在设计方面，因为《设计私生活》将所有设计物摆在一大张跨页照片中的创意作法，几乎已成为《设计》系列的首创特殊标记，本书仍将延续。但是封面会完全不同，将呈现义大利的缤纷热闹，与先前几本走沉静气质路线的封面有很清楚的区隔。内页的几个主色，也会以义大利红、白、绿经典代表色为基础。

A visual feast of 400 dazzling images, this is a comprehensive survey of the genre over the last century. The book also offers an overview of the development of fashion, as seen through the eyes of the greatest illustrators of the day. Early in the century fashion illustration reflected new, liberating currents in art and culture, such as the exoticism of the Ballets Russes, while the postwar period saw inspiration from the great Parisian couturiers. After the dominance of the celebrity fashion photographer in the '60s, a new generation of illustrators emerged, embracing the medium of the computer, while many returned to more traditional techniques.

《创意市集2·玩心大发》是伦敦市集13位艺术家、设计师访谈录。 伦敦的市集依然活泼、热火，走在其中依然惊喜无限，创意百出、想法新鲜的艺术家和设计师有增无减。创造了“创意市集”一词的王怡颖在第一本书里曾经带领我们畅游的Spitalfield's Market如今已步入了转型期，而位于老啤酒厂中的UPMarket悄悄兴趣兴起，因为租金低廉，吸引了一批更年轻的创作者进驻，他们毫无忌讳地用作品来表达自己的想法，在现实中坚持真我，寻找能让他们继续尽情把玩创意的平衡点，使UPMarket这个新兴市集在某种程度上少了商业气息，更具有活力和特色。

这是一本小题大作的书！书中谈的不是令人肃然起敬的建筑和艺术，而是把橡皮圈、马桶刷、胡椒罐和碗盘看待得和建筑、艺术一样认真！ 我们生活中不知不觉围绕了许多杂货小物，而我们和这些家中生活杂货似乎培养出了某种默契，这种默契让你习惯忽视它的存在。然而当杯子只能喝水，榨果汁机只榨果汁，椅子只能坐时，对於设计至上的浪漫主义者来说，就像老夫老妻相处的关系，因此不安分的他们会一再寻找新欢，想找回刺激的兴奋感。所以Alessi、Kartell、Georg Jensen都可能成了这些“不安于室”的人外遇的对象。 这本书正是作者不安于室的胡思乱想：“设计新观念”与读者分享设计新观点，感受不同文化创意的衝击，及设计产业的日新月异；“品牌故事”则是知名厂商如何创造自己的利基，写下自己的品牌神话；“杂货生活家”从厨房到卧房、从客厅到饭厅，搜集各式好玩有创意的生活用品，让这些设计搅乱我们的脑袋、翻新我们的生活。

Welcome to the biggest and best ideas on special gift packages for your best customers. World renowned designers unveil their approach, from goals and challenges, through process and design, to arrive at the most uniquely applicable gift ideas imaginable. A brand image, an artful object, and original souvenir for a special occasion - this is the definitive guide when it comes to expressing concepts, themes and attitudes in a single precious object. "Super Premium" offers an extensive showcase of these exclusive objects that you will not easily forget. With some of the world's cutting edge brands such as Diesel, "I-D" magazine, Hello Kitty, Vivienne Westwood, Uniqlo, and Louis Vuitton enlisting top notch designers the resulting commissions are aptly effective, unique and beautiful.

