"PHOTO: BOX "presents a collection of 250 photographs by 200 of the world's most prominent photographers, ranging from legendary masters to contemporary stars, in an appealing format with a portfolio binding. Photographers include Ansel Adams, Richard Avedon, Yann Arthus-Bertrand, Henri Cartier-Bresson, Elliot Erwitt, Robert Frank, Nan Goldin, David LaChapelle, Annie Leibovitz, Helmut Newton, and many more. Each image is accompanied by an engaging commentary and a brief biography of the photographer.The book is organized by subject and theme, offering a fresh perspective on the medium: from reportage to nature, and also covering war, portraits, still lifes, women, travel, cities, art, fashion, the nude, and sports. "PHOTO: BOX" is an irresistible and amazingly affordable survey of photography.

《手机摄影大全:轻松拍出大片味儿》系统地介绍了手机摄影的技巧和策略，包括4个拍摄大片的基本要素、5大手机摄影主题、6种摄影色彩搭配、7种常用摄影光线、8个曝光对焦技巧、10大手机摄影特效、12种常用摄影构图、13个手机自拍技巧、20条专家提醒、30款手机摄影App、60个手机摄影金句、200幅手机摄影作品、280多幅图片全程图解以及创意十足的微拍、街拍和全景大片拍摄。

《摄影范本》所讲述的相机操作方法，主要是围绕尼康D200专业级数码单反相机进行的，此相机的优点是具有多次曝光功能，能与专业摄影器材配套。不足之处是，在暗处使用高感光度来拍摄动体时，CCD感光元器件所产生的画面噪点比尼康D300数码单反相机以及佳能数码单反相机CMS感光元器件所产生的噪点严重。作为学生，购买数码专业单反相机虽然是一步到位，但还需配套购买多款镜头，费用较高。因此购买非专业级l000万像素的富士9600数码相机也是可以考虑的，只是其快门速度有些迟缓，不利于抓拍动态影像。并且其镜头是固定的，如想以长焦镜头远距离拍摄物体时，就没有办法更换镜头。另外，拍摄微小物体时，通过微距钮可超近距离进行拍摄，但这种拍法有可能遮住光线，这也是不如单反相机的地方。富士9600数码相机虽然是非专业的，但其具备的功能较为完备，比如热靴可以和闪光灯遥控触发器配合，在摄影棚中联动大型闪光灯，并可分别控制光圈、感光度、白平衡、对焦点，并具有最低30秒的快门速度，还没有B门，具备快门线插孔，还可将显示屏上翻有利于低角度拍摄。

"You have to begin to lose your memory, if only in bits and pieces, to realize that memory is what makes our lives. Life without memory is no life at all, Just as an intelligence without the possibility of expression is not really an intelligence. Our memory is our coherence, our reason, our feeling, even our action. Without it, we nothing." Bunuel, Luis on Memory 將時光永久保存在眼睛前 相片裡 這就是我的 時光．機

《数码摄影构图一点通》内容丰富，除简洁的正文叙述外，还针对不同的小节列出拍摄要点与拍摄补充知识，可更全面地被广大读者所使用。《数码摄影构图一点通》适合喜欢与享受摄影乐趣的广大摄影爱好者阅读。 在摄影时，我们常常会遇到眼前的景物很美，却不知如何将其通过镜头表现出来的情况，或是面对杂乱的被摄环境，完全不知如何将画面以简洁的形式来表达。《数码摄影构图一点通》以最简单的方式告诉读者朋友们如何快速、高效地掌握数码摄影构图技法，读者通过了解构图的重要性、基本概念、常见方法等，把握取景构图在摄影中的关键所在。 全书共12章，章节划分清晰明确，第1～3章讲解构图基础，带领读者了解构图是什么，为什么要学会构图，取景的角度与方向。第4～7章继续深入介绍构图的相关技法，读者应首先掌握画幅对取景的影响，再结合光线与色彩使画面更加完美，最后通过更多实用的构图表现技法提升自己的拍摄技能。第8～12章由理论转为实践，通过人像、宠物、建筑、夜景、静物、商品等实际的拍摄对象，有针对性地讲解如何在不同场景对象的拍摄过程中灵活地运用各种不同的构图手法，完成最佳的取景效果。 点击链接进入： 《风光摄影完全自学宝典》 《时尚人像摄影完全自学宝典(附光盘1张)》 《李少白讲摄影:裁剪出好照片(附光盘1张)》 《远方的风景:人文风景摄影手册》 《数码摄影构图·光影·色彩》 《永恒之美:婚纱摄影实战解析》 《数码单反摄影构图从入门到精通》 《数码摄影构图宝典》 《数码单反风景摄影宝典(附光盘1张)》 《简明Photo词典:数码单反摄影精要全掌握》 《这样拍才更好:数码单反摄影专家诊所》 《数码摄影构图一点通》 《数码摄影傻瓜书》 《数码单反摄影从入门到精通(超值精华版)(附光盘1张)》 《DSLR数码单反摄影宝典(附光盘1张)》 《行摄无疆:李元大师讲风光摄影》 《光影寻梦:数码单反摄影从入门到精通》

