你一生災難之總合，也比不上這本書的荒謬與悲慘。 　　沒有讀過這本書，別說你懂世間殘酷！ 　　好萊塢鬼才導演Tim Burton獨一無二圖文經典！ 　　歷年電影原創構想，盡在此書！ 　　好萊塢知名鬼才導演提姆．波頓唯一一本圖文故事集！結合了童話、寓言和狂想…等材料，由22個古怪角色聯手演出，透過作者詩文般的短句娓娓道來，料理出一個個令人心碎、心酸、心疼與心折的悲慘故事。 　　中文版獨家： 　　中英文對照版本。由知名詩人林則良翻譯！ 　　隨書贈送精美小卡！ 　　因為愛上「火柴女郎」而全身著火死亡的枯枝男孩、因為長相怪異而被父母唾棄的機器人男孩及牡蠣男孩、因為心上插了太多針而無法與他人靠近的巫毒女孩、想要成為超級英雄但總是弄得到處髒兮兮的污漬男孩… 除了提姆．波頓，誰想得出這樣奇怪的故事和人物？！ 　　全球讀者盛讚！Amazon上關於本書的讀者評論評鑑共有133則，其中101則給予本書五顆星最高評鑑！ 　　為了讓你相信本書有多麼慘絕人寰，我們決定請出書中的主角們，現身說法他們的人生，到底有多艱難—— 　　牡蠣男孩：「我生來一半是男孩，一半是海鮮。我的爸爸和媽媽，一心只想拿我換一個新的妹妹。」 　　枯枝男孩：「我愛上了火柴女郎。你應該不難想像，那真的跟飛蛾撲火沒什麼兩樣。」 　　污漬小子：「只要不消十分鐘，穿在我身上的新衣，就全變得髒兮兮。」 　　錨兒：「我的媽媽，愛上我的爸爸。生下我之後，爸爸離家，我和媽媽在海底望得眼巴巴。」 　　詹姆士：「跟以上眾人相比，我實在不怪異。我只是，剛被一隻大灰熊攻擊而已。」