Magazing/Editorial Design CD Cover/Sleeve Design Miscellaneous Book Design Promotion Film Catalogue/Fashion Promotion Poster Design

The first book to embrace the whole of the UK and its creative influence on international fashion, this book is aimed at industry professionals, students and anyone with an interest in fashion. Both inspirational and informative, it will also appeal as a coffee-table book, being visually inspiring and modern. The UK is a creative and cultural melting pot for international designers to develop their creative identity. London Fashion Week is renowned for showing an edgier breed of fashion designer and for celebrating cutting-edge couture that pushes the boundaries of convention. This book focuses on the British designers since 2000 who have made their influence resonate globally: designers such as Stella McCartney, Alexander McQueen, Hussein Chalayan, Vivienne Westwood, John Galliano, Julien Macdonald, Giles Deacon, Matthew Williamson and Paul Smith. Each chapter is devoted to one designer and defines visually how Britishness informs their work, showing final collections, process work and studio space. Text in the form of questions and answers or running text illustrates each designer's British influence and distinct style. Hywel Davies is a Senior Lecturer in Fashion Communication and Promotion at Central St Martins College of Art and Design in London. Previously Fashion Editor of 'Sleazenation', he has also written for 'Arena', 'Vogue', 'ELLE', 'Wallpaper', 'Nylon', 'Dazed & Confused', 'Fashion Inc', 'Grafik', 'Time Out', The Guardian, The Sunday Telegraph, The Financial Times, The Observer, The Independent and 'SHOWstudio'. He is the author of 'Modern Menswear' and '100 New Fashion Designers', both published by Laurence King.

这本书出自一位世界级设计师之手。复杂的设计原理在书中凝炼为亲密性、对齐、重复和对比4 个基本原则。作者以其简洁明快的风格，将优秀设计所必须遵循的这4 个基本原则及其背后的原理通俗易懂地展现在读者面前。本书包含大量的示例，让你了解怎样才能按照自己的方式设计出美观且内容丰富的产品。 此书适用于各行各业需要从事设计工作的读者，也适用于有经验的设计人员。

多位巴黎手作创意人专为这本书提供了原创手工作品的制作方法及步骤，将私房小店与读者亲密分享。 这本书里的创意人，多有颇具规模的工作室或创意店铺，甚至许多世界名牌都是他们的客户。这些创意人的生活或工作空间，都非常精彩，浪漫不甘寂寞的巴黎人喜欢绚烂丰富的色彩，但不同艳丽色彩齐聚一个空间却不觉庸俗，只有“乱花渐欲迷人眼”般仿佛来自大自然的明媚之感。每个创意人的简介和空间展示之后，附有他们教给读者做的一个小玩意，看上去可行性强，做出来效果也好，颇有让人想尝试的冲动。 书中同时收录巴黎最具创造力的设计师们爱逛的咖啡厅、餐厅、设计精品店等等这类流行店面的信息。

Ever since the creation of the first Penguin paperbacks in 1935, their jackets have become a constantly evolving part of Britain's culture and design history. Rich with stunning illustrations and filled with detail of individual titles, designers and even the changing size and shape of the Penguin logo itself, this book shows how covers become design classics. By looking back at seventy years of Penguin paperbacks, Phil Baines charts the development of British publishing, book cover design and the role of artists and designers in creating and defining the Penguin look.Coupling indepth analysis of designers - from Jan Tschichold to Romek Marber - with a wide-ranging look at the range of series and titles published - from early Penguins and Pelicans, to wartime Specials, fiction and reference, this is a distinctive picture of how Penguin has consistently established its identity through its covers, influenced by - and influencing - the wider development of graphic design and the changing fashions in typography, photography, illustration or printing techniques. Filled with inspiring images, "Penguin by Design" demonstrates just how difficult it is not to judge a book by its cover.

Typography today exists in conflict with classical font design and contemporary influences such as analogue distortion, screen applications, street culture, deconstruction, hand lettering and illustrative letter forms. Type One not only presents an overview of the diversity in current typography, but also reveals where conventions have become established and where valid new approaches exist. In addition to a rich selection of typefaces and their applications, the book features articles by and interviews with international experts such as Jean François Rappot, House Industries’ Andy Cruz and Ken Barber, Norm and Professor Tanja Diezmann. Topics range from the democratization of the font creation process by the computer to how much existing approaches are based on the same fonts. These texts are edited and commented by Silja Bilz, former project and product manager for Corporate Type at the renowned Linotype Library. While Type One provides practical context and examples, it also investigates the experimental and inspirational side of font design. This combination makes the book an essential resource for anyone seeking an up to date exploration and understanding of typography.

