Gibbon's Decline and Fall of the Roman Empire, published between 1776 and 1788, is the undisputed masterpiece of English historical writing which can only perish with the language itself. Its length alone is a measure of its monumental quality: seventy-one chapters, of which twenty-eight appear in full in this edition. With style, learning and wit, Gibbon takes the reader through the history of Europe from the second century AD to the fall of Constantinople in 1453 - an enthralling account by 'the greatest of the historians of the Enlightenment'. This edition includes Gibbon's footnotes and quotations, here translated for the first time, together with brief explanatory comments, a precis of the chapters not included, 16 maps, a glossary, and a list of emperors.

Gibbon's Decline and Fall of the Roman Empire, published between 1776 and 1788, is the undisputed masterpiece of English historical writing which can only perish with the language itself. Its length alone is a measure of its monumental quality: seventy-one chapters, of which twenty-eight appear in full in this edition. With style, learning and wit, Gibbon takes the reader through the history of Europe from the second century AD to the fall of Constantinople in 1453 - an enthralling account by 'the greatest of the historians of the Enlightenment'. This edition includes Gibbon's footnotes and quotations, here translated for the first time, together with brief explanatory comments, a precis of the chapters not included, 16 maps, a glossary, and a list of emperors.

This was Michel Foucault's first major book, written while he was the Director of the Maison de France in Sweden. It examines ideas, practices, institutions, art and literature relating to madness in Western history. Foucault begins his history in the Middle Ages, noting the social and physical exclusion of lepers. He argues that with the gradual disappearance of leprosy, madness came to occupy this excluded position. The ship of fools in the 15th century is a literary version of one such exclusionary practice, the practice of sending mad people away in ships. However, during the Renaissance, madness was regarded as an all-abundant phenomena because humans could not come close to the Reason of God. As Cervantes' Don Quixote, all humans are ridiculous weak to desires and dissimulation. Therefore, the insane, understood as one who has come too close to God's Reason, was accepted in the middle of society. It is not before the 17th century, in a movement which Foucault famously describes as the Great Confinement, that "unreasonable" members of the population systematically were locked away and institutionalised. In the 18th century, madness came to be seen as the obverse of Reason, that is, as having lost what made them human and become animal-like and therefore treated as such. It is not before 19th century that madness became mental illness that should be cured, e.g. Freud. Later it was demonstrated that the large increase in confinement did not happen in 17th but in the 19th century, somewhat undermining his argument. Foucault also argues that madness during Renaissance had the power to signify the limits of social order and to point to a deeper truth. This was silenced by the Reason of Enlightenment. He also examines the rise of modern scientific and "humanitarian" treatments of the insane, notably at the hands of Philippe Pinel and Samuel Tuke. He claims that these modern treatments were in fact no less controlling than previous methods. Tuke's country retreat for the mad consisted of punishing the madmen until they gave up their commitment to madness. Similarly, Pinel's treatment of the mad amounted to an extended aversion therapy, including such treatments as freezing showers and use of a straitjacket. In Foucault's view, this treatment amounted to repeated brutality until the pattern of judgment and punishment was internalized by the patient.

100,000 years ago, at least six human species inhabited the earth. Today there is just one. Us. Homo sapiens. How did our species succeed in the battle for dominance? Why did our foraging ancestors come together to create cities and kingdoms? How did we come to believe in gods, nations and human rights; to trust money, books and laws; and to be enslaved by bureaucracy, timetables and consumerism? And what will our world be like in the millennia to come? In Sapiens, Dr Yuval Noah Harari spans the whole of human history, from the very first humans to walk the earth to the radical - and sometimes devastating - breakthroughs of the Cognitive, Agricultural and Scientific Revolutions. Drawing on insights from biology, anthropology, palaeontology and economics, he explores how the currents of history have shaped our human societies, the animals and plants around us, and even our personalities. Have we become happier as history has unfolded? Can we ever free our behaviour from the heritage of our ancestors? And what, if anything, can we do to influence the course of the centuries to come? Bold, wide-ranging and provocative, Sapiens challenges everything we thought we knew about being human: our thoughts, our actions, our power ... and our future.

Famously sceptical about Christianity, unexpectedly sympathetic to the barbarian invaders and the Byzantine Empire, constantly aware of how political leaders often achieve the exact opposite of what they intend, Gibbon was both alert to the broad pattern of events and the significant revealing detail. Attacked for its enlightened views on politics, sexuality and religion, the first volume was none the less soon to be found 'on every table' and was widely acclaimed for the elegance of its prose. Gripping, powerfully intelligent and wonderfully entertaining, THE HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE ranks as one of the literary masterpieces of its age.