摄影构图是摄影创作的核心任务。《摄影构图(第2版)》主要讲授摄影画面创作的内部构成问题，其中包括构图艺术规律、画面构成元素处理、拍摄角度运用、色彩处理。光线处理、运动摄影等主要内容。《摄影构图(第2版)》对第1版的章节结构和内容做了较大的调整，加强了理论的深度，增加了一些新的图片摄影图例和影视作品片例，删除了部分陈旧的图例和文字。《摄影构图(第2版)》可以作为各高校摄影专业、导演专业。广播电视编导专业。照明艺术专业、电视新闻专业学生学习摄影专业知识的基础课教材，也可以作为广大业余摄影爱好者学习图片摄影、影视摄影的参考教材。

这是一个商人，带着他的老式照相机，离开灯红酒绿的广州，前往没有夜生活的彝乡，用黑白胶片拍下了一组《荒野上的彝人》，在不清楚荷赛肖像类奖项规则的情况下，就寄往阿姆斯特丹，并且认为自己肯定会获奖，然后后获奖了。 这个名叫王刚的商人以业余的方式开始摄影，又以业余的方式获奖。王刚的黑白摄影作品集中在人物肖像上，作品中的人物看似随意，却都有着很强的位置感。他的摄影作品里有这丰富和强烈的细节，有时充满了比肖像更为突出的景和物的细节，让我们感到这是活生生的作品。本书为他的摄影作品集，让我们一起翻开书本，来欣赏他活生生的作品吧！