包豪斯是德国的一个现代艺术教育学校，对现代主义艺术风格的形成产生了关键性的影响，以“包豪斯”风格闻名于世。 这本书是国内专门介绍这一现代艺术运动的第一部专著，展现了20世纪初现代艺术发端时期波澜壮阔、充满激情和叛逆精神的历史画面。

《手绘的奇思妙想:49位设计师的创意速写簿》内容简介：这是一条通往艺术家脑海，探索最原始的创意思路的捷径。书中收录了许多画作、涂鸦作品、实验性的或是经由细心观察才绘制而成的作品。书页中层层叠叠地铺满了色彩，空白处则有许多购物清单和电话号码；封面上是饱经旅行风霜的印迹，它们曾被装入背囊中、口袋里，也曾掉落在雨里，或是遗失在草丛中。 书中向你展示了一种在美术馆或博物馆中，在金色的画框中，无法见到的艺术形式。这是一种只要它存在，便需要被欣赏的艺术形式。每个人，当他们翻开这些速写簿，都会将头深埋于其中，被那些速写作品和点滴的记录完全吸引，然后翻至下一页。每一次翻阅都会带来无穷的惊喜。这些打开的画纸就像一则故事、-篇日记，甚至是一段生活。每一本速写簿都是生活的缩影。作者根据自己的喜好以及书册的厚薄程度，将几周、几个月，甚至几年的经历展现在你面前。翻过一张张画纸，你仿佛能看见时光的飞逝，看见其中闪现的创意，看见作者的种种冒险、经验教训、想法、失误以及梦想，所有的一切都化作墨迹，在读者面前如花一般盛开。 无论你是否是一名艺术家、设计师、作家，还是音乐家或是注册会计师，我都希望你能在绘画生活的冒险中，获得知识和无尽的艺术财富。

作者周游英国，寻访16位艺术家与设计师，看人，寻找灵感，感受气氛……《创意市集》中16位艺术家将向读者展示他们别样的创意生活，与众不同的设计方式，这里总有让您目瞪口呆的创意，这里也总能启迪您的智慧！希望您翻开本书时，即使只看图片，也能感受到它给您带来的灵感！ 伦敦的市集五花八门，创意无限。充分反映出这里自由平等的艺术风气。就连70岁的老公公把自己家中不能用的旧插头拿出来卖，也可以反映出某种程度的刨创意和自由。市集不但是当地人休闲生活的一部分，也是许多才华横溢的设计师或艺术家事业的起点。在市集蛰居多年而终于获得肯定，闯出一片天空的例子层出不穷：有人因两拥有自己的店，或是产品上百货专柜，有人因此而声名大噪，工作接不完……

王志弘、孫大偉、陳宏一、詹宏志 好評推薦平面設計大師在想什麼……尖銳、直接、幽默，步步攻防的深度訪談設計大師想的和我們哪裡不一樣？創意發想有沒有一套流程？如何開創獨一無二的風格同時成功地銷售產品？大公司的處世哲學？工作室的生存之道？藝術教育的影響力？最好及最糟的作品、令人害怕的事、上一次掉下眼淚……在設計領域工作二十多年的黛比．米曼，熟悉每位設計師的生涯發展，在和大師Neville Brody、Stefan Sagmeister、Peter Saville等人訪談之中，她敏銳而友善、同時又帶有挑戰性地展開對話，她步步為營想要一揭究竟，而每位設計師則像是魔術師，總能在途窮時施術，換掉手上的底牌，如此攻防造就這本精彩至極的訪談集。訪談不限定在作品探討，而是從早年啟蒙、生活、夢想談起，逐漸觸及對設計的態度、接案規畫、和設計一行的甘苦點滴。有些看似平常的小事正使人探知設計師們的內在，這又巧妙的和作品脈絡相循，甚至有些是孕育出偉大作品的奶水，對於從事創意工作的人有不少的啟發。書中21位設計師許多曾是業界的刺蝟，回首幾十年生涯路，他們真誠流露，自剖經營與創意思維。平面設計不同於純藝術創作，它具備商業色彩，負責將訊息遞送給觀者。書中的對話兼具教育與娛樂性，使讀者見識他們如何思考與看待世界，同時，讀者從中還能看見他們如何得以創造出精彩絕倫的作品。