Midway through the reign of Ch'ien-lung emperor, Hungli, mass hysteria broke out. It was feared that sorcerers were roaming the land clipping off the ends of men's queues (braids worn by royal decree) and chanting magical incantations over them in order to steal the souls of their owners. In this book, Kuhn chronicles this epidemic of fear and the official prosecution of soulstealers that ensued, so opening up a window on 18th-century China. The book raises questions not just about China, but also about past human behaviour in general and it demonstates how in any society, a provincial panic can become a national witch-hunt.

Since its first publication in 1945? Lord Russell's A History of Western Philosophy has been universally acclaimed as the outstanding one-volume work on the subject -- unparalleled in its comprehensiveness, its clarity, its erudition, its grace and wit. In seventy-six chapters he traces philosophy from the rise of Greek civilization to the emergence of logical analysis in the twentieth century. Among the philosophers considered are: Pythagoras, Heraclitus, Parmenides, Empedocles, Anaxagoras, the Atomists, Protagoras, Socrates, Plato, Aristotle, the Cynics, the Sceptics, the Epicureans, the Stoics, Plotinus, Ambrose, Jerome, Augustine, Benedict, Gregory the Great, John the Scot, Aquinas, Duns Scotus, William of Occam, Machiavelli, Erasmus, More, Bacon, Hobbes, Descartes, Spinoza, Leibniz, Locke, Berkeley, Hume, Rousseau, Kant, Hegel, Schopenhauer, Nietzsche, the Utilitarians, Marx, Bergson, James, Dewey, and lastly the philosophers with whom Lord Russell himself is most closely associated -- Cantor, Frege, and Whitehead, co-author with Russell of the monumental Principia Mathematica.

The most famous and popular book on art ever published, this quintessential "introduction to art" has been a worldwide bestseller for over four decades. In this completely redesigned 16th edition, Gombrich, a true master, combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. 440 illustrations, 376 in color.

Highly regarded here and abroad for some thirty works of cultural history and criticism, master historian Jacques Barzun has now set down in one continuous narrative the sum of his discoveries and conclusions about the whole of Western culture since 1500. In this account, Barzun describes what Western Man wrought from the Renaisance and Reformation down to the present in the double light of its own time and our pressing concerns. He introduces characters and incidents with his unusual literary style and grace, bringing to the fore those that have "Puritans as Democrats," "The Monarch's Revolution," "The Artist Prophet and Jester" -- show the recurrent role of great themes throughout the eras. The triumphs and defeats of five hundred years form an inspiring saga that modifies the current impression of one long tale of oppression by white European males. Women and their deeds are prominent, and freedom (even in sexual matters) is not an invention of the last decades. And when Barzun rates the present not as a culmination but a decline, he is in no way a prophet of doom. Instead, he shows decadence as the creative novelty that will burst forth -- tomorrow or the next day. Only after a lifetime of separate studies covering a broad territory could a writer create with such ease the synthesis displayed in this magnificent volume.

The Lessons of History is a book by historians Will Durant and Ariel Durant. In The Lessons of History the authors provided a summary of periods and trends in history they had noted upon completion of their momentous eleven volume The Story of Civilization. Will Durant stated that he and Ariel "made note of events and comments that might illuminate present affairs, future probabilities, the nature of man, and the conduct of states." The book thus presents an overview of the themes and lessons observed from 5000 years of world history examined from 13 perspectives such as geography, biology, race, character, morals, religion, economics, socialism, government, war, growth and decay and progress.

这是一部全面认识当代艺术状况的个人叙述。美国艺术史学家乔纳森•费恩格伯以史家的如椽之笔－再现了艺术历史的画面，展现了一种多样的历史视角和近距离的艺术生存环境。它涵盖了1940年以来世界上发生的重要的艺术运动、艺术活动及艺术事件，其视野不仅仅局限于欧美；随着全球一体化以及文化交流的频繁，也将观照的视野中，很好地显示了中国当代艺术在世界艺术中的重要位置，也是历史给予中国艺术全面发展的一个表征。 本书是理解当代艺术及其历史的一个维度，其突出的特点是：人是这个世界上最有活力的生命，他们的生存境遇在相当多的层面上决定了他们的艺术和他们艺术的发展。历史的存在让我们深刻地了解到当代艺术的发展是超越形式自律的，唯其超越了形式的诉求，艺术才能变得鲜活起来，才能生发艺术的动力和价值，才能将当代艺术的意义呈现在这个多元世界与多维视野的面前。