The source of any photograph is not the camera or even the scene viewed through the viewfinder--it is the mind of the photographer: this is where an image is created before it is committed to a memory card or film. In The Photographer's Mind , the follow-up to the international bestseller, The Photographer's Eye , photographer and author Michael Freeman unravels the mystery behind the creation of a photograph. The nature of photography demands that the viewer constantly be intrigued and surprised by new imagery and different interpretations, more so than in any other art form. The aim of this book is to answer what makes a photograph great, and to explore the ways that top photographers achieve this goal time and time again. As you delve deeper into this subject, The Photographer's Mind will provide you with invaluable knowledge on avoiding cliché, the cyclical nature of fashion, style and mannerism, light, and even how to handle the unexpected. Michael Freeman is the author of the global bestseller, The Photographer's Eye . Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs. Written by the author of The Photographer's Eye. Provides you with invaluable knowledge on avoiding cliché, the cyclical nature of fashion, style and mannerism, light and even how to handle the unexpected. Contains over 400 breathtaking images from real photographic assignments, with schematic illustrations of how and why the images work. Selected Images from The Photographer's Mind Bathed in light : composition, pose and lighting all move in the same direction--up towards the sun. A hidden landscape : inside a conch shell, but with none of the clues to suggest what it might be. A moment : the culmination of seven minutes and almost forty frames. Another Moment . . . : but an uncertain one. Amazon Exclusive: A Letter from Michael Freeman on The Photographer's Mind Dear Amazon Readers, Well, I’ve written and photographed many books, and I was a little shocked when last month the 150th one appeared. A third of these are about photography, and you might think that’s rather too many for one person to write. I mean, don’t I have anything better to do? Valid question, but I like books--no, more than that, I have a strong belief in them--and as my work involves a lot of travelling, I have a great deal of time to think and write when I’m on the road. In fact, I’ve always spent a little more than half of each year travelling, and usually on long trips. Five or six weeks at a time is my ideal, though it’s sometimes longer by necessity. This isn’t packaged tourism, of course, and many of the places I’m in are a little quieter and more remote than you might expect. Perfect for thinking about writing, and this writing is also about what I’m doing--shooting. Two and a half years ago I published The Photographer’s Eye , a book which at its core is about composition. This evolved from a much earlier book, long out of print. It always seemed to me that the word "technique" was usually being applied to the wrong things in photography. Technique was taken to mean twiddling knobs and working the controls, not to mention the arcana of imaging software. All very well, but what about the result? You could train yourself to fit a flash unit to the camera faster than a weapons expert could change magazines on a Kalashnikov, or learn to despise anyone who doesn’t use Smart Objects in Photoshop, but if the image is boring at the end of it, what was the point? The techniques that always engaged me (and to be frank, most of the other professionals I know) have to do with image making, regardless of camera model or Photoshop version. My background is editorial assignment photography, usually features, so the pressure is always on to make the shot interesting . It’s quite often about storytelling, and if I’m trying to tell a part of that story clearly, I might (for instance) need to find a viewpoint and framing that relates one thing in the frame to another. Or, can I find a composition and scale that somehow encapsulates the mood and essence of the scene? Or, did another photographer I know already shoot this in a particular way, and how can I be different and better? Composition isn’t about the Rule of Thirds (spare me, please!) and getting the framing perfect. There is no perfect. But neither is it vague and happy-feely. There are real techniques that involve knowing what the frame shape is doing to you, how the eye and mind tend to respond to visual stimuli, and how to create the right balance between surprise and comfort simply by the proportion you allocate to elements In the frame. And because these techniques involve choice of subject and being certain of what you’re trying to achieve (for instance, make the scene lush and lovable, or shock the pants off the audience), composition reaches much, much further than placing points and lines in a rectangle. Well, if I go on much more, this will begin to be a book! And there already is one . . . it’s the sequel to The Photographer’s Eye , and it’s called The Photographer’s Mind . It exists because there was much more that I wanted to say than I was able to in Eye. There’s even a little bit more that I couldn’t fit into this, either. One thing I touch on in the book is the deep effect of frame shape, and in particular a new trend towards wider. 16:9 is rapidly gaining ground as a "natural" format (aspect ratio, actually) because of HDTV, and a few cameras offer this framing. And of course, its shape alone has an effect on composing that is noticeably different from 3:2 and 4:3. Here are four examples, each illustrating a different effect: Pushes the attention outwards to left and right--gives a panoramic feeling. Squeezes top and bottom--less foreground, less sky. Encourages the "two-shot"--one object left vs. one object right. Strengthens any left-right movement that the scene may already have. What Kind of Photographer Are You? A Photo Personality Quiz Do you know how to read a histogram? More or less Fairly well, and I’m getting better all the time Of course! What a nerve to ask! Which of the following photographers do you most admire? Trent Parke Irving Penn Ansel Adams Myself If we were going to give you a free gift (which we’re not. so don’t build your hopes up), which of the following would you prefer? A year’s invitations to opening nights at the photo gallery of your choice A coffee-table book on grand American landscapes The latest Ukrainian software to do something amazing to your image Which of the following have you photographed the most in the last year? People Landscape Fire hydrant Detail of a wall Gas station How many times in the last week have you visited online photo forums? 0-10 10-50 50 plus Imagining you didn’t already have these, which would you prefer as your next lens? An 85mm ƒ1.4 A 105mm Macro A lens that bends, swings or tilts Good composition is . . . Interesting contrast between elements Rule of Thirds Getting it all inside the frame It’s more important to get it sharp, because you can fix the composition later What is your favorite kind of lighting? Anything unusual Backlighting Sunset and sunrise Frontal and crisp Flash Helmut Newton was holding a DSLR and said, “It’s all automatic. All I have to do is press the button.” He then pointed to his head and said, “It’s all in here.” Did he mean . . . The camera is irrelevant He understood exactly how the camera works This camera is a miracle of modern engineering How did you score? Add up the numbers for each answer you checked . . . 10-16 Either you have a passion for shooting, or you cheated because you guessed that a low score would be best. Even if the latter, at least you wanted to look like a photographer rather than a techno-geek, so you won’t be disappointed to find that this new book is completely about thinking and shooting pictures, with not a piece of a camera kit or a computer screen anywhere in sight! 17-24 What a balanced, reasonable and moderate individual you are! The alternative would be that you couldn’t really make up your mind, but that can’t be true, can it? Anyway, I really envy you for steering clear of extremes. Guess what . . . you’ll find an equally balanced view of the range of photographic expression and style in this book! 25-33 You just might need a little more excitement in your photographic life. Moreover, you’ll go pasty-faced from sitting in front of the computer screen. Recommendation: close it down, spend an hour reading this book, then go out with the camera and take at least two photographs of a kind you’ve never tried before. Funny how this book seems to be good for everyone, isn’t it? Admittedly, you’ll still need the camera manual. But please don’t write to me saying how unfair and opinionated the test was, because that’s what these quizzes are all about!

