"William Eggleston's Guide" was the first one-man show of color photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of color photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of color as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the "Guide" contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually super-refined look at the surrounding world. Here are people, landscapes, and odd little moments in and around Eggleston's hometown of Memphis--an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up flames, framed by a shiny silver tricycle, the curves of a gleaming black car fender, and someone's torso; a tiny, gray-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of "William Eggleston's Guide," The Museum of Modern Art has made new color separations from the original 35 mm slides, producing a facsimile edition in which the color will be freshly responsive tothe photographer's intentions.

The Suffering of Light isthefirst comprehensive monograph charting the career of acclaimed American photographer Alex Webb. Gathering some of his most iconic images, many of which were taken in the far corners of the earth, this exquisite book brings a fresh perspective to his extensive catalog. Recognized as a pioneer of American color photography since the 1970s, Webb has consistently created photographs characterized by intense color and light. His work, with its richly layered and complex composition, touches on multiple genres, including street photography, photojournalism, and fine art, but as Webb claims, "to me it all is photography. You have to go out and explore the world with a camera." Webb's ability to distill gesture, color and contrasting cultural tensions into single, beguiling frames results in evocative images that convey a sense of enigma, irony and humor. Featuring key works alongside previously unpublished photographs,The Suffering of Lightprovides the most thorough examination to date of this modern master's prolific, 30-year career.

Traces the history of this unique group from the original '60s Skinheads to its mid-'70s revival. Features a piece by Dick Hebdige on the sociology of youth cults.

http://www.bravoviewtiful.com/ L，承载着93天的故事的photo随笔集出版发行。4月12日公开的雪原teaser影像的谜底终于揭开。由L亲自拍摄照片、书写文章的随笔集终于问世！雪原teaser视频中的文字L's Bravo Viewtiful即是随笔的名称。 所属社称，“L作为infinite一员第 一次拿到签约金时最先买的东西就是相机，就是如此程度的喜欢摄影。最近与专业的摄影师交流着认真用心的学习着摄影。或许照片本身还有不足，但希望能传达其中所包含的诚恳和真实的故事。”全书从封面到照片及每个文字都承载着L的热爱之情，将于5月15日韩国、日本两地同步发行。

Connu pour sa maîtrise de la lumière, pour ses images évanescentes et pour ses jeunes filles aux formes graciles, David Hamilton est sans doute l'un des photographes les plus populaires depuis les années 1970. Cet ouvrage présente une rétrospective sensible et romantique de celui qui mieux que quiconque a su capter ce que pouvait lui offrir la photographie : fixer pour l'éternité la fragilité de l'existence. Que ce soit les portraits de jeunes femmes, les paysages ou les natures mortes de bouquets, les photographies de David Hamilton retracent toutes un paradis perdu, un temps retenu et saisi à jamais.

Although Edward Steichen exhibited some of Saul Leiter's color photographs at The Museum of Modern Art in 1953, for 40 years afterward they remained virtually unknown to the art world. Saul Leiter: Early Color provides the first opportunity to see a comprehensive presentation of images by one of photography's great originals. Leiter moved to New York in 1946 intending to be a painter, but through his friendship with the Abstract Expressionist Richard Pousette-Dart, he quickly recognized the creative potential of photography. Though he continued to paint, exhibiting alongside Philip Guston and Willem de Kooning, Leiter's camera became--like an extension of his arm and mind--an ever-present interpreter of life in the metropolis. He sought out moments of quiet humanity in the Manhattan maelstrom, forging a unique urban pastoral from the most unlikely of circumstances. The lyricism and intensity of his vision come into fullest play in his eloquent handling of color unequaled by his contemporaries. Leiter's visual language of fragmentation, ambiguity, and contingency is evoked by these 100 subtle, painterly images that stretched the boundaries of photography in the second half of the 20th century.