In this landmark work of history, the National Book Award—winning author of American Sphinx explores how a group of greatly gifted but deeply flawed individuals–Hamilton, Burr, Jefferson, Franklin, Washington, Adams, and Madison–confronted the overwhelming challenges before them to set the course for our nation. The United States was more a fragile hope than a reality in 1790. During the decade that followed, the Founding Fathers–re-examined here as Founding Brothers–combined the ideals of the Declaration of Independence with the content of the Constitution to create the practical workings of our government. Through an analysis of six fascinating episodes–Hamilton and Burr’s deadly duel, Washington’s precedent-setting Farewell Address, Adams’ administration and political partnership with his wife, the debate about where to place the capital, Franklin’s attempt to force Congress to confront the issue of slavery and Madison’s attempts to block him, and Jefferson and Adams’ famous correspondence– Founding Brothers brings to life the vital issues and personalities from the most important decade in our nation’s history.

"Few have set themselves to the formidable task of reconstructing and analyzing a whole human environment; fewer still have succeeded. Bloch dared to do this and was successful; therein lies the enduring achievement of Feudal Society."—Charles Garside, Yale Review

Book Description On August 6, 1945, Hiroshima was destroyed by the first atom bomb ever dropped on a city. This book, John Hersey's journalistic masterpiece, tells what happened on that day. Told through the memories of survivors, this timeless, powerful and compassionate document has become a classic "that stirs the conscience of humanity" (The New York Times). Almost four decades after the original publication of this celebrated book, John Hersey went back to Hiroshima in search of the people whose stories he had told. His account of what he discovered about them is now the eloquent and moving final chapter of Hiroshima. Amazon.com When the atomic bomb was dropped on Hiroshima, few could have anticipated its potential for devastation. Pulitzer prize-winning author John Hersey recorded the stories of Hiroshima residents shortly after the explosion and, in 1946, Hiroshima was published, giving the world first-hand accounts from people who had survived it. The words of Miss Sasaki, Dr. Fujii, Mrs. Nakamara, Father Kleinsorg, Dr. Sasaki, and the Reverend Tanimoto gave a face to the statistics that saturated the media and solicited an overwhelming public response. Whether you believe the bomb made the difference in the war or that it should never have been dropped, "Hiroshima" is a must read for all of us who live in the shadow of armed conflict. From Boston Sunday Herald August 1995 "This is an important audio because it captures one of the most shattering events of our century, just as it explains the mind-sets of the people it most affected...Hiroshima is worth listening to just for the weird story of a survivor who wound up on the TV program, 'This is Your Life,' with one of the crew members of the Enola Gay." From Library Journal On the basis of a return visit 40 years after the dropping of the bomb, Hersey has written a final chapter'' to one of the most important books to come out of World War II. The new chapter follows a reprint of the original text on the dropping of the first atomic bomb, and is written in the same spare, objective style. In it, Hersey brings up to date the lives of six survivors he covered so brilliantly in 1946. Once again he evokes the humdrum and the surreal elements in the aftermath of the bomb, and with eloquent simplicity he includes statements of other nations' nuclear tests. Compelling, unforgettable, and more timely than ever, this is absolutely essential for collections from junior high on. Robert H. Donahugh, Youngstown and Mahoning Cty. P.L., Ohio From AudioFile The fates of six victims are portrayed vividly in Hersey's classic account of the first atomic bomb. This edition contains a final chapter, written 40 years later, in which Hersey follows up on these six "Hibakusha," or "explosion-affected persons." Edward Asner speaks for many characters, yet his voice is that of the Hiroshima citizen caught up in day-to-day survival. He conveys the fear, confusion, pain and resignation of individuals dealing with a cataclysmic force. With subtle, understated delivery, Asner powerfully evokes the time, place and plight of these people. J.H.L. About Author Edward Asner, best known as a star on TV's Lou Grant Show, The Mary Tyler Moore Show, and Rich Man, Poor Man, brings a compelling journalistic style to this important work. Book Dimension : length: (cm)17.1 　　　 　　　　　 　 width:(cm)10.7

苏醒了的大地-上下册-维吾尔文，ISBN：9787228114757，作者：阿·吾铁库尔著

An unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university. A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool. In Alan Bennett's new play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose.