical information for over 80 of today's most influential artists, forming a broad and vibrant spectrum of the work that has shaped the art world in recent years. Featured artists include: Matthew Barney, Maurizio Cattelan, John Currin, Tacita Dean, Thomas Demand, Rineke Dijkstra, Douglas Gordon, Andreas Gursky, Thomas Hirschhorn, Damien Hirst, Mike Kelley, Martin Kippenberger, Jeff Koons, Sharon Lockhart, Won Ju Lim, Paul McCarthy, Mariko Mori, Sarah Morris, Vik Muniz, Takashi Murakami, Shirin Neshat, Albert Oehlen, Chris Ofili, Gabriel Orozco, Jorge Pardo, Elizabeth Peyton, Thomas Ruff, Cindy Sherman, Thomas Struth, Wolfgang Tillmans, Rirkrit Tiravanija, Luc Tuymans, Jeff Wall, and Andrea Zittel.

Any fashion photographer can make a flattering portrait, but the contemporary masters featured in Face of Fashion don't even try. This striking, gold-embossed, faux-leather-bound volume presents the intensely unconventional, often unnervingly intimate portraiture being made by some of today's most creative and original fashion photographers--including Corinne Day, Steven Klein, Paolo Roversi, Mario Sorrenti and the team of Mert Alas and Marcus Piggott. Each photographer is represented by a range of portraits, including several commissioned especially for this book. Some of the portraits were produced for ads; others were commissioned for editorial features. Many of the subjects are celebrities, including Kate Moss, Madonna, Matthew Barney, Brad Pitt, Angelina Jolie and Sting. Others are completely anonymous. Essays by Susan Bright and Vince Aletti illuminate the collaborative nature of this radically new approach to portraiture, as well as how it diverges from earlier work by masters like Cecil Beaton, Irving Penn, Richard Avedon and others. In addition, candid descriptions of the process by the photographers and subjects themselves provide rare insight into the potent mix of fame, fashion and photography on view here. Copublished with the National Portrait Gallery, London, to accompany the exhibition there.

The Teller family business produces small parts for string instruments. Juergen Teller has taken photographs of company employees, his uncle and his uncle's collection of hunting trophies. He has also shot pictures in dripstone caves, of Kate Moss during her pregnancy and of himself. In the world of Juergen Teller, it somehow all fits together. Werkstatt--a studio or creative environment--collects, as Juergen Teller does, people and places. It combines scenes from the world he grew up in with selections from the world of beautiful images that he travels in today. Candid, subjective and completely without superficial affect, Teller offers a peek or two into his world. How it all fits together is left up to the viewer.

Belgian fashion designer Raf Simons' clothes are both inspired by and designed for confident male outsiders. His references to youth movements (like punk, goth, and mod) are not meant to be retro; instead Simons tries to translate their energy and determination into modern statements about mental independence. Yet, although they are impeccably cut and created with love and care, clothes are not at the core of Simons' universe. More important to this cult stylist are attitudes, moods, and statements. Music, art, performance, images, and words have each been a starting point for his designs, and, in an attempt to examine today's male psyche Simons takes his inspiration from the rebellion of past and present youth cultures, blending these notions with tradition and roots. This book--published on the occasion of the 10th anniversary of Simons's work--presents both a wide range of the intellectual and creative aspects of the designer's work that have sealed his position at the top of fashion's roster. I don't want to show clothes, I want to show my attitude, my past, present, and future. I use memories and future visions and try to place them in today's world. -- Raf Simons Edited by Peter De Potter. Texts by Francesco Bonami, Marc Foxx, Maria Luisa Frisa, Jo-Ann Furniss, Ashley Heath, Ralf Hutter, Terry Jones, Mark Leckey, Simon Price and Collier Schorr. Hardcover, 8 x 10 in./128 pgs / 100 color.

The year 2000 marks issue 200 and year 20 for i-D magazine. What better way to celebrate than make a book? As founder and editor-in-chief Terry Jones writes, "A cross between a menu and a diary, Smile i-D maps the magazine's journey beyond the veneer of regular fashion." Now that most of us consider i-D a household name, it's interesting to be reminded that 20 years ago, street fashion was a nascent concept. Finding music and street culture more interesting than the traditional fashion world, Terry Jones abandoned his post as Art Director at British Vogue in 1977 to embark on a journey that has revolutionized not only the world of fashion magazines, but arguably fashion itself. Blending fashion and social documentation, early issues of i-D (major collector items now) were 40 pages stapled together which sold for 50p. Journalistic in spirit and revolutionary in form, the magazine sought to show the world the gritty, real side of fashion as seen in the streets of London- kilts, mohawks, safety pins and all. When newsagents hesitated to sell i-D because of finger injuries resulting from the staples, early supporters helped by selling issues from the trunk of a Cadillac. Lots of teamwork and innovation brought i-D to the forefront of contemporary fashion culture and today it can be found at newsstands practically everywhere on the globe (minus the staples). Smile i-D incorporates a single spread from each issue of the magazine thus far. Watch out for the stars who appeared here before the rest of the world even knew who they were. And don't forget to check out the Madonna cover from issue 14: why is the mole on the wrong side of her face? You'll have to read the book to find out.