《系列摄影:学会用主题图片提升摄影水平》分四部分，内容包括系列摄影常规题材、系列摄影构图理论、系列摄影色彩理论、系列摄影特殊题材来讲行讲述。有很多方法来拍摄好的或更好的照片。其中，最结构化和最易理解的方法是系列摄影，哈拉尔德·曼特一生孜孜不倦地在这一领域耕耘，并在这本《系列摄影:学会用主题图片提升摄影水平》中告诉我们：要专注特定的主题和题材，无论它是形状、颜色或是物体，不要毫无目的地去拍摄照片。采用系列摄影这种创作方式，你很快会发现，你的注意力和摄影视觉得到了不断的训练。通过持续补充新照片，你照片集的质量将不断得到提高。

《数码单反相机完全手册》第五章看作者还用他父亲做模特讲解独脚架的使用方法。相信作者在写作《数码单反相机完全手册》时确定颇费心思，这点最值得钦佩的。不敢说杨品的书完美无瑕，但是他写的书包含有一种对读者负责的态度。虽然杨品根本就没有认为自己是一个摄影家，但可以肯定地说，他绝对是一个数码相机器材专家。他先后在太平洋网、Tom.com、硲谷动力橡树摄影网等大型网站任数码频道的主编等职务，评测过的数码相机定。作者是想把自己的经验和你分享，从而让你灵活运用数码单反相机，而不是叫你去模仿。可以说是数不腁数，写出来的东西自然就不是纸上谈兵了。

《SONY相机100%手册没讲清楚的事》内容简介：如今，DSLR数码单反相机越来越普及，功能也越来越强大，提供了更多更方便的操控性能，而如此多样化的菜单设定功能，也代表着使用者在实际操作时，更容易遇到无所适从、不知道该从何下手的困扰籍。“如果这时候，有本可参考的操作工具书就好了……”即使每台相机都会随附一本【相机使用手册】，但内容只是简明扼要，想查询某个设定项时，在检索上已是大费周章；即使好不容易找到了，常常看了老半天，最后还是不知道该怎么设、怎么用！《SONY相机100%手册没讲清楚的事》正是以这样的心情出发，结合多位摄影名家的实践心得，《SONY相机100%手册没讲清楚的事》用大量的图例、示范、比较，让每个SONY玩家都能100%理解手上这台DSLR精心设计的菜单功能与活用技巧，可进一步拍出好看的照片，并专心于拍摄所带来的乐趣中！

在文森特·范思哲编著的《光影魔法：文森特·范思哲数码照片后期创作与修饰技法解密》中，摄影艺术大师Vincent Versace带领读者深入研究数码摄影的创作方法，教读者如何感知、准备、拍摄和处理作品，如何用静态图像捕获生活中的运动特征。《光影魔法：文森特·范思哲数码照片后期创作与修饰技法解密》主要内容包括工作流程的制定、将多张照片合成优秀作品、图像的锐化、色调调整、创建影室灯光等。 《光影魔法：文森特·范思哲数码照片后期创作与修饰技法解密》适合数码摄影、数码照片修饰等领域的读者阅读，无论是专业人员还是普通爱好者，都可以通过阅读本书受益。