Since its founding in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger, and David "Chim" Seymour, Magnum Photos, the legendary co-operative, has powerfully chronicled the peoples, cultures, events, and issues of the time. Magnum Magnum brings together the best work, celebrating the vision, imagination, and brilliance of Magnum photographers, both the acknowledged greats of photography in the twentieth century—among them Henri Cartier-Bresson, Robert Capa, Eve Arnold, Marc Riboud, and Werner Bischof—and the modern masters and rising stars of our time, such as Martin Parr, Susan Meiselas, Alec Soth, and Donovan Wylie. And it shows the work at a breathtaking scale: the vast page size of Magnum Magnum—12¾ by 15¾—gives the photos an impact never seen before in book form. Organized by photographer, the book harks back to the agency's early days and the spirit that made it such a unique and creative environment, one in which each of the four founding members picture-edited the others' photographs. Here a current Magnum photographer selects and critiques six key works by each of the sixty-nine featured photographers, with a commentary explaining the rationale behind the choice. This groundbreaking publication is at once a permanent record of iconic images from the last sixty years and an insight, as seen through the critical eyes and minds of Magnum photographers, into what makes a memorable photograph. This first edition of Magnum Magnum will become one of the great collectibles—an essential book for anyone interested in photography or the world depicted by it. 400+ photographs in color and duotone.

罗伯特•卡帕（1913-1954），20世纪最伟大的摄影师，马格南图片社的创始人，有着艺术家眼光的记者。他一生拍摄的7万多张底片，构成了对1932-1954年，22年峥嵘岁月无与伦比的影像记录，见证了上个世纪一些最具灾难性和戏剧性的事件。本书是涵盖罗伯特•卡帕已发表照片的终极收藏：经过卡帕的弟弟、《生活》杂志著名摄影师康奈尔•卡帕和文化历史学家理查德•惠兰对罗伯特•卡帕所有照片小样巨细无遗的重新查阅，精选出933张照片，成就了这部大师作品典藏。书中内容包括饱经战乱的西班牙，盟军在奥马哈海滩登陆，奋起抗战的中国军民，对毕加索和其他艺术家、电影明星的图片报道，以及罗伯特•卡帕离世前一刻在越南战争中拍摄的珍贵照片。所选照片按年代顺序编排，并附上评论和考证性说明，是对他一生中最精彩作品的深度探究。

“我拍摄的是物的历史。在《海景》系列里，我要处理的对象是水和大气。这两样可说是至今为止对人而言变化最少的东西吧。其他世间万物都随岁月的流逝而变化。我的艺术的主题是时间。” 杉本博司在拍摄《剧院》系列时，跑到一个又一个已经被遗弃的电影院，架起照相机对准银幕，然后放上一部电影。当电影结束时，电影故事因为底片长时间曝光而在胶片上成为一段空白，但黑暗中的电影院里角角落落的细节却因了长时间曝光而被时间镂刻得棱角分明。 我们未必能够了解摄影师真正在思考什么，可是透过杉本博司的作品一定能够引发我们自己对于世界的思考，而这不正式摄影的目的么？ “杉本博司是我们这个时代最令人尊重的摄影家之一。他的重要摄影题材都是对艺术、历史、科学与宗教的诠释。他将东方哲学思想与西方文化主旨完美地结合在一起。” ——这是国际著名的哈斯勃兰德摄影奖对其2001年度的获奖者、日本摄影家杉本博司的评奖评语。

