Hailed for its coiled eroticism and the moral claims it makes upon the reader， this mesmerizing novel is a story of love and secrets， horror and compassion， unfolding against the haunted landscape of postwar Germany.<br><br>When he falls ill on his way home from school， fifteen-year-old Michael Berg is rescued by Hanna， a woman twice his age. In time she becomes his lover—then she inexplicably disappears. When Michael next sees her， he is a young law student， and she is on trial for a hideous crime. As he watches her refuse to defend her innocence， Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.
 

Originally published in Switzerland, and gracefully translated into English by Carol Brown Janeway, The Reader is a brief tale about sex, love, reading, and shame in postwar Germany. Michael Berg is 15 when he begins a long, obsessive affair with Hanna, an enigmatic older woman. He never learns very much about her, and when she disappears one day, he expects never to see her again. But, to his horror, he does. Hanna is a defendant in a trial related to Germany's Nazi past, and it soon becomes clear that she is guilty of an unspeakable crime. As Michael follows the trial, he struggles with an overwhelming question: What should his generation do with its knowledge of the Holocaust? "We should not believe we can comprehend the incomprehensible, we may not compare the incomparable.... Should we only fall silent in revulsion, shame, and guilt? To what purpose?" The Reader, which won the Boston Book Review's Fisk Fiction Prize, wrestles with many more demons in its few, remarkably lucid pages. What does it mean to love those people--parents, grandparents, even lovers--who committed the worst atrocities the world has ever known? And is any atonement possible through literature? Schlink's prose is clean and pared down, stripped of unnecessary imagery, dialogue, and excess in any form. What remains is an austerely beautiful narrative of the attempt to breach the gap between Germany's pre- and postwar generations, between the guilty and the innocent, and between words and silence. --R. Ellis YA. Michael Berg, 15, is on his way home from high school in post-World War II Germany when he becomes ill and is befriended by a woman who takes him home. When he recovers from hepatitis many weeks later, he dutifully takes the 40-year-old Hanna flowers in appreciation, and the two become lovers. The relationship, at first purely physical, deepens when Hanna takes an interest in the young man's education, insisting that he study hard and attend classes. Soon, meetings take on a more meaningful routine in which after lovemaking Michael reads aloud from the German classics. There are hints of Hanna's darker side: one inexplicable moment of violence over a minor misunderstanding, and the fact that the boy knows nothing of her life other than that she collects tickets on the streetcar. Content with their arrangement, Michael is only too willing to overlook Hanna's secrets. She leaves the city abruptly and mysteriously, and he does not see her again until, as a law student, he sits in on her case when she is being tried as a Nazi criminal. Only then does it become clear that Hanna is illiterate and her inability to read and her false pride have contributed to her crime and will affect her sentencing. The theme of good versus evil and the question of moral responsibility are eloquently presented in this spare coming-of-age story that's sure to inspire questions and passionate discussion.?Jackie Gropman, Kings Park Library, Burke, VA Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. After falling ill on the street in the German town where he lives, 15-year-old Michael is helped by a woman named Hanna. When he returns to her apartment to thank her several months later, he begins a passionate love affair with her. In time, she demands that he read aloud to her before they make love, and they essay some of Germany's and the world's great literature together. One day, however, Hanna disappears without saying farewell, and Michael grieves and believes it to be his fault. He finds her again years later when, as a law student, he encounters her as the defendant in a court case. To reveal more of the plot would be unfair, but this very readable novel by German author Schlink probes the nature of love, guilt, and responsibility while painting a sympathetic portrait of Michael and an achingly complex picture of Hanna. Recommended for most collections.?Michael T. O'Pecko, Towson State Univ., Md. Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. The Reader ($20.00; June 1997; 224 pp.; 0-679-44279-0): A compact portrayal of a teenaged German boy's love affair with an emotionally remote older woman, and the troubled consequence of his discovery of who she really is and why she simultaneously needed him and rejected him. Seven years after their intimacy, university student Michael Berg accidentally learns that (now) 40ish Hannah Schmitz had concealed from him a past that reaches back to Auschwitz and had burdened her with nightmares from which her young lover was powerless to awaken her. Toward its climax, the novel becomes, fitfully, frustratingly abstract, but on balance this is a gripping psychological study that moves skillfully toward its surprising and moving conclusion. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title. "A formally beautiful, disturbing and finally morally devastating novel." -- Los Angeles Times "Arresting, philosophically elegant, morally complex. . . . Mr. Schlink tells his story with marvelous directness and simplicity." -- The New York Times "Haunting. . . . What Schlink does best, what makes this novel most memorable, are the small moments of highly charged eroticism." -- Francine Prose, Elle "Moving, suggestive and ultimately hopeful. . . . [The Reader] leaps national boundaries and speaks straight to the heart." -- The New York Times Book Review "A formally beautiful, disturbing and finally morally devastating novel." -- "Moving, suggestive and ultimately hopeful. . . . [] leaps national boundaries and speaks straight to the heart." -- "Arresting, philosophically elegant, morally complex. . . . Mr. Schlink tells his story with marvelous directness and simplicity." -- "Haunting. . . . What Schlink does best, what makes this novel most memorable, are the small moments of highly charged eroticism." --Francine Prose, -- Review "A formally beautiful, disturbing and finally morally devastating novel." —Los Angeles Times "Moving, suggestive and ultimately hopeful. . . . [] leaps national boundaries and speaks straight to the heart." —The New York Times Book Review "Arresting, philosophically elegant, morally complex. . . . Mr. Schlink tells his story with marvelous directness and simplicity." —The New York Times "Haunting. . . . What Schlink does best, what makes this novel most memorable, are the small moments of highly charged eroticism." —Francine Prose, Elle