在线阅读本书 The original CliffsNotes study guides offer a look into critical elements and ideas within classic works of literature. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. CliffsNotes on Death of a Salesman shares an intimate glimpse into the dreams and disappointments of an American family. Following the story of Willy Loman, an aging salesman who can′t accept change within himself and society, this study guide provides a character list, character map, and character analyses to explore the personalities within Arthur Miller′s masterful play. Other features that help you figure out this important work include Personal and career background of the author Introduction to and brief synopsis of the play Summaries and expert commentaries for each act and scene Essays that explore the play′s major themes and the author′s manipulation of time and space A review section that tests your knowledge and suggests essay topics and practice projects A Resource Center full of books, publications, films, and Internet resources Classic literature or modern–day treasure — you′ll understand it all with expert information and insight from CliffsNotes study guides.

《都是我的儿子》是阿瑟•米勒的成名作，于一九四七年上演后一炮打响，连演三百二十八场。 剧本讲述了第二次世界大战期间，工厂主乔•凯勒把有裂缝的汽缸盖卖给陆军航空队，结果造成二十一架飞机失事。当时乔的儿子拉里正在打仗，从报纸上得知消息后，感到没脸见人，于是在执行任务时故意坠机自杀。临死前，他给女友安写了一封信。乔在接受调查时，却嫁祸给了他的合伙人史蒂夫•迪弗尔。迪弗尔因此锒铛入狱，连他的女儿安和儿子乔治也对此深信不疑，从此对狱中的父亲置之不理。 三年之后，拉里的哥哥克里斯打算和安结婚。但是，乔的妻子凯特坚持认为拉里还活着，她指望安和她一样一直等待拉里回来。这时，乔治带来一个惊人的消息，他从父亲口中得知乔才是罪魁祸首。因此，他坚决反对安和克里斯结婚。 克里斯从乔和凯特的对话中听出事情的真相，于是怒斥乔杀害了他的兄弟们。乔却认为他是为了家庭才这么干的。安被逼无奈说出了拉里之死的真相。凯勒终于醒悟，他为了小家庭牺牲大家庭，才铸成大错，害死了二十一名飞行员。最后，他终于说出“他们都是我儿子”，开枪自杀。

Book Description Arthur Miller seemed to capture the sometimes tragic plight of the common man with his Death of a Salesman. Bloom suggests the strength of the play is puzzling but beyond dispute, lying more in its presentation on stage than its written form. The play's continued vitality is unquestioned. The title, Arthur Miller’s Death of a Salesman, part of Chelsea House Publishers’ Modern Critical Interpretations series, presents the most important 20th-century criticism on Arthur Miller’s Death of a Salesman through extracts of critical essays by well-known literary critics. This collection of criticism also features a short biography on Arthur Miller, a chronology of the author’s life, and an introductory essay written by Harold Bloom, Sterling Professor of the Humanities, Yale University. Amazon.com Arthur Miller's 1949 Death of a Salesman has sold 11 million copies, and Willy Loman didn't make all those sales on a smile and a shoeshine. This play is the genuine article--it's got the goods on the human condition, all packed into a day in the life of one self-deluded, self-promoting, self-defeating soul. It's a sturdy bridge between kitchen-sink realism and spectral abstraction, the facts of particular hard times and universal themes. As Christopher Bigsby's mildly interesting afterword in this 50th-anniversary edition points out (as does Miller in his memoir, Timebends), Willy is closely based on the playwright's sad, absurd salesman uncle, Manny. But of course Miller made Manny into Everyman, and gave him the name of the crime commissioner Lohmann in Fritz Lang's angst-ridden 1932 Nazi parable, The Testament of Dr. Mabuse. The tragedy of Loman the all-American dreamer and loser works eternally, on the page as on the stage. A lot of plays made history around 1949, but none have stepped out of history into the classic canon as Salesman has. Great as it was, Tennessee Williams's work can't be revived as vividly as this play still is, all over the world. (This edition has edifying pictures of Lee J. Cobb's 1949 and Brian Dennehy's 1999 performances.) It connects Aristotle, The Great Gatsby, On the Waterfront, David Mamet, and the archetypal American movie antihero. It even transcends its author's tragic flaw of pious preachiness (which undoes his snoozy The Crucible, unfortunately his most-produced play). No doubt you've seen Willy Loman's story at least once. It's still worth reading. 　　　　　　　--Tim Appelo From Library Journal This 50th-anniversary edition of Miller's masterpiece, which certainly is a contender for the finest American drama of the 20th century, includes the full text of the play, a chronology of its productions, photos from various stagings including the current Broadway revival, and a new preface by Miller himself, all in a quality hardcover for a reasonable price. Bravo, Penguin. From The Merriam-Webster Encyclopedia of Literature A play in "two acts and a requiem" by Arthur Miller, written in 1948 and produced in 1949. Miller won a Pulitzer Prize for the work, which he described as "the tragedy of a man who gave his life, or sold it" in pursuit of the American Dream. After many years on the road as a traveling salesman, Willy Loman realizes he has been a failure as a father and husband. His sons, Happy and Biff, are not successful--on his terms (being "well-liked") or any others. His career fading, Willy escapes into reminiscences of an idealized past. In the play's climactic scene, Biff prepares to leave home, starts arguing with Willy, confesses that he has spent three months in jail, and mocks his father's belief in "a smile and a shoeshine." Willy, bitter and broken, his illusions shattered, commits suicide. Book Dimension length: (cm)19.7 　　　 　　　　　 　　　　　 width:(cm)12.8