Producing a book on fashion in the 1980s is not merely a question of immortalizing one of the most feverish periods of invention, creativity, and variety in our recent history. It also means providing a window on the increasingly pervasive advance of show-business society, and on the origins of the designer "total living" environment in which we are now permanently submerged. Ralph Lauren pillowcases, anyone? How about a sip of Absolut from my Calvin Klein Home champagne glasses? Excess: Fashion and the Underground in the 80s chronicles the achievements of the fashion establishment in Italy and the rest of the world via its protagonists and trends. It considers the who, what, where, when, and why of an industry that has become an economic phenomenon, with enormous influence on global culture and communication. It catalogues a world in which fashions by Armani, Versace, Valentino, Gianfranco Ferra, Fendi, Missoni, Moschino, Dolce & Gabbana, Fiorucci, Thierry Mugler, Jean Paul Gaultier, Vivienne Westwood, Katherine Hamnett, Azzedine Alaea, Calvin Klein, and John Galliano appear in magazines like Vogue, Elle, Donna, Mondo Uomo, Harper's Bazaar, The Face, i-D, Interview, Vanity Fair, GQ, and Visionaire. It features work by 80s hotshot artists like Helmut Newton, Bruce Weber, Cindy Sherman, Nan Goldin, Andy Warhol, Jenny Holzer, Robert Mapplethorpe, Barbara Kruger, Gilbert & George, Pierre et Gilles, and Leigh Bowery. Empirically organized as an index, Excess offers an indispensable point of reference for fashionistas, critics, and students. Rather than operating chronologically, it functions thematically, under such categories as Career Women, Sexy Women, American Gigolo, Night Clubbing, Wild Boys, Yuppies, and Graffiti. A special section curated by Peter de Potter is dedicated to the Neo OE0s, featuring fashions by Jeremy Scott, Louis Vuitton, Berhard Willhelm, Balenciaga, Veronique Branquinho, and Bottega Veneta, as seen in the pages of Butt, Dazed & Confused, SleazeNation, Spin, Self Service, and Another Magazine. Additionally included are a series of appendices--equally balanced between mainstream and underground--which catalogue the new professions, new words, and new fashions.

《火火时尚街拍》以近350幅高品质时尚街拍照片为主，由著名时尚媒体人、时尚达人韩火火，邀请众多圈内好友（包括Angelababy，熊黛林，徐濠萦，薛凯琪，杨幂，高圆圆，田原，尚雯婕，白百何，熊乃瑾，Linda，赵子琪等多位知名影视明星以及名模）来担任街拍主角而共同完成。韩火火用最新时装及流行趋势，为她们量身打造最潮、最酷，也最适合各自风格的时尚街拍造型。 街拍分别在香港、北京两地选取外景，由专业摄影团队精良制作，旨在教会那些喜爱时尚、追捧时尚的都市女性，如何把奢华的单品穿到日常生活中，如何找到适合自己的时尚风格，提升个人的装扮能力和穿衣品味。

Vogue: The Editor’s Eye celebrates the pivotal role the fashion editor has played in shaping America’s sense of style since the magazine’s launch 120 years ago. Drawing on Vogue’s exceptional archive, this book focuses on the work of eight of the magazine’s legendary fashion editors (including Polly Mellen, Babs Simpson, and Grace Coddington) who collaborated with photographers, stylists, and designers to create the images that have had an indelible impact on the fashion world and beyond. Featuring the work of world-renowned photographers such as Richard Avedon, Irving Penn, and Annie Leibovitz and model/muses, including Marilyn Monroe, Verushka, and Linda Evangelista, The Editor’s Eye is a lavishly illustrated look at the visionary editors whose works continue to reverberate in the culture today. Praise for Vogue: The Editor's Eye: Selected in “Guide to coffee table books as holiday gifts.” —Associated Press “What makes a great fashion image? A new book, The Editor’s Eye, celebrates the work of Vogue’s boundary-pushing fashion editors.” —Vogue “Vogue: The Editor’s Eye is the perfect gift book for anyone with an interest in fashion or photography or brilliant book design. No electronic tablet yet created can duplicate the sheer visual pleasure of paging through this gorgeous book.” —Connecticut Post “Told via in-depth interviews with each of these visionaries, Vogue: The Editor’s Eye gives a glimpse into the process, proving that the magazine’s cutting-edge fashion spreads are as much about editorial point of view as they are about model-photographer-designer collaboration.” —BookPage.com “Vogue: The Editor’s Eye tells how the vision, creativity (and let’s not forget lavish budgets) possessed by eight fashion editors from 1947 to the present have produced the striking layouts that are the magazine's signature.” —The Denver Post

Vogue magazine investigates the role of beauty in our culture through the most significant images of the past seventy-five years. This book, published in conjunction with the exhibition of the same title (Milan, Spring 2009), is produced in collaboration with Dolce & Gabbana. Always audacious, sometimes outrageous, Vogue’s images distinguish themselves by their willingness to explore the limits of contemporary ideas of beauty and they are created by the greatest photographers of the twentieth and twenty-first centuries. The one hundred or so featured prints reveal profoundly sensual and highly provocative narratives that bear witness to complex cultural attitudes toward female appearance and self-expression. From the neoclassical figures of Edward Steichen to the unconventional nudes of Annie Leibovitz, the aggressive portraiture of Helmut Newton, and the modernism of Steven Klein, the photographs in this volume consider the evolving female subject, in all her strength and contradiction. An entire section is devoted to Irving Penn, who transforms the face and body into images of extraordinary imaginative and aesthetic power.