《数码单反摄影从新手到高手》内容简介：拍照几乎是所有人都会接触到的活动，但拍照并不是摄影，摄影是一门艺术，也是一门相对专业的学问。对于数码单反摄影来说，除了系统的摄影理论之外，还有相对复杂的数码单反相机操作，这两者缺一不可。 《数码单反摄影从新手到高手》首先介绍DSLR数码单反相机、附件与镜头、拍摄模式、光圈与快门等摄影基本技术，然后介绍构图、光影等摄影理论知识，最后讲解常见的12个主题场景实拍与后期数码照片处理技巧。全书提供了大量精美的摄影作品，并给出了详尽的拍摄参数，以供读者观摩参考，应用于实践拍摄，提高摄影水平。 《数码单反摄影从新手到高手》适合摄影入门者、爱好者阅读，也可供有一定摄影基础的用户提高摄影水平，还可作为摄影教学用书。

Artist-photographer Tim Walker has won a cult following for his flamboyant, lavishly staged, and surrealist fashion photography. Now he brings his unique brand of very British fantasia to a subject close to all our hearts: grandmothers. The first volume of this very special twinset offers a collection of characterful photographs of grannies and the things nearest to each of them, arranged alphabetically and accompanied by short, gently humorous verses by Kit Hesketh-Harvey. The second volume is delightfully populated with Lawrence Mynott's drawings of lively old ladies. Spirited, stylish, sweet--here are granny archetypes of every stripe. You'll find Lucinda, whose hat addiction shows no sign of waning, and Kitty, whose knitting skills are second to none. You might even meet the Queen--the most famous British granny of all.This whimsical vision of a rose-printed, feline-filled arcadia will be irresistible to enthusiasts of photography and contemporary illustration, and anyone touched by its delightful tribute to the grannies we love and admire.

《空气感写真：日系清新摄影术》是为那些喜欢日系清新风格的摄影爱好者们而设。本书共分三个部分：基础篇、应用篇、后制篇。从相机的选择、认识底片、居家暗房冲洗、日系元素道具的准备入手，逐渐进入到对各种场景如家人、花和盆栽、居家空间、天空、咖啡馆、公园、旅途等19种的典型题材的拍摄要点讲解，再到对照片的美化升级，如色调调整、海报制作、风格摄影的指点。带领读者进入到一个色彩清新、构图简洁的日系摄影风格世界。书中以大量的图片，直观地展示摄影师宇杰的影像世界，为那些在喧嚣中记录宁静的摄影爱好者提供心灵的栖息地。 《空气感写真：日系清新摄影术》有点小清新，带着午后阳光的温暖和雨后青草、泥土的气息；本书有点日系风，所有图片都是颜色清淡、构图简洁的；本书有点治愈系，虽然只拍出一朵花的局部，甚至是看似毫无意义的影像，但记录眼睛所见的自然写意，留下温暖和安适的图片，因而疗愈心中偶尔的低潮。

《最佳家庭人像摄影:数码和胶片摄影师通用》内容简介：每隔一段时间拍摄的家庭人像记录了家庭的成长。这是对摄影者拍摄技能的一种挑战，因为家庭人像的整体效果只有每一个个体的造型和照明都很棒才能算好，这是需要耗费时间和耐心才能达到完美的技巧。任何家庭人像中．联系被摄者的主要纽带就是他们彼此之间分享的爱。这种联系的纽带比友谊或社会关系更深，摄影者需要用情感和真诚去尽力表现出来。这就是杰出的家庭人像所应具有的最重要的品质。为《最佳家庭人像摄影:数码和胶片摄影师通用》提供范作的都是全美国最优秀的和最知名的人像摄影师，包括蒙特·苏克和比尔·麦金托什这样当代摄影师中活着的传奇。他们的作品都是值得学习和研究的。摄影者不光能从《最佳家庭人像摄影:数码和胶片摄影师通用》中学到家庭人像的技术部分——如何造型、照明等技术支持，还能学会如何成为优秀合影照片的设计者和拍摄者，这是达到更高摄影层次和自我表达的途径。

摄影不是数学，没有什么必须遵循的公式，她是一个情感的产物，有情有爱就有照片。本书并不是一本传统的摄影教程，作为蜂鸟网人像版唯一一位女版主，小寒在书中没有涉及太多的理论，而是用朋友聊天的口吻带出了她从事人像摄影这些年的心得体会，分享一些镜头下的喜怒哀乐。摄影的意义在于留住美好的印记，小寒用镜头记录下女孩儿们的青春容颜，这既是她这些年摄影成果的分享，也是属于她拍过的女孩儿们的匆匆那年。