Two celebrated masters of Japanese photography with very different individual visions return to a part of Tokyo which has played a central part in their work, Shinjuku. The photographs which resulted from their series of visits are compiled in this beautifully produced exhibition catalogue, overflowing with full page reproductions, essays and observations and a delightful conversation between Moriyama and Araki.

This striking new publication, a sequel to Phaidon's 2000 publication "South Southeast", is a selection of Steve McCurry's most astounding and powerful portraits from South and Southeast Asia. McCurry takes photographs all over the world, for "National Geographic" magazine and his own projects, but it is the people, places, colours and forms of Afghanistan, India, Sri Lanka, Cambodia and Myanmar (Burma) that have inspired his most sublime images - photographs which transcend their original editorial purpose to become classics of photography. Like "South Southeast", this book features a remarkable range of photographs with brief captions and a short essay introduces the book.

Il volume presenta una selezione di oltre 200 opere fra le più importanti e significative del fotografo giapponese, uno degli artisti internazionalmente più acclamati e discussi. Il libro ripercorre la carriera di Araki dagli anni Sessanta sino ad oggi, con particolare attenzione alla recente produzione di cui verrà data ampia esposizione. La serie Tokyo Diary 2003-2007, raccolta di emblematiche fotografie (una per giorno), una nuova serie di nudi e di eleganti ritratti femminili, e alcune "storie" ambientate nel Giappone tradizionale. Accanto a questi lavori seriali spiccano i ritratti e le fotografie di strada degli anni Sessanta e Settanta, dove Araki "registra" la società giapponese nel suo momento forse più vorticoso di crescita economica. Forte rilievo assumono le nuove composizioni di fiori e i classici bondage che l'hanno reso famoso in tutto il mondo.

《寫真物語 上 日本攝影大師語錄1889-1989》帶給讀者的，將是包括野島康三、土門拳、植田正治、東松照明、細江英公、高梨豐、中平卓馬、森山大道、荒木経惟等共34位攝影大師的代表作品，於雜誌、作品集、訪談發表的經典格言，以及他們的人生故事。 《寫真物語 上》邀請知名學者飯澤耕太郎撰寫導讀，並在日本攝影界協助下取得介紹美術館、私人收藏之140件經典名作的機會。另外，《寫真物語 上》更收錄日本攝影的重要文章，期待由作品到脈絡、由語錄到評論、由淺入深地與讀者一同由日本攝影的黎明期，走到百花齊放的一九九〇年代。 《寫真物語 上》透過對日本攝影親切且深刻的介紹，原汁原味呈現日本攝影百年來的面貌，以及每位日本攝影大師的個性與創造力，將是讀者在閱讀數本日本大師的經典文集之後，甚或之前，對風靡全球的日本攝影更完整的必須認識。正如深刻理解日本攝影的台灣攝影家沈昭良的推薦：「我誠摯推薦此書，特別是對有志於攝影學術與創作實務的朋友們。」 34位攝影大師 140張代表作 110段經典格言 攝影家小故事＋復刻攝影集大整理 福原信三 / 淵上白陽 / 塩谷定好 / 野島康三 / 小石清 / 安井仲治 / 中山岩太 / 椎原治 / 瑛九 / 山本悍右 / 濱谷浩 / 土門拳 / 桑原甲子雄 / 植田正治 / 東松照明 / 川田喜久治 / 奈良原一高 / 細江英公 / 石元泰博 / 高梨豐 / 中平卓馬 / 森山大道 / 鈴木清 / 牛腸茂雄 / 荒木経惟 / 井上青龍 / 小島一郎 / 土田ヒロミ / 須田一政 / 北井一夫 / 篠山紀信 / 古屋誠一 / 石內都 / 深瀨昌久

ずかな瞬間を約4年の歳月をかけて追い続けた、川内倫子の超大作『AILA』（リトルモア刊・2004年）が改訂版として生まれ変わりました。 ひよこ、馬、犬、カメ、そして人間･･･。 生まれてからすぐに死をむかえるもの、生まれてからすぐに誰かの生のために食べられてしまうもの、すべての生きものたちは自分たちのさだめに従って生きています。 さまざまな生き物たちが生まれてくる瞬間の神秘、生きている尊さ、自然界のいのちのざわめき、躍動、歓び、美しさ、そしてはかなさ。 川内倫子が切り取った写真は、私たちを生と死の境界線にいざなってくれます。

《PHOTOGRARHY国际摄影艺术教程》这本令人鼓舞的摄影艺术指导手册探索了摄影师经常会遇到的各种主题，并针对这些主题给出了清晰而简明的解释。书中内容涵盖了从传统摄影到数字摄影的所有方面，既展示了摄影大师的艺术创作过程，又包含了来自全球年轻摄影师的鲜活的、令人激动的艺术作品。

《西方摄影文论选(修订版)》的预设对象从一开始就没有把“搞理论”的人作为主要目标，而是以从事与接受高等摄影教育的师生以及广大摄影工作者和爱好者为主要读者。反观中国的摄影与摄影教育，一向以实用为指针，一味强调实际技能而忽视理论，这也是造成现在不重视“理论”的原因之一。这其中当然有不得已的苦衷，如“理论”人才不足，但这并不等于上述有关人士就没有理论上的兴趣。只是问题在于，我们到目前为止还没有一本足以让人们认为当得起“摄影”文论的发好选集。

《摄影的真谛-影像表达与摄影师的角色》，本书以视觉化的形式讨论了摄影的本质、摄影的语言、摄影的意义等问题。作者选取了一些世界上最优秀的摄影师的作品，并配以深刻的文字讲解，探讨了摄影创作的基本问题，是一部经典的摄影美学著作。

