这本书是我的第二本摄影集，关于一些男孩和一些突起的器官。 我必须反省自己，不在室内喝酒，以及再好的音乐我都不应该用身体去听，在我极度“清醒”的时候想去吻一个熟悉的男孩，或者我想去一个陌生男孩的家里过夜并不是为了想要一个拥抱或者别的，而只是看一下他家的摆设。但是我太迷恋在别人家过夜了，在那种夜里我就像一只鬼，一只不敢走路的鬼，一只怕摔倒的鬼。在黑夜里我是怕死的，怕死后又变成了人。 我总是想把自己弄得很脏很脏再出门，可是我总在人群中走神或者入神的时候，发现自己内心里还是保有那么多纯洁的部分。我感到特别难过，我们每天谈论的男孩，爱，城市，我都不能改变。 36页、尺寸210mmx146mm，都为胶片拍摄。 塑料封皮，限量600本，每本有签名和编号。 【购买地址】： http://item.taobao.com/item.htm?id=14398008559

[ 关于书 ] 这是一本摄影集 纯胶片拍摄 独立出版 不公开发行 限定500本 ＃win.tam＃ 与 ＃nice映画机构＃ 合作出版 全书180p 收录近180幅作品 尺寸：17x22.9X1.6cm 锁线胶装本 双封套 至于装帧包装 留一个惊喜给大家 前200本预定 附赠卡片一套（6枚入）以及签名 书中部分内容限定18+ 请在家长陪同下阅读 这是win.tam第一本纯摄影集 书中图片都是作者自己精选的作品 还有很多未公开的相片 诚意之作 如果你也是个热爱纸质印刷品 又喜欢小情色或是小文艺 那这本摄影集 不需要我多做介绍 你一定需要拥有一本 [ 书里的话 ] 整本集子是关于男生的 关于他们的身体 生活 以及呼吸间夹杂着的希望跟绝望 焦躁跟美好 …… 这本摄影集收录了将近180幅照片 全胶片拍摄 有的含蓄 有的直观 很多人问我拍这些照片的用意 说实话 我自己也没有好好想过拍这些照片的用意 反倒变成全凭直觉的一次次按动快门的意志使然 我找不到什么准确的标签来定义这本集子 我没有那么高的艺术觉悟 始终觉得自己做着市井创作 因为我没有更高层面的游说力跟精神指导力 我没有办法为每张照片写出一段冠冕堂皇的故事背景 更多的 兴许是出于对某种美的固执 再世俗点 也不免有为满足一己私欲 想要扒掉层层衣衫 窥视肉体的一种病态 希望大家可以喜欢这本摄影集 对我来说 这意义重大 我也希望大家能在这些画面里找到那个像你一般的 某个眼神 某个低头的瞬间 我始终相信 boys like u 男孩似你 男孩爱你

This special and important photography book presents, for the first time, the very best contact sheets created by Magnum photographers. Contact sheets tell the truth behind a photograph. They unveil its process, and provide its back story. Was it the outcome of what a photographer had in mind from the outset? Did it emerge from a diligently worked sequence, or was the right shot down to pure serendipity a matter of being in the right place at the right time? This landmark publication provides the reader with a depth of understanding and a critical analysis of the story behind a photograph, the process of editing it, and the places and ways in which the selected photographs were used. For anyone with a deep appreciation of photography and a desire to understand what goes into creating iconic work, "Magnum Contact Sheets" will be regarded as the definitive volume. It is presented with 435 illustrations in total, 230 in colour, including over 3,600 frames on 139 contact sheets.

持ち運びできる「新宿」登場。 代表作が再編集＋増ページされポケットサイズに。 「1961年、初めて上京した日、新宿駅東口二幸前の雑踏のさなか、大きなボストンバッグを手に、一人途方に暮れていた。 あれから45年、人々の光彩が渦巻くこの街で、いまもまだ一人途方に暮れている」 森山大道 A6判（W110mm×H150mm）並製カバー装640頁（写真点数551点） 本体価格：1905円 ISBN4-901477-28-5 月曜社 Getsuyosha LTD.

"William Eggleston's Guide" was the first one-man show of color photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of color photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of color as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the "Guide" contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually super-refined look at the surrounding world. Here are people, landscapes, and odd little moments in and around Eggleston's hometown of Memphis--an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up flames, framed by a shiny silver tricycle, the curves of a gleaming black car fender, and someone's torso; a tiny, gray-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of "William Eggleston's Guide," The Museum of Modern Art has made new color separations from the original 35 mm slides, producing a facsimile edition in which the color will be freshly responsive tothe photographer's intentions.

