The most influential ethical treatise ever written, Aristotle's Nicomachean Ethics offers accounts of human happiness and welfare; the nature of a good person; the psychology of action and character; the virtues of character and intellect; praise, blame, and moral responsibility; practical reason; weakness of will; self-interest and the interests of others; the role of friendship in the good life; and the relation between pleasure and goodness. This edition offers more aids to the reader than are found in any other modern English translation. It includes an Introduction; headings to help the reader follow the argument; explanatory notes on difficult or important passages; and a full glossary explaining Aristotle's technical terms. For this edition, the translation has been revised, and the notes and glossary expanded.

Written four hundred years before the birth of Christ, this detailed contemporary account of the struggle between Athens and Sparta stands an excellent chance of fulfilling the author's ambitious claim that the work "was done to last forever." The conflicts between the two empires over shipping, trade, and colonial expansion came to a head in 431 b.c. in Northern Greece, and the entire Greek world was plunged into 27 years of war. Thucydides applied a passion for accuracy and a contempt for myth and romance in compiling this exhaustively factual record of the disastrous conflict that eventually ended the Athenian empire.

This second edition of 'Five Dialogues' presents Grube's distinguished translations, as revised by John Cooper for 'Plato: Complete Works'. A number of new or expanded footnotes are also included along with an updated bibliography.

书中讲述的是发生在北美殖民时期的恋爱悲剧。女主人公海丝特·白兰嫁给了医生奇灵渥斯，他们之间却没有爱隋。在孤独中白兰与牧师丁梅斯代尔相恋并生下女儿珠儿。白兰被当众惩罚，戴上标志“通奸”的红色A字示众。然而白兰坚贞不屈，拒不说出孩子的父亲。最终丁梅斯代尔不堪良心的谴责，公开认罪，死在了白兰的怀里。奇灵渥斯却沦为魔鬼的奴隶，成为真正的罪人。

If The Iliad is the world's greatest war epic, then The Odyssey is literature's grandest evocation of everyman's journey though life. Odysseus's reliance on his wit and wiliness for survival in his encounters with divine and natural forces during his ten-year voyage home to Ithaca after the Trojan War is at once a timeless human story and an individual test of moral endurance. Translated by Robert Fagles Introduction and Notes by Bernard Knox 请读者注意，你将要购买的这本书属于“Rough Cut”即传统的毛边剪裁。 A:有些精装书的切口为何很毛糙？ Q:毛边书在国外出版界通常用于重要的精品图书，为了使特定图书看起来更特别更有品味。在过去毛边书的生产流程会更为复杂和昂贵。而且毛糙的切口对于藏书者来 说可是贴心举措！当你阅读后，可以将该书拿去给印刷厂在毛糙切口处重切一刀，黑色的手指印和因为阅读而形成的卷曲立即消失，一本崭新的适于收藏的图书出现 了！ 国内读者可千万别误会这属于品质差的图书，所有亚马逊中国提供的原版书都是由国家规定的图书进出口公司进口的国外出版社正规制作的原版图书产品，与国外销 售的产品完全一样。