《世纪设计提案:设计的未来考古学》充满智慧，同时出现了很多有强烈的人性化的文章。当读者在字字珠玑中浮想连翩的时候，可以感受到一波又一波的浪漫遐想，它们不断冲击着我们脑海中的创意细胞。我们似乎可以透过i-MAC的透明外壳听到哈雷摩托车的轰鸣；在褶皱装的线条中领悟时尚前沿的色彩，也可以向卫星导航系统和隐形战斗机的驾驶员一样享受准确定位的乐趣；在扫描一段又一段的文字信息中，这些创意的设计思想，放大并构筑成了我们脑海中交织的网络轨迹，使我们在一个超越文字与平面的信息宇宙中自由翱翔。 当然，在解读和翻译的过程中，我也遇到了许多难以逾越的屏障，大师们精彩的造诣往往很难用现有的语言来进行直译，而回味无穷的观点，也有可能被规范的词句所约束冲淡。我企图去突破，但有限的能力最终也无法将所有的清彩一一呈现，因此，恳请读者提出宝贵意见。希望通过《世纪设计提案:设计的未来考古学》，能够为中国的设计界提供一些来自于日本设计专家们的精辟见解，通过相互交流，使我们对人类未来设计的大趋势增加更多的理性认知。

This is the first book to be published on one of the greatest American designers of the 20th century, who was as famous for his work in film as for his corporate identity and graphic work. Saul Bass (1920-1996) created some of the most compelling images of American postwar visual culture. Having extended the remit of graphic design to include film titles, he went on to transform the genre. His best-known works include a series of unforgettable posters and title sequences for films such as Alfred Hitchcock's Vertigo and Otto Preminger's The Man with the Golden Arm and Anatomy of a Murder. He also created some of the most famous logos and corporate identity campaigns of the century, including those for major companies such as AT&T, Quaker Oats, United Airlines and Minolta. His wife and collaborator, Elaine, joined the Bass office in the late 1950s. Together they created an impressive series of award-winning short films, including the Oscar-winning Why Man Creates, as well as an equally impressive series of film titles, ranging from Stanley Kubrick's Spartacus in the early 1960s to Martin Scorsese's Cape Fear and Casino in the 1990s. Designed by Saul Bass's daughter Jennifer and written by distinguished design historian Pat Kirkham, who knew Saul Bass, this book contains more than 1,400 illustrations, many from the Bass archive and never published before, providing an in-depth account of one of the leading graphic artists of the 20th century. This definitive study is eagerly anticipated by design and film enthusiasts.

The most exciting names in design and illustration today apply their talents to some of the most important and influential films of all time. This volume gathers highlights from designs commissioned by the Criterion Collection, featuring covers, supplemental art, and never-before-seen sketches and concept art plus a gallery of every Criterion cover since the collection's first laserdisc in 1984. From avant-garde experiments to big-budget blockbusters, cult favorites to the towering classics of world cinema, the depth and breadth of what film can be is on display in these striking images. Whether painstakingly faithful re-creations or bold re-imaginings, the stunningly diverse designs collected here offer new ways for cinephiles and design aficionados alike to engage with the world's greatest filmmakers.

Paul Rand was one of the world's leading graphic designers. Here he describes his work with the same precision, economy and passion that he displays in his graphic designs, seeking to help us to understand the nature of his relationships with his clients, his audience and his art.