《卓有成效的管理者》告诉我们：一群平凡人，能做出不平凡的事业吗？这是完全可以做到的。只要我们组织中的每一个人都能做到卓有成效。卓有成效可以学会吗？卓有成效是可以学会的。每个人都必须卓有成效吗？卓有成效是管理者必须做到的事，但是在所有的知识组织中。每一位知识工作者其实都是管理者一即使他没有所谓的职权。只要他能为组织做出突出的贡献。管理者的成效往往是决定组织工作成效的最关键因素；并不是只有高级管理人员才是管理者，所有负责行动和决策而又有助于提高机构工作效能的人，都应该像管理者一样工作和思考。如何卓有成效？记录并分析时间的使用情况，把眼光集中在贡献上，充分发挥人的长处，要事优先，有效决策。 What makes an effective executive? The measure of the executive, Peter F. Drucker reminds us, is the ability to "get the right things done." This usually involves doing what other people have overlooked as well as avoiding what is unproductive. Intelligence, imagination, and knowledge may all be wasted in an executive job without the acquired habits of mind that mold them into results. Drucker identifies five practices essential to business effectiveness that can, and must, be learned: Managing time Choosing what to contribute to the organization Knowing where and how to mobilize strength for best effect Setting the right priorities Knitting all of them together with effective decision-making Ranging widely through the annals of business and government, Peter F. Drucker demonstrates the distinctive skill of the executive and offers fresh insights into old and seemingly obvious business situations. 点击链接进入中文版： 卓有成效的管理者(珍藏版)

Find financial freedom in the new millennium with a new edition of the life-changing national bestseller More than three-quarters of a million people everywhere, from all walks of life, have found the keys to gaining control of their money--and their lives--in this comprehensive and revolutionary book on money management. Considered the bible of the voluntary simplicity movement, Your Money or Your Life is now updated with a new Preface, Index, and Resource list to help you put the program into practice. This simple, nine-step program shows you how to: * get out of debt and develop savings * slow down the work-and-spend treadmill * make values-based decisions about your spending * save the planet while saving money * Over three years on the Business Week bestseller list * Your Money or Your Life made all major bestseller lists in hardcover and paperback, including the New York Times, USA Today, Business Week, Publishers Weekly, and Washington Post

One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface as Geraldine Coutts is traumatized and reluctant to relive or reveal what happened, either to the police or to her husband, Bazil, and thirteen-year-old son, Joe. In one day, Joe's life is irrevocably transformed. He tries to heal his mother, but she will not leave her bed and slips into an abyss of solitude. Increasingly alone, Joe finds himself thrust prematurely into an adult world for which he is ill prepared. While his father, who is a tribal judge, endeavors to wrest justice from a situation that defies his efforts, Joe becomes frustrated with the official investigation and sets out with his trusted friends, Cappy, Zack, and Angus, to get some answers of his own. Their quest takes them first to the Round House, a sacred space and place of worship for the Ojibwe. And this is only the beginning. Written with undeniable urgency, and illuminating the harsh realities of contemporary life in a community where Ojibwe and white live uneasily together, The Round House is a brilliant and entertaining novel, a masterpiece of literary fiction. Louise Erdrich embraces tragedy, the comic, a spirit world very much present in the lives of her all-too-human characters, and a tale of injustice that is, unfortunately, an authentic reflection of what happens in our own world today.

From Publishers Weekly A resolute yet naïve Chinese girl confronts poverty and culture shock with equal zeal when she and her mother immigrate to Brooklyn in Kwok's affecting coming-of-age debut. Ah-Kim Chang, or Kimberly as she is known in the U.S., had been a promising student in Hong Kong when her father died. Now she and her mother are indebted to Kimberly's Aunt Paula, who funded their trip from Hong Kong, so they dutifully work for her in a Chinatown clothing factory where they earn barely enough to keep them alive. Despite this, and living in a condemned apartment that is without heat and full of roaches, Kimberly excels at school, perfects her English, and is eventually admitted to an elite, private high school. An obvious outsider, without money for new clothes or undergarments, she deals with added social pressures, only to be comforted by an understanding best friend, Annette, who lends her makeup and hands out American advice. A love interest at the factory leads to a surprising plot line, but it is the portrayal of Kimberly's relationship with her mother that makes this more than just another immigrant story. (May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Review "Though the plot may sound mundane - a Chinese girl and her mother immigrate to this country and succeed despite formidable odds - this coming-of-age tale is anything but. Whether Ah-Kim (or Kimberly, as she's called) is doing piecework on the factory floor with her mother, or suffering through a cold New York winter in a condemned, roach-infested apartment, or getting that acceptance letter from Yale, her story seems fresh and new." -Entertainment Weekly "The astonishing - and semi-autobiographical - tale of a girl from Hong Kong who, at age eleven, shoulders the weight of her mother's American dream all the way from Chinatown sweatshop to the Ivy League." -Vogue "Part fairy tale, part autobiography... what puts this debut novel toward the top of the pile is its buoyant voice and its slightly subversive ending that suggests "happily ever after" may have more to do with love of self and of family than with any old Prince Charming." -O, The Oprah Magazine "Dazzling fiction debut." -Marie Claire "In Kimberly Chang, Jean Kwok has created a gentle and unassuming character. But Kimberly is also very clever, and as she struggles to escape the brutal trap of poverty she proves indomitable. With her keen intelligence and her reservoir of compassion, she's irresistibly admirable, as is the whole of this gripping, luminous novel." -Joanna Scott, author of Follow Me "I love how this book allowed me to see my own country, with all its cruelty and kindness, from a perspective so different from my own. I love how it invited me into the heart and mind of Kimberly Chang, whose hard choices will resonate with anyone who has sacrificed for a dream. Powerful storytelling kept me turning the pages quickly, but Kimberly's voice-so smart and clear-will stay with me for a long time." -Laura Moriarty, author of While I'm Falling