Nan Goldin is internationally recognized as one of today's leading photographers. Her photographs have been exhibited in museums and galleries worldwide, including SFMOMA, California, the Whitney Museum of American Art, New York, the Stedelijk Museum, Amsterdam, Centre Pompidou, Paris and the Museu Reina Sofia, Madrid. Born in Washington DC, Goldin grew up in Boston where she began taking photographs at the age of fifteen. She has since lived in New York, Bangkok, Berlin, Tokyo and Paris, amassing an extensive body of work that represents a fascinating photographic portrait of our time. Since the 1980s Goldin has consistently created images that are intimate and compelling; they tell personal stories of relationships, friendships and identity, but simultaneously chronicle different eras and the passage of time. Her 'snapshot'-esque images of her friends - drag queens, drug addicts, lovers and family - are intense, searing portraits that, together, make a document of her life. Goldin herself has commented on her photographic style and philosophy, saying, 'My work originally came from the snapshot aesthetic ...Snapshots are taken out of love and to remember people, places, and shared times. They're about creating a history by recording a history.' Her work often breaks social taboos with its explicit exploration of relationships, sexuality and eroticism, and has also shown the devastating effect AIDS has had on her community of friends. Through its sequence of 55 images, Nan Goldin presents an overview of the photographer's entire career, and illustrates the development of the intimate and raw style for which Goldin has become internationally renowned.

本书是我省著名摄影家吴家林先生的一部摄影作品集。书中收录照片200多幅，对人与自然、人与社会、人与历史和文化、人与生存环境作了很好的诠释。

Since its founding in 1947 by Robert Capa, Henri Cartier-Bresson, George Rodger, and David "Chim" Seymour, Magnum Photos, the legendary co-operative, has powerfully chronicled the peoples, cultures, events, and issues of the time. Magnum Magnum brings together the best work, celebrating the vision, imagination, and brilliance of Magnum photographers, both the acknowledged greats of photography in the twentieth century—among them Henri Cartier-Bresson, Robert Capa, Eve Arnold, Marc Riboud, and Werner Bischof—and the modern masters and rising stars of our time, such as Martin Parr, Susan Meiselas, Alec Soth, and Donovan Wylie. And it shows the work at a breathtaking scale: the vast page size of Magnum Magnum—12¾ by 15¾—gives the photos an impact never seen before in book form. Organized by photographer, the book harks back to the agency's early days and the spirit that made it such a unique and creative environment, one in which each of the four founding members picture-edited the others' photographs. Here a current Magnum photographer selects and critiques six key works by each of the sixty-nine featured photographers, with a commentary explaining the rationale behind the choice. This groundbreaking publication is at once a permanent record of iconic images from the last sixty years and an insight, as seen through the critical eyes and minds of Magnum photographers, into what makes a memorable photograph. This first edition of Magnum Magnum will become one of the great collectibles—an essential book for anyone interested in photography or the world depicted by it. 400+ photographs in color and duotone.

《消逝的老街(1996-2000)》包含了作者1996年至2000年间创作的作品。从作者开始记录这座城市已经过了11年，如今的上海有了巨大的变化。当年昏暗的城市变得灯火通明，人们的表情和服装也今非昔比。一眼望去，这座城市酷似动画片中所描述的未来都市。 此书中还附带了1997年至1999年间部分体现市民生活的录音。希望这些照片和声音能展现更多关于20世纪末的上海的景象。

这本最具代表性的LOMO相集，由英国著名的Booth-Clibborn Editions出版。三百多彩页展示超过2000幅来自世界各地的LOMO相片，全是Lomolympics 2000及Lomographic Sampling Games 2000的入围作品。

自分が植物になったような気分になる時、花にとまる小さな昆虫のような気分になった時、そんな時にシャッターをきった。ただただ美しいだけではなく、花以上のなにかを写しとった写真集。

《观念的街头》内容简介：人既是感情动物，也是观念动物。人的任何行为，都受各自对于世界的认知的制约。人在从事自己的社会实践时，无论是经过深思熟虑的考量之后的观念先行，还是“摸着石头过河”的边实践边检验的观念与创造的并行展开，最终，人的物质与精神产品，必定是自己观念的产物。人的摄影实践同样也是如此，其摄影行为无法与自己的摄影观念剥离。从这个意义上说，“摄影观念丛书”想要诉诸读者与摄影实践者的，是摄影家们通过开放的摄影实践所展开的对于自身的摄影观念的检验、反思甚至质疑。所以，这里呈现的作品，与其说是创作作品的集中展示，倒不如说是摄影家们对于自己创作轨迹的一种自我解剖式的重审。

“我拍摄的是物的历史。在《海景》系列里，我要处理的对象是水和大气。这两样可说是至今为止对人而言变化最少的东西吧。其他世间万物都随岁月的流逝而变化。我的艺术的主题是时间。” 杉本博司在拍摄《剧院》系列时，跑到一个又一个已经被遗弃的电影院，架起照相机对准银幕，然后放上一部电影。当电影结束时，电影故事因为底片长时间曝光而在胶片上成为一段空白，但黑暗中的电影院里角角落落的细节却因了长时间曝光而被时间镂刻得棱角分明。 我们未必能够了解摄影师真正在思考什么，可是透过杉本博司的作品一定能够引发我们自己对于世界的思考，而这不正式摄影的目的么？ “杉本博司是我们这个时代最令人尊重的摄影家之一。他的重要摄影题材都是对艺术、历史、科学与宗教的诠释。他将东方哲学思想与西方文化主旨完美地结合在一起。” ——这是国际著名的哈斯勃兰德摄影奖对其2001年度的获奖者、日本摄影家杉本博司的评奖评语。

這是關於日本攝影師荒木經惟的貓---奇洛