The second revision in sixty years, this sublime collection ranges over the verse, stories, essays, and journalism of one of the twentieth century's most quotable authors. For this new twenty-first-century edition, devoted admirers can be sure to find their favorite verse and stories. But a variety of fresh material has also been added to create a fuller, more authentic picture of her life's work. There are some stories new to the Portable, "Such a Pretty Little Picture," along with a selection of articles written for such disparate publications as Vogue, McCall's, House and Garden , and New Masses . Two of these pieces concern home decorating, a subject not usually associated with Mrs. Parker. At the heart of her serious work lies her political writings-racial, labor, international-and so "Soldiers of the Republic" is joined by reprints of "Not Enough" and "Sophisticated Poetry-And the Hell With It," both of which first appeared in New Masses . "A Dorothy Parker Sampler" blends the sublime and the silly with the terrifying, a sort of tasting menu of verse, stories, essays, political journalism, a speech on writing, plus a catchy off-the-cuff rhyme she never thought to write down. The introduction of two new sections is intended to provide the richest possible sense of Parker herself. "Self-Portrait" reprints an interview she did in 1956 with The Paris Review , part of a famed ongoing series of conversations ("Writers at Work") that the literary journal conducted with the best of twentieth-century writers. What makes the interviews so interesting is that they were permitted to edit their transcripts before publication, resulting in miniature autobiographies. "Letters: 1905-1962," which might be subtitled "Mrs. Parker Completely Uncensored," presents correspondence written over the period of a half century, beginning in 1905 when twelve-year-old Dottie wrote her father during a summer vacation on Long Island, and concluding with a 1962 missive from Hollywood describing her fondness for Marilyn Monroe.