Publisher Comments: Aeneas flees the ashes of Troy to found the city of Rome and change forever the course of the Western world--as literature as well. Virgil's Aeneid is as eternal as Rome itself, a sweeping epic of arms and heroism--the searching portrait of a man caught between love and duty, human feeling and the force of fate--that has influenced writers for over 2,000 years. Filled with drama, passion, and the universal pathos that only a masterpiece can express. The Aeneid is a book for all the time and all people. Review "Allen Mandelbaum has produced a living Aeneid, a version that is unmistakably poetry." -- Erich Segal, The New York Times Book Review "A brilliant translation; the only one since Dryden which reads like English verse and conveys some of the majesty and pathos of the original." -- Bernard M. W. Knox "Mandelbaum has... given us a contemporary experience of the masterpiece, at last." -- David Ignatow "Allen Mandelbaum has produced a living Aeneid, a version that is unmistakably poetry." -- Erich Segal, The New York Times Book Review "A brilliant translation; the only one since Dryden which reads like English verse and conveys some of the majesty and pathos of the original." -- Bernard M. W. Knox "Mandelbaum has... given us a contemporary experience of the masterpiece, at last." -- David Ignatow About the Author Throughout his life Virgil was a poet and as far as we know had no interest in pursuing any other career. He was born Publius Vergilius Maro in 70 BC near Mantua, in what now is northern Italy. His parents, farm owners, were people of property and substance, if not wealth, and were able to obtain for their son a first-rate education. On completing his education, he returned home and possibly began work on the Eclogues, which appeared between the years of 42 and 37 BC. In 41 BC, the Emperor Octavian (later known as Augustus) confiscated Virgil's family's property, and Virgil was obliged to travel to Rome to negotiate for its return. Fortunately for Virgil, one of the officials secured for him an introduction to the emperor; not only was his land returned, but he also met Octavian's confidant Maecenas, who became Virgil's patron for the rest of his life. An industrious, meticulous writer, Virgil was not prolific. In addition to the ten Eclogues, which apparently took at least five years to publish, Virgil wrote the four Georgics, which took seven years, and the Aeneid, his great masterwork. Virgil worked on the Aeneid for eleven years, until his death in 19 BC. Feeling, apparently, that the epic was still unfinished, he directed in his will that the manuscript be destroyed. To the great fortune of succeeding generations, the emperor, Virgil's most prominent friend and admirer, intervened to countermand this provision. He turned the manuscript over to two of Virgil's friends, Varius and Tucca, to edit only obvious errors and repetitions, without adding to the text. The result of their work is the beautiful and brilliant Aeneid we have today. Allen Mendelbaum's five verse volumes are: Chelmaxions; The Savantasse of Montparnasse; Journeyman; Leaves of Absence; and A Lied of Letterpress. His volumes of verse translation include The Aeneid of Virgil, a University of California Press volume (now available from Bantam) for which he won a National Book Award; the Inferno, Purgatorio, and Paradiso volumes of the California Dante (now available from Bantam); The Odyssey of Homer (now available from Bantam); The Metamorphoses of Ovid, a finalist for the Pulitzer Prize in poetry; Ovid in Sicily; Selected Poems of Giuseppe Ungaretti; Selected Writings of Salvatore Quasimodo; and David Maria Turoldo. Mandelbaum is co-editor with Robert Richardson Jr. of Three Centuries of American Poetry (Bantam Books) and, with Yehuda Amichai, of the eight volumes of the JPS Jewish Poetry Series. After receiving his Ph.D. from Columbia, he was in the Society of Fellows at Harvard. While chairman of the Ph.D. program in English at the Graduate Center of CUNY, he was a visiting professor at Washington University in St. Louis, and at the universities of Houston, Denver, Colorado, and Purdue. His honorary degrees are from Notre Dame University, Purdue University, the University of Assino, and the University of Torino. He received the Gold Medal of Honor from the city of Florence in 2000, celebrating the 735th anniversary of Dante's birth, the only translator to be so honored; and in 2003 he received the President of Italy's award for translation. He is now Professor of the History of Literary Criticism at the University of Turin and the W.R. Kenan Professor of Humanities at Wake Forest University. Book Dimension Height (mm) 177 　　　　　　　　　　　Width (mm) 106

Gilgamesh is considered one of the masterpieces of world literature, and although previously there have been competent scholarly translations of it, until now there has not been a version that is a superlative literary text in its own right. Acclaimed translator Stephen Mitchell's lithe, muscular rendering allows us to enter an ancient masterpiece as if for the first time, to see how startlingly beautiful, intelligent, and alive it is. His insightful introduction provides a historical, spiritual, and cultural context for this ancient epic, showing that Gilgamesh is more potent and fascinating than ever. Gilgamesh dates from as early as 1700 BCE -- a thousand years before the Iliad. Lost for almost two millennia, the eleven clay tablets on which the epic was inscribed were discovered in 1853 in the ruins of Nineveh, and the text was not deciphered and fully translated until the end of the century. When the great poet Rainer Maria Rilke first read Gilgamesh in 1916, he was awestruck. "Gilgamesh is stupendous," he wrote. "I consider it to be among the greatest things that can happen to a person." The epic is the story of literature's first hero -- the king of Uruk in what is present-day Iraq -- and his journey of self-discovery. Along the way, Gilgamesh discovers that friendship can bring peace to a whole city, that a preemptive attack on a monster can have dire consequences, and that wisdom can be found only when the quest for it is abandoned. In giving voice to grief and the fear of death -- perhaps more powerfully than any book written after it -- in portraying love and vulnerability and the ego's hopeless striving for immortality, the epic has become a personal testimony for millions of readers in dozens of languages.