電影界怪才导演提姆·波頓創作繪本。他在書中創造出多位外表可怖而令人同情的孩童。他們们雖被周遭的世界誤解、遺棄，卻依然渴望在這個殘酷的世界中找到真愛与與歸属。

牡蛎男孩的忧郁之死 The Melancholy Death of Oyster Boy 他在沙漠中求婚， He proposed in the dunes, 他们在海边结婚， they were wed by the sea, 他们九天的蜜月在意大利卡普里岛渡过。 Their nine-day-long honeymoon was on the isle of Capri. 晚餐是丰盛的沸腾海鲜炖锅。 当他尽情享受肉汤时， 他的新娘在心中许了一个愿。 For their supper they had one specatular dish- a simmering stew of mollusks and fish. And while he savored the broth, her bride's heart made a wish. 这个愿望实现了——她生了一个孩子。 但是这个小人 嗯，也许算是吧。 That wish came true-she gave birth to a baby. But was this little one human Well, maybe. 十个手指，十个脚趾， 他拥有味觉也有视觉， 他可以听，他可以感觉， 但他算正常吗？ 并不是非常。 Ten fingers, ten toes, he had plumbing and sight. He could hear, he could feel, but normal? Not quite. 这不自然的降生，如同溃烂病，如同枯萎症， 是他们这次婚姻的开始和结束和全部内容。 This unnatural birth, this canker, this blight, was the start and the end and the sum of their plight. 她向医生抱怨： “他不可能是我的孩子。 他闻起来像海洋一样，带有海草和盐水的味道。” She railed at the doctor: "He cannot be mine. He smells of the ocean, of seaweed and brine." “你已经算幸运了，就在上周， 我接收了一个有三只耳朵并长着鸟嘴的女孩。 而且你的儿子是半牡蛎人， 这你也不能怪我。 ……你有没有考虑过，也许， 在海边建一座小房子？” "You should count yourself lucky, for only last week, I treated a girl with three ears and a beak. That your son is half oyster you cannot blame me. ... have you ever considered, by chance, a small home by the sea?" 因为不知道该怎么给他命名， 他们只是叫他山姆， 或者有的时候， “那个看起来像蛤的东西”。 Not knowing what to name him, they just called him Sam, or sometimes, "that thing that looks like a clam" 每一个人都想知道，但是没有人能说清楚， 年轻的牡蛎（沉默的）男孩什么时候会开始与人交往？ Everyone wondered, but no one could tell, When would young Oyster Boy come out of his shell? 有一天当汤普森家的四胞胎看见他的时候， 他们管他叫贝类动物然后飞快地跑开。 When the Thompson quadruplets espied him one day, they called him a bivalve and ran quickly away. 一个春天的午后， 山姆被遗弃在雨中。 在海景大道和主干道相交的西南角， 他注视着雨打着漩涡 流下排水沟。 One spring afternoon, Sam was left in the rain. At the southwestern corner of Seaview and Main, he watched the rain water as it swirled down the drain. 他的妈妈在高速公路上 在紧急停车道上 对着仪表盘发呆—— 她不能自制 不断涌起的悲伤，挫败感和痛苦。 His mom on the freeway in the breakdown lane was pouding the dashboard- she couldn't contain the ever-rising grief, frustration, and pain. “真的，亲爱的，”她说 “我不是在开玩笑， 但有点可疑 我觉得他是我们的儿子。 我不想这样说，但总要说出来， 你在把我们在床上的过错责怪在我们的儿子身上。” "Really, sweetheart," she said "I don't mean to make fun, but something smells fishy and I think it's our son. I don't like to say this, but it must be said, you're blaming our son for your problems in bed." 他试过用药膏，他试过用油膏 那些东西可以使一切都变红充血。 他试过内服药和外服药 还有含铅的酊剂。 他痛他痒他抽搐他流血。 He tried salves, he tried ointments that turned everything red. He tried potions and lotions and tincture of lead. He ached and he itched and he twitched and he bled. 医生诊断说， “我不能非常肯定， 但是导致问题的原因也许就是治疗它的方法。 他们说牡蛎可以增进你的性能力。 也许吃掉你的儿子 可以让你做上几小时！” The doctor diagnosed, "I can't quite be sure, but the cause of the problem may also be the cure. They say oysters improve your sexual powers. Perhaps eating your son would help you do it for hours!" 他踮着脚尖来了， 他悄悄摸摸来了， 他额头上冒着汗， 而他的嘴上——说着谎。 He came on tiptoe, he came on the sly, sweat on his forehead, and on his lips-a lie. “儿子，你快乐吗？我不是想探查什么， 但是你梦想天堂吗？ 你曾想过要死吗？ "Son, are you happy? I don't mean to pry, but do you dream of Heaven? Have you ever wanted to die? 山姆眨了两下眼睛。 但是什么也没说。 爸爸拿着刀子又松开了领带。 Sam blinked his eye twice. but made no reply. Dad fingered his knife and loosened his tie. 当他举起他的儿子时， 山姆滴在他的外套上。 As he picked up his son, Sam dripped on his coat. 当壳碰到他的嘴唇时， 山姆滑下了他的喉咙。 With the shell to his lips, Sam slipped down his throat. 他们草草地把他埋在海边的沙子里—— 做了祈祷，流了眼泪—— 然后他们三点钟回到家里。 They burried him quickly in the sand by the sea -sighed a prayer, wept a tear- and they were back home by three. 一个灰色浮木做成的十字架标出牡蛎男孩坟的所在地。 沙滩上写着 上帝保佑的词句。 A cross of gray driftwood marked Oyster Boy's grave. Words writ in the sand promised Jesus would save. 但是他的记忆随着一个大浪消失了。 But his memory was lost with one high-tide wave.

在线阅读本书 Book Description Newly reissued for holiday gift giving, this collection of charmingly weird tales is conjured up from the unique imagination of the acclaimed filmmaker. Full color. Amazon.com This unassuming hardcover in black buckram with a dark lavender title plate is the door into a world of twisted pleasures. Filmmaker Tim Burton (Edward Scissorhands, Beetlejuice, The Nightmare Before Christmas) tells 23 winsomely macabre stories about boys and girls who don't fit in. Their bodies are misshapen, their habits are odd, and their parents are appalled by them. But they do try hard to be human, like poor unwanted Mummy Boy, who's "a bundle of gauze": he goes for a walk in the park with his mummy dog. Some kids are having "a birthday party for a Mexican girl." They think Mummy Boy is a pi?ata: "They took a baseball bat and whacked open his head. Mummy Boy fell to the ground; he finally was dead. Inside of his head were no candy or prizes, just a few stray beetles of various sizes." For all its simple humor, The Melancholy Death of Oyster Boy & Other Stories is a peculiarly disturbing book about the violence that children suffer. It is illustrated in pen and ink, watercolor, and crayon. The themes and imagery are at a young-adult to adult level. Book Dimension length: (cm)19.7 　　　 　　　　　 　　　　　 width:(cm)12.8