The iconic British style magazine i-D once again brings you a guide to the world's most important designers. From the biggest players in the international fashion industry including Karl Lagerfeld, John Galliano, and Marc Jacobs, to emerging names such as Kim Jones and Tess Giberson, to streetwear and sportswear brands A Bathing Ape, Nike, Diesel and Silas, Fashion Now II is a comprehensive survey of today's best designers. Expanded from the previous edition, Fashion Now II is illustrated with the very best fashion photography and styling, extracted from shoots in the archives of the magazine that celebrates its 25th birthday this year. Also included are an introduction by i-D founder and editor-in-chief Terry Jones, and in-depth essays on the issues that are shaping fashion today: the fashion show system, the precarious position of the celebrity designer, and the rise of menswear. Fashion Now II is an encyclopedia of fashion personalities, a portfolio of amazing imagery, but most of all, a snapshot of the fast-changing contemporary fashion world, as seen through the lens of one of the best-loved magazines published today.

Over the past few years, Hedi Slimane's ongoing design collaborations with musicians on their stage costumes has allowed him unfettered access around the stages of live concerts by David Bowie, The White Stripes, Beck, The Rolling Stones, Blondie, The Strokes, and The Libertines...in Paris, London, Berlin, New York, and Los Angeles. This juncture between fashion and music has evolved into a personal photographic investigation on the mythology of the rock concert. In Slimane's pictures, the stars of the shows are often conspicuously absent; what the images reveal, instead, is a meditation on the creation of a rock personality, the silent ritual that goes on in the space he (or she?) inhabits. His images capture, as Slimane himself puts it, "the sacred--almost sacrificial--space of the stage."

Richard Avedon redefined portrait and fashion photography in the 20th century. In the 1940s Avedon burst onto the fashion scene, infusing his photographs with touches of realism and the fantastic. His images were among the first to replace the stiff poses of the past with energetic action scenes that commanded the pages of Harper's Bazaar and Vogue magazines from the mid-'40s through the 1980s. He took his models out of the studios and brought them to cafes and casinos, posing them with well-dressed escorts. His models nuzzled elephants, stood amongst circus performers, and leapt like gymnasts. As his career progressed, Avedon developped a deceptively simple studio portrait style, which he would continue throughout his life. With uncompromising directness, he portrayed his subjects against a white background, with no extraneous details to distract from the essential specificity of face, gaze, dress, and gesture. This challenging innovation, coupled with the artist's intense interest in his subjects and mastery of his craft, resulted in mesmerizing portraits, among them Marilyn Monroe, Anna Magnani, Suzy Parker, Tina Turner, Stephanie Seymour, and many more.

When those in the magazine industry need inspiration, they look to Purple. It has influenced countless other magazines and spawned trends that have trickled down through all levels of culture. To celebrate its fifteenth anniversary, this volume brings together the best in fashion, art, and culture from Purple’s illustrious history. Purple revolutionized fashion photography in the nineties by commissioning fine artists to shoot fashion editorials. What resulted was a raw, improvisational aesthetic, which continues to exert its power today. Many of our most promising artists contribute to Purple’s pages, including Terry Richardson, Juergen Teller, Jack Pierson, Richard Prince, John Currin, and Vanessa Beecroft. Among the celebrity muses who appear regularly are Kim Gordon, Chloe Sevigny, Kate Moss, Catherine Deneuve, and Vincent Gallo. Along with images, the book also presents essays by such renowned writers as Glenn O’Brien, Gary Indiana, and Dave Hickey. These texts further the book’s larger purpose: to chart the development of art and fashion during the past fifteen years. This is the ultimate deluxe collection for serious fashion, art, photography, graphic design, and magazine aficionados.

The iconic British style magazine i-D once again brings you a guide to the world’s most important designers. From the biggest players in the international fashion industry including Karl Lagerfeld, John Galliano, and Marc Jacobs, to emerging names such as Kim Jones and Tess Giberson, to streetwear and sportswear brands A Bathing Ape, Nike, Diesel and Silas, Fashion Now II is a comprehensive survey of today’s best designers. Expanded from the previous edition, Fashion Now II is illustrated with the very best fashion photography and styling, extracted from shoots in the archives of the magazine that celebrates its 25th birthday this year. Also included are an introduction by i-D founder and editor-in-chief Terry Jones, and in-depth essays on the issues that are shaping fashion today: the fashion show system, the precarious position of the celebrity designer, and the rise of menswear. Fashion Now II is an encyclopedia of fashion personalities, a portfolio of amazing imagery, but most of all, a snapshot of the fast-changing contemporary fashion world, as seen through the lens of one of the best-loved magazines published today.