This timeless poem-more than 2,700 year old-still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amid devastation and destruction as it moves inexorably to its wrenching, tragic conclusion. Readers of this epic poem will be gripped by the finely tuned translation and enlightening introduction. Translated by Robert Fagles Introduction and Notes by Bernard

"These authoritative translations consign all other complete collections to the wastebasket."--Robert Brustein, "The New Republic" "This is it. No qualifications. Go out and buy it everybody."--Kenneth Rexroth, "The Nation" "The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."--"Times Education Supplement" "These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."--Warren D. Anderson, "American Oxonian" "The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."--"Commonweal" "Grene is one of the great translators."--Conor Cruise O'Brien, "London Sunday Times" "Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."--Dudley Fitts, "New York Times Book Review"

在线阅读本书 Perhaps the most haunting and tragic love story ever written, Wuthering Heights is the tale of Heathcliff, a brooding, troubled orphan, and his doomed love for Catherine Earnshaw. His desire for her leads him to madness, however, when Catherine is made to marry a wealthy lord, sending Heathcliff on a life-long quest to avenge himself upon those who stole his only love and his life. In this gripping chronicle of the never-ending conflict between the heart and the mind -- and the pain and passion of true romance -- Emily Brontë created an unforgettable classic saga of love, desperation, vengeance, and forgiveness. Published just one year before Brontë's death in 1848 at the age of thirty, Wuthering Heights endures as one of the world's greatest love stories and a classic of English literature.

这个有关罗马建立时的神话是个很好的故事。

The epic tale of Odysseus and his ten-year journey home after the Trojan War forms one of the earliest and greatest works of Western literature. Confronted by natural and supernatural threats - shipwrecks, battles, monsters and the implacable enmity of the sea-god Poseidon - Odysseus must test his bravery and native cunning to the full if he is to reach his homeland safely and overcome the obstacles that, even there, await him.

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground. Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber --This text refers to an out of print or unavailable edition of this title. Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices. Copyright 1996 Reed Business Information, Inc. --This text refers to the Hardcover edition. Jane Lapotaire, known to American audiences from her many PBS appearances, is a perfect choice to read Jane Austen's comedy of manners. Her rich and varied intonations capture just the right blend of artifice and empathy to recreate not only the lively and playfully witty Elizabeth Bennett and the handsome, albeit conceited, Mr. Darcy, but also the entire gamut of Bennett family members, friends and foes. Amazingly, Lapotaire even manages to conjure memories of the screen's Mr. D', Lawrence Olivier. This is an exquisite audio abridgment of the classic English satire. L.(H.)B. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title. We recently purchased three of your classics series hardcovers for our 15 year old daughter's birthday, and she was estatic. The books are beautifully done, and it was nice to see that they used the original versions' formatting. We anxiously look forward to any new volumes you may add. If we might make a suggestion for a future addition to this series, please consider Treasure Island, as this would be a most welcome addition to her new collection. Thanks for producing a wonderful product. --This text refers to an out of print or unavailable edition of this title. "It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife." --This text refers to an out of print or unavailable edition of this title. "Cover to Cover's unabridged readings of classic novels are in a class of their own." --This text refers to the Audio Cassette edition. "These Cover to Cover tapes offer up a delectable feast for fans of the spoken word. We're talking class act here-from the elegant covers to the accomplished readers." --This text refers to the Audio Cassette edition. "Irene Sutcliffe provides the passionate and strong reading of Austen's classic story." --This text refers to the Audio Cassette edition. "Jane Austen's Pride and Prejudice is read here by Irene Sutcliffe and is a delight from beginning to end." --This text refers to the Audio Cassette edition. "The wit of Jane Austen has for partner the perfection of her taste." --Virginia Woolf --This text refers to the Paperback edition.

Beautiful, vigorous, and eminently readable, this is the new English-language translation of one of the world's literary masterpieces. Includes an illuminating Introduction and explanatory notes. BOMC Selection. 864 pp.

Meg, Jo, Amy and Beth - are four "little women", enduring hardships and enjoying adventures in Civil War New England. The charming story of the March sisters, "Little Women" has been adored by generations. Readers have rooted for Laurie in his pursuit of Jo's hand, cried over little Beth's death, and dreamed of traveling through Europe with old Aunt March and Amy. Future writers have found inspiration in Jo's devotion to her writing. In this simple, enthralling tale, both parts of which are included here, Louisa May Alcott has created four of American literature's most beloved women.

One of the most influential literary works of our time, "One Hundred Years of Solitude" is a dazzling and original achievement by the masterful Gabriel Garcia Marquez, winner of the Nobel Prize for Literature. "One Hundred Years of Solitude" tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendia family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women -- brimming with truth, compassion, and a lyrical magic that strikes the soul -- this novel is a masterpiece in the art of fiction.