1978年から2年間日本カメラで連載された「民謡山河」をまとめた写真群。著者が故・田中雅夫氏（写真評論家）と共に「民謡・祭り」を主題に日本各地を巡り撮影した写真から、祭りという非日常性の中での人々の姿、そして日々の暮らしの中での姿が次々に浮かび上がってくる。 著者あとがきより抜粋 「1 人1人の祈りが集積されて、祭りは昴揚してゆく。唄や太鼓にのり、平手で空を切り、手をたたいて時を切り、後ずさり、跳躍し、身体をひねっては日常の呪縛から解き放される。人々は大昔から祭りの一夜にここではない場所へ飛び、自分ではない自分になるすべを知っていたのだろう。祭りという魂の時間から日々の生活にもどった人間の表情に目を配ると、どの顔も愛おしく、どの人生も切なく思えてくる。」 著者：須田一政 写真点数＝202点 判型＝A5判変型／並製本 価格：￥5,250（税込） （2007 年11月発売）

媒體推薦【96年10月好讀推薦】二○○八年，日本人移民巴西一百年紀念。青年攝影家川內倫子與聖保羅近代美術館合作，開始了以巴西的日本移民為主題的創作計劃。最擅長捕捉日常裡肉眼不可見但確實存在的「空氣」，川內倫子走訪巴西各地日本移民社區，沉穩細膩地節錄下充滿能量和情緒的生活片段。 ■推薦理由：伊瓜蘇瀑布般豐沛強韌的生命剪貼冊。 二○○一年由リトルモア同時出版三部作品《うたたね》、《花火》、《花子》的川内倫子，隔年獲頒以具有潛力的新進攝影家為頒發對象的木村伊兵衛獎。最近則因擔任是知裕和導演的《無人知曉的夏日清晨》劇照師而引起討論。 2008年是日本人初次移民巴西的100週年，值此也是聖保羅近代美術館的建館100週年。因此企畫由川內倫子為日裔巴西人做100週年的紀錄。在兩年中川內倫子到巴西三次，除了拍攝巴西當地的風土民情，還有巴西與日本迥異的自然景觀、日系社會生活等等。 在巴西的瞬間，含有壓倒性的能量，充滿了懷舊的情懷與纖細的美感，在這美感中包含了異國文化及人種、貧富差距、種種不同的微妙處細膩地融合在一起。

Beijing-based photographer Chen Man (b.1981) is the subject of the newest book by 3030 Press. “Chen Man: Works 2003-2010” will be released as a limited edition of 2,000 individually numbered copies, being available in Hong Kong and China from March 1, 2010, and thereafter in Southeast Asia, Europe and North America. Chen is one of the China’s leading commercial photographer and the country’s most successful women photographer ever. She has produced shoots for magazines including Vogue, Elle, Nylon, Esquire and Cosmopolitan and acclaimed campaigns for brands such as Motorola and Adidas.

抄表工刘涛近六年街拍首次结集，天赋和时间，凝结为一份“平凡之燃”。无可抗拒的温暖和艰辛。Lens编辑出版。 ------------------------------- 【内容简介】 本书是街拍摄影师刘涛作品首次结集，由Lens编辑呈现。包含了他近六年街拍的首次结集、他对女儿刘小米的成长记录（首次公开）、Lens和刘涛的对话、艺术家马良、学者任悦的评论文章等。 ------------------------------- Lens作品： 《目客》系列 《目客001：花朵与我》 《目客002：我这样爱你》 《目客003：山本耀司》 《目客004：猫》 《视觉》系列 《视觉001：激情藏在安静的角落》 《视觉002：想在一生中做一件正确的事》 《视觉003：不需要安全感就是自由》 《视觉004：需要什么，年轻的身体便去找寻》 《视觉005：以手抵心》 《视觉006：我停在你将回来的地方》 影像系列 《把青春唱完》 《走来走去》 -------------------- 【编辑推荐】 ▶抄表工刘涛近六年街拍首次结集，Lens编辑出版。 ▶近六年来，刘涛围绕合肥同一条街道，每天步行拍摄4-6个小时。天赋和时间，凝结为一份“平凡之燃”。他的作品和人生，透着今天极度匮乏的品质和态度。 ▶刘涛不仅是用一台小数码相机创作了这些作品，而且，他在书中真实地剖析了自己的成长过程：从模仿别人起步，到在作品中融入自己的情绪，以及面临其他诱惑和干扰时的反应……每一个踏实做事的人，都能从书中感受到一份惺惺相惜。 ▶对于所有面临人生抉择的年轻人来说，刘涛的人生轨迹带来了丰富的启示，而他的作品，也从生活的真实和逼仄中，扒开一道缝隙，带来一丝诙谐。 ▶刘涛的街拍作品诠释了街头摄影的迷人之处：那种自由、开放和无限的好奇心。 ▶刘涛拍摄女儿成长的照片首次公开：天真，纯粹，好玩儿。他对女儿说，“这本书证明了我是和你一起成长……” ▶“这是眼光的智慧”，策展人、摄影评论人鲍昆评论刘涛说，“若说有个‘决定性的瞬间’的话，这才是。他的每张照片都有倒错的符号关系，令人忍俊不禁。” ▶学者任悦说，刘涛的照片在互联网上被疯狂传播，我们误以为是因其通俗，实际上，是因为在一个相当之窄的频率上，他让我们这些“所有人”产生了共鸣：“那些一刹那就会溜走的人情，都会给他准确无误地捡走。” ▶刘涛的画面里，“有我们每个人鱼水难离的中国式生活，吞吞吐吐的人世间所有无可抗拒的温暖和艰辛”，艺术家马良评论说，“他不是个愤世嫉俗者，又天性幽默，所以他的照片里有了生机勃勃的天地众生，我真喜欢那些诚实的小照片儿啊。” ▶300多张全版大图，近似明信片硬度和质量的印刷，裸脊锁线装订，非常舒服的翻阅体验。