就是在平凡中看出令人感動要素的大片幅照色照片集。

这本新作收录了38位最佳自然风光摄影大师之作，堪称是精品荟萃，美不胜收。 书中的自然风光摄影佳作精彩纷呈，有摄人魂魄之美。入选的摄影作品风格、题材多样，有人们最熟悉的地区的景色，也有地球上最偏远地区的风貌；有春夏秋冬四季的不同景致，也有风霜雨雪不同气候条件下的风光。书中精美的风光照片包括著名的美国西部的纪念碑山谷和约塞米蒂国家公园、白雪皑皑的苏格兰高地的山峰、日本奥三河山区的雪松森林、纳米比亚的沙丘、澳大利亚内陆独特的岩石地貌和澳大利亚东海岸风景如画的海滩、法国南部瑰丽的红土地等。 与美轮美奂的自然风光摄影相得益彰的是书中对摄影大师的深度访谈，提示了摄影大师们的人生哲学和独特的摄影工作方式。详细的图片配文让读者了解每一幅精彩佳作背后令人神往的精彩故事。 《世界顶级摄影大师巅峰作品诞生记：风光》是Roto Vision出版的扣人心弦的摄影系列丛书这一。同系列还有《世界顶级摄影大师巅峰作品诞生记：摄影报道》、《世界顶级摄影大师巅峰作品诞生记：人像》和《世界顶级摄影大师巅峰作品诞生记：人体》。

Product Description A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers. Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City, to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age. It wasn’t until realtor and amateur historian John Maloof stumbled upon a box of anonymous negatives in a Chicago auction house just a few years ago that any of her marvelous work saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the first wave of the best of her incredible body of work—much of which still hasn’t been enlarged or in some case even developed into negatives. Hidden treasures like this don’t come along every day, and powerHouse is excited and honored to present this astounding body of never-before-seen work to the public at large. About the Author There is still very little known about the life of Vivian Maier. What is known is that she was born in New York in 1926 and worked as a nanny for a family on Chicago’s North Shore during the 50s and 60s. Seemingly without a family of her own, the children she cared for eventually acted as caregivers for Maier herself in the autumn of her life. She took hundreds of thousands of photographs in her lifetime, but never shared them with anyone. Maier lost possession of her art when her storage locker was sold off for non-payment. She passed away in 2009 at the age of 83. John Maloof is a historian, street photographer, and former real estate agent from Chicago’s Northwest Side. He discovered the first negatives of Vivian Maier’s work in 2007 while compiling a book about the history of the neighborhood where he grew up.

森山大道的《北海道》画册。29×37厘米的超大版本，共640页，非常重，印放非常精致，颗粒完美，全世界限量发行1500本，价格昂贵。

•精选《中国国家地理》10余年600余期杂志的经典摄影作品。 •汇集67位中国顶尖风光、地理、生态摄影师的162幅优秀作品。 •《中国国家地理》推出的第一本综合题材精装画册，李栓科社长主编并撰写序言。 •以“大地理”的分类形式，重新汇总、梳理中国极致生态和风光景观，详细展示《中国国家地理》的审美视角和观察方法。 •封面由获第50届台湾“金马奖”最佳纪录片导演齐柏林拍摄。 这是《中国国家地理》推出的第一本、由中国摄影师的作品精选而成的精装画册。编辑团队历时7个月，从山到海，从荒野到沙漠，从过去到现在，从成千上万张作品中，精选了162张表现中国风光、自然、生态的图片。这些图片展示的是摄影师们在中国各个极致之地，探索到的隐藏其中的绝美景色。 除视觉享受之外，此画册还为探索中国的自然、历史、景观带来一种观看方式的参考。

《世界摄影大师经典作品集》 共5本书，分别是布拉塞、奥古斯特桑德、唐·麦库林、罗伯特·卡帕、黛安·阿勃丝的相片集，铜版纸印刷。 作品集5本共用同一ISBN编号。

James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter. A researched study on two of art's most fundamental themes, Color and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of underappreciated masters who perfected the use of color and light, the book examines how light reveals form, the properties of color and pigments, and the wide variety of atmospheric effects. Gurney cuts though the confusing and contradictory dogma about color, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensible tool for any artist. This book is the second in a series based on his blog, gurneyjourney.com. His first in the series, Imaginative Realism, was widely acclaimed in the fantastical art world, and was ranked the #1 Bestseller on the Amazon list for art instruction. "James Gurney's new book, Color and Light, cleverly bridges the gap between artistic observation and scientific explanation. Not only does he eloquently describe all the effects of color and light an artist might encounter, but he thrills us with his striking paintings in the process." --Armand Cabrera, Artist