The exhilarating "New York Times" bestseller from the author of "High Fidelity," "About a Boy," and "How to Be Good."

If the fact that they were single mothers meant that gorgeous women (who would not ordinarily look twice at Will) were willing to date him, then Will had it made. Inventing a son got him into a single parents support group, but rather than a fabulous new sex life, he found someone else's very real son -- a twelve-year-old with a lot to teach Will about being a grown up.

Will Lightman is a Peter Pan for the 1990s. At 36, the terminally hip North Londoner is unmarried, hyper-concerned with his coolness quotient and blithely living off his father's novelty song royalties. Will sees himself as entirely lacking in hidden depths--and he's proud of it! The only trouble is, his friends are succumbing to responsibilities and children and he's increasingly left out in the cold. How can someone brilliantly equipped for meaningless relationships ensure that he'll continue to meet beautiful Julie Christie-like women and ensure that they'll throw him over before things get too profound? A brief encounter with a single mother sets Will off on his new career, that of "serial nice guy." As far as he's concerned--and remember, concern isn't his strong suit--he's the perfect catch for the young mother on the go. After an interlude of sexual bliss, she'll realise that her child isn't ready for a man in their life and Will can ride off into the Highgate sunset, where more damsels apparently await. The only catch is that the best way to meet these women is at single-parent get-togethers. In one of Nick Hornby's many hilarious (and embarrassing) scenes, Will falls into some serious misrepresentation at SPAT ("Single Parents-- Alone Together"), passing himself off as a bereft single dad: "There was, he thought, an emotional truth here somewhere, and he could see now that his role-playing had a previously unsuspected artistic element to it. He was acting, yes, but in the noblest, most profound sense of the word." What interferes with Will's career arc, of course, is reality--in the shape of a 12-year-old boy who is in many ways his polar opposite. For Marcus, cool isn't even a possibility, let alone an issue. For starters, he's a victim at his new school. Things at home are pretty awful, too, since his musical-therapist mother seems increasingly in need of therapy herself. All Marcus can do is cobble together information with a mixture of incomprehension, innocence, self-blame and unfettered clear sight. As fans of Fever Pitch and High Fidelity already know, Hornby's insight into laddishness magically combines the serious and the hilarious. About a Boy continues his singular examination of masculine wish-fulfilment and fear. This time, though, the author lets women and children onto the playing field, forcing his feckless hero to leap over an entirely new--and entirely welcome--set of emotional hurdles. --This text refers to an out of print or unavailable edition of this title.

Is it possible to share your life with someone whose record collection is incompatible with your own? Can people have terrible taste and still be worth knowing? Do songs about broken hearts and misery and loneliness mess up your life if consumed in excess? For Rob Fleming, thirty-five years old, a pop addict and owner of a failing record shop, these are the sort of questions that need an answer, and soon. His girlfriend has just left him. Can he really go on living in a poky flat surrounded by vinyl and CDs or should he get a real home, a real family and a real job? Perhaps most difficult of all, will he ever be able to stop thinking about life in terms of the All Time Top Five bands, books, films, songs – even now that he’s been dumped again, the top five break-ups? Memorable, sad and very, very funny, this is the truest book you will ever read about the things that really matter.

For disgraced TV presenter Martin Sharp the answer's pretty simple：he has，in his own words，‘issed his life away’.And on New Year's Eve he's going to end it all …But not，as it happens，alone.Because first single-mum Maureen，then eighteen-year-old Jess and lastly American rock-god JJ turn up and crash Martin's private party.They've stolen his idea-but brought their own reasons. Yet it's hard to jump when you've got an audience queuing impatiently behind you.A few heated words and some slices of cold pizza later and these four strangers are suddenly allies.But is their unlikely friendship a good enough reason to carry on living？ ‘Hornby pins down the age in which we live with precision and comic brilliance’.