The magical Peter Pan comes to the night nursery of the Darling children, Wendy, John and Michael. He teaches them to fly, then takes them through the sky to Never-Never Land, where they find Red Indians, wolves, Mermaids and... Pirates. The leader of the pirates is the sinister Captain Hook. His hand was bitten off by a crocodile, who, as Captain Hook explains 'liked me arm so much that he has followed me ever since, licking his lips for the rest of me'. After lots of adventures, the story reaches its exciting climax as Peter, Wendy and the children do battle with Captain Hook and his band.

As their holiday unfolds, Colin and Maria are locked into their own intimacy. They groom themselves meticulously, as though someone is waiting for them who cares deeply about how they appear. When they meet a man with a disturbing story to tell, they become drawn into a fantasy of violence and obsession.

GILLIAN FLYNN is the author of the runaway hit Gone Girl, an international sensation that has spent more than ninety-five weeks on the New York Times bestseller list. Her work has been published in forty languages. Gone Girl is soon to be a major motion picture from Twentieth Century Fox. Flynn’s previous novels, Dark Places and Dagger Award winner Sharp Objects, were also New York Times bestsellers. A former writer and critic for Entertainment Weekly, she lives in Chicago with her husband and children.  From the Hardcover edition.

Coraline lives with her preoccupied parents in part of a huge old house--a house so huge that other people live in it, too... round, old former actresses Miss Spink and Miss Forcible and their aging Highland terriers ("We trod the boards, luvvy") and the mustachioed old man under the roof ("'The reason you cannot see the mouse circus,' said the man upstairs, 'is that the mice are not yet ready and rehearsed.'") Coraline contents herself for weeks with exploring the vast garden and grounds. But with a little rain she becomes bored--so bored that she begins to count everything blue (153), the windows (21), and the doors (14). And it is the 14th door that--sometimes blocked with a wall of bricks--opens up for Coraline into an entirely alternate universe. Now, if you're thinking fondly of The Lion, the Witch, and the Wardrobe or Alice's Adventures in Wonderland, you're on the wrong track. Neil Gaiman's Coraline is far darker, far stranger, playing on our deepest fears. And, like Roald Dahl's work, it is delicious. What's on the other side of the door? A distorted-mirror world, containing presumably everything Coraline has ever dreamed of... people who pronounce her name correctly (not "Caroline"), delicious meals (not like her father's overblown "recipes"), an unusually pink and green bedroom (not like her dull one), and plenty of horrible (very un-boring) marvels, like a man made out of live rats. The creepiest part, however, is her mirrored parents, her "other mother" and her "other father"--people who look just like her own parents, but with big, shiny, black button eyes, paper-white skin... and a keen desire to keep her on their side of the door. To make creepy creepier, Coraline has been illustrated masterfully in scritchy, terrifying ink drawings by British mixed-media artist and Sandman cover illustrator Dave McKean. This delightful, funny, haunting, scary as heck, fairy-tale novel is about as fine as they come. Highly recommended. (Ages 11 and older)

To me,' D. H. Lawerence once wrote to E. M. forster, 'you are the last Englishman.' Indeed, Forster's novels offer contemporary readers clear, vibrant portraits of life in Edwardian England. Published in 1908 to both critical and popular acclaim, A Room with a View is a whimsical comedy of manners that owes more to Jane Austen that perhaps any other of his works. The central character is a muddled young girl named Lucy Honeychurch, who runs away from the man who stirs her emotions, remaining engaged to a rich snob. Forster considered it his 'nicest' novel, and today it remains probably his most well liked. Its moral is utterly simple. Throw away your etiquette book and listen to your heart. But it was Forster's next book, Howards End, a story about who would inhabit a charming old country house (and who, in a larger sense, would inherit England), that earned him recognition as a major writer. Centered around the conflict between the wealthy, materialistic Wilcox family and the cultured, idealistic Schlegel sisters-and informed by Forester's famous dictum 'Only connect'-it is full of tenderness towards favorite characters. 'Howards End is a classic English novel . . . superb and wholly cherishable . . . one that admirers have no trouble reading over and over again,' said Alfred Kazin.

《Cloud Atlas》（《云图》，2004）是大卫.米切尔的第三部小说。这本书由六段故事构成，从1840年一位美国人从悉尼旅行到旧金山的日记、二十世纪三十年代初居住在比利时的年轻作曲家、1975年卷入加利福尼亚灾难的年轻记者、当今伦敦出版回忆录的黑道、1984年韩国发生的故事与一个老人叙述当时在夏威夷的青春自语为终结。 《Cloud Atlas》入围2004年布克奖（Man Booker Prize）。