This historic volume showcases tribal cultures around the world. With globalization, these societies are to be prized for their distinctive lifestyles, art and traditions. They live in close harmony with nature, now a rarity in our modern era. Jimmy Nelson not only presents us with stunning images of customs and artifacts, but also offers insightful portraits of people who are the guardians of a culture that they--and we--hope will be passed on to future generations in all its glory. Nelson's large-plate field camera captures every intricate detail and fine nuance for posterity. What's more, this splendid pageantry is set against a vivid backdrop of some of the world's most pristine landscapes. English/German/French edition. Review The ingenuity of tribal societies shines in "Before They Pass Away"...Nelson brings the expressive personalities further to life with a photographic style derived from Irving Penn and Malik Sidibe, making for a visually rich and fascinating read-and an ideal conversation-starter on any well-curated coffee table. Fabio Morelli, Elle Décor.com, October 8, 2013 Jimmy Nelson has spent the past three years traveling to some of the most remote places on Earth capturing the lives of indigenous people, from the frigid moutains of Mongolia to the endless sandy deserts of Namibia. Drama and emotion are crucial to Nelson's photography because he's on a search for beauty. Lorraine Boissoneault, weather.com, October 1, 2013

Beautifully reproduced and cleanly presented, the four hundred images in this volume represent the finest work of a pre-eminent landscape photographer. The photographs are arranged chronologically into five major periods in order to convey Adams's maturation as an artist - from his first photographs in 1916 to his last great photograph in 1968. ANSEL ADAMS' 400 PHOTOGRAPHS is intended as a must-have gift and reference book for anyone who appreciates photography and the allure of the natural world. Few artists or photographers of any era can claim to have produced four hundred images of lasting beauty and significance. It is a testament to Ansel's vision and his prodigious output that a book of this scale can be justified, and it is a point of pride for Little, Brown to publish a comprehensive overview of the work of Ansel Adams in a single well-packaged volume.

Reprint edition of Robert Frank: The Americans, Scalo Publishers 1998. http://www.douban.com/subject/1436918/

僕の大好きだった人はこの写真集を見て泣きました。 僕もなんだかセンチメンタルになっちゃって 一緒に泣いてしまった。 そんな思い出の一品。 一緒にいよう 二人で泣いたあとそう言ったんだけど。 結局それは叶わなかった。 懐かしい僕の恋の終わりの一品。 写真集が文学足りうると初めて思った写真集。奥様の陽子さんとの新婚旅行と　その２０年程度後の　陽子さんが一人で辿った死への旅を一冊に仕立て上げた白黒写真集。新婚旅行の陽子さんが　全く無表情である一方　不治の病と闘う陽子さんの見せる笑顔が対照的。この表情の違いの中に　それまでの夫婦生活を深読み出来ると思う。そうして　陽子さんの死への旅に　それを写真に撮るという形でしか参加出来ない荒木さんの哀しみは　数多く挿入されている東京の風景写真に見事に表されている。壮絶な作家魂と言っても過言ではないと思う。夫婦純愛小説と言うと陳腐だが　そういう本です。何度見ても心打たれる。

A broad monograph devoted to one of the preeminent names in contemporary Japanese photography. Moriyama's photography is provocative, both for the form it takes (Moriyama's photographs may be dirty, blurry, overexposed or scratched) and for its content. The viewer's experience of the photo--whether it captures a place, a person, a situation or an atmosphere--is the central thrust in his work, which vividly and directly conveys the artist's emotions. The approximately 200 black-and-white images sketch out an original perspective on Japanese society, especially during the period from the 1950s to the '70s. During this time, he produced a collection of photographs -- Nippon gekijo shashincho -- which showed darker sides of urban life and relatively unknown parts of cities. In them, he attempted to show what was being left behind during the technological advances and increased industrialization in much of Japanese society. His work was often stark and contrasting within itself--one image could convey an array of senses; all without using color. His work was jarring, yet symbiotic to his own fervent lifestyle. In addition, the artist has included a number of photos shot in the past decade to complete this volume.

The Czech photographer Josef Koudelka was centre stage with his camera when the Soviet tanks rolled into Prague in 1968, photographing mass demonstrations and the confrontations between protestors and invading soldiers. Smuggled out of Czechoslovakia soon after the invasion, Koudelkaâs stunning black-and-white pictures of the citizens of Prague swarming the streets as tanks rumble towards them were widely published in theWest, and remain the definitive images of those tumultuous days.

Ouvrage réunissant l’ensemble des images fixes et animées (photogrammes) sur la Chine et la société chinoise au début du xxe siècle extraites du fonds Albert Kahn et accompagnées de notices. Le vol. 1 montre des invités chinois d’Albert Kahn et des sites de Chine, le vol. 2 est consacré à Pékin et ses environs.