Tim Burton, known for his distinctive creative style, effortlessly blends the macabre with humor to create visually stunning films. Lesser known are their origins – his drawings. Tim Burton’s illustrations pull you into a world that for all of its strangeness feels somehow familiar. It captures the essence of life’s absurdites. There is comfort in the sad, weird little beings that populate his imagination - a silent statement that it is ok to be different, and that it is ok to laugh at the oddness life brings us from birth. But his need to draw reaches far beyond his films. It permeates his life, his thoughts and observations flowing from pen and brush into his sketchbooks, which pile up, stuffed into every corner. For the first time, Burton has allowed his fans a broad look inside his private pages. The Art of Tim Burton is the definitive compilation of forty years of Tim Burton’s artistry, including film concepts and hundreds of illustrations from his personal archives, edited under the creative guidance of Burton himself. This comprehensive 434 page book is grouped into thirteen chapters that examine common themes in Burton’s work, from his fascination with clowns to his passion for misunderstood monsters, to his delight in the oddities of people. Many of Burton’s friends and collaborators offer their thoughts, insight and anecdotes about Tim Burton’s style and artistic approach to life. Artwork from the following films are included in this book: Alice in Wonderland (2010), Sweeney Todd: The Demon Barber of Fleet Street (2007), Charlie and the Chocolate Factory and Corpse Bride (both 2005), Big Fish (2003), Planet of the Apes (2001), Sleepy Hollow, (1999), Mars Attacks! (1996), Ed Wood (1994), The Nightmare Before Christmas (1993), Batman Returns (1992), Edward Scissorhands (1990), Family Dog (1987), Batman (1989), Beetle Juice (1988), Pee-Wee's Big Adventure (1985), Frankenweenie (1984), Vincent (1982), & Hansel & Gretel (1982). The book also contains additional drawings from his illustrated book of poetry The Melancholy Death of Oyster Boy & Other Stories (1997), and from The World of Stainboy web shorts (2000).

Published to accompany a major career retrospective at The Museum of Modern Art, this book considers Burton's career as an artist and filmmaker. It narrates the evolution of his creative practices, following the current of his visual imagination from his earliest childhood drawings through his mature oeuvre. Illustrated with works on paper, moving-image stills, drawn and painted concept art, puppets and maquettes, storyboards, and examples of his work as a graphic artist, this book sheds new light on Burton and presents previously unseen works from the artist's personal archive. Includes 64 color illustrations.

"Why are people looking for escape in movies? . . . Because it's . . . a form of recapturing not a 'childish' impulse, but a way of looking at the world as if it were fresh and interesting." Starting his career as an illustrator and animator for Disney, Tim Burton (b. 1958) made his full-length debut with the visually dazzling, low-budget "Peewee's Big Adventure." When it became a surprise blockbuster, studios began to trust him with larger budgets and the whims of his expansive imagination. Mixing Gothic horror, slapstick, pitch-black comedy, and oddball whimsy together, Burton's movies veer from childlike enchantment to morbid melancholy, often within the same frame. His beautifully designed and highly stylized films including "Batman," "Edward Scissorhands," "Beetlejuice," "Big Fish," "Sleepy Hollow," and "Ed Wood" are idiosyncratic, personal visions that have nevertheless been commercial successes on the whole. In "Tim Burton: Interviews," the director discusses how animation and art design affect his work, how old horror films have deeply influenced his psyche, why so many of his protagonists are outcasts, and how he's managed to make consciously bizarre movies within the Hollywood system. He gives tribute to favorite actors including Johnny Depp and Vincent Price and writers, and talks enthusiastically about both pulp horror fiction and the works of Edgar Allan Poe. These interviews show his progression from a young director to a contemplative and dry-witted artist over the course of twenty years. In later interviews, he opens up about his experiences in therapy and how his childhood fantasies still affect his art. "Tim Burton: Interviews" reveals a man who has managed to thrive inside Hollywood while maintaining the distinctive quirks of an independent filmmaker.

好莱坞著名导演蒂姆•伯顿唯一一本图文故事集 你一生灾难之总和，也比不上本书的荒谬与悲惨 黑暗奇幻的狂想，悲惨绝仑的童话 23个古怪角色联 手上演惨绝人寰、痛彻心扉的故事 剪刀手爱德华、僵尸新娘……蒂姆•伯顿的电影原型，都在本书中