Back in Print Philip-Lorca diCorcia's inventively staged and exquisitely crafted color photographs occupy a special place in contemporary art. Operating in the gap between postmodern fiction and documentary fact, between slick convention and fresh perception, they deliver a powerful emotional charge. The 55 color plates in this book, dating from 1978 to 1994, trace the evolution of a compelling and influential body of work. Beginning with enigmatic domestic scenarios whose protagonists are the photographer's family and friends, diCorcia moved on to an ambitious series in which Hollywood drifters and hustlers are pictured as emblematic figures of contemporary America. He proceeded to deploy his probing curiosity amid the energy and turmoil of big-city streets, reinvigorating a rich photographic tradition that had been dormant for nearly a generation. Essay by Peter Galassi. Hardcover, 10.5 x 9.5 in. 80 pages, 55 color illustrations

神龙摄影编著的《尼康D7000数码单反摄影从入门到精通》从尼康D7000的相机设置、基本操作、拍摄技法，到各种主题拍摄、后期处理等方面，由浅入深、循序渐进地介绍了摄影知识和创作理念，并通过大量实例详细讲解丰富、有效的实拍技法，告诉读者如何实现拍摄意图，逐步形成属于自己的独特风格。我们相信，只要你读完《尼康D7000数码单反摄影从入门到精通》并加以练习，你的摄影水平将会迅速提高，并跨入艺术创作之门。

★ 全台首本介紹Panasonic DMC- GF3用法及攝影作品的攝影工具書。 全方位的GF3功能講座X設定模式X攝影心法 GF3承襲上代的優點，更擁有精準的色彩表現，快速的直覺快門，還是每天都能放在包包裡的時尚輕單眼。從作者精采的攝影作品中了解GF3的無限運用可能，配合深入淺出的文字和可愛的小插畫，讓讀者學會使用GF3，在生活中拍出精采動人的照片。 每天都要帶著GF3，紀錄生活的每一個美好瞬間 特別企劃： ◎盛夏沖繩物語 ◎網拍model patty X 光影寫手 Oscar ● 貼身體驗時尚的袖珍小三 ● 捕捉生活美好的動人畫面 ● 獵取動態時的決定性瞬間 ● 探索精準易懂的攝影心法 ● 透視專業詳盡的功能講座 特色說明： ◎全台第一本GF3功能解構專書，讓我們發掘GF3的無限可能 只要－ 輕輕按下快門就能獲得富滿溫度的景深美照， 利用曝光補償就能拍下充滿深度的浮光掠影， 嘗試黑白攝影模式就能擁有主體明確的作品， 靈活運用變焦鏡頭就能輕易捕捉遙遠不受控的小動物們， 學會如何掌握白平衡就能擁有色彩獨具精準的照片， 善用各種照片設定比例就能讓畫面說出你想說的故事。 優於GF1、GF2的特點： ●更豐富的色彩玩法 ●體型更加時尚輕巧 ●對焦更加快速準確 ●更平易近人的價格

《国际人体摄影教程》从五个方面由浅入深地介绍了人体摄影的相关技法：拍摄前期准备、如何与模特配合、拍摄风格和流派、外景拍摄以及用光风格。同时，书中详解了使用图像编辑软件Photoshop对人体照片进行后期处理的技巧。 无论您是从零开始学习人体摄影，还是已经有一定的基础，只要您热爱这个行业并想花心思学习下去，《国际人体摄影教程》将是您最佳的选择。很快您会发现专业的水准您也做到了！本系列图书还有《国际人像摄影教程》。

In 1984 Sebastião Salgado began what would be a fifteen-month project of photographing the drought-stricken Sahel region of Africa in the countries of Chad, Ethiopia, Mali, and Sudan, where approximately one million people died from extreme malnutrition and related causes. Working with the humanitarian organization Doctors Without Borders, Salgado documented the enormous suffering and the great dignity of the refugees. This early work became a template for his future photographic projects about other afflicted people around the world. Since then, Salgado has again and again sought to give visual voice to those millions of human beings who, because of military conflict, poverty, famine, overpopulation, pestilence, environmental degradation, and other forms of catastrophe, teeter on the edge of survival. Beautifully produced, with thoughtful supporting narratives by Orville Schell, Fred Ritchin, and Eduardo Galeano, this first U.S. edition brings some of Salgado's earliest and most important work to an American audience for the first time. Twenty years after the photographs were taken, Sahel: The End of the Road is still painfully relevant. Born in Brazil in 1944, Sebastião Salgado studied economics in São Paulo and Paris and worked in Brazil and England. While traveling as an economist to Africa, he began photographing the people he encountered. Working entirely in a black-and-white format, Salgado highlights the larger meaning of what is happening to his subjects with an imagery that testifies to the fundamental dignity of all humanity while simultaneously protesting its violation by war, poverty, and other injustices. "The planet remains divided," Salgado explains. "The first world in a crisis of excess, the third world in a crisis of need." This disparity between the haves and the have-nots is the subtext of almost all of Salgado's work. Illustrations: 88 duotones

Saul Leiter (b. 1923) is one of those photographers who seek neither fame nor commercial success, despite their talent for imagemaking. Born in Pittsburgh, he spent the 1940s and 1950s in New York, in an intensely creative environment where ideas from Europe and America came together and intermingled. There he encountered Rothko and the Abstract Expressionists, and discovered street photography and the work of Cartier-Bresson. His mastery of color is displayed in unconventional cityscapes in which reflections, transparency, complex framing and mirroring effects are married to a very personal printing style, creating a unique urban view.

《Photoshop Artistry 数码暗房之道(全彩)》是为摄影师、摄影发烧友和爱好者写的数码后期指南。这是一本与众不同的数码后期书籍，完全摒弃了常规介绍Photoshop功能与操作的模式，而是从摄影者的角度，探索如何通过数码后期，制作出高品质的数码图像，以及如何展示作品。 《Photoshop Artistry 数码暗房之道(全彩)》凝聚了作者多年的思考和实践，传授有效的方法和途径，以便解决摄影人学习Photoshop的一些瓶颈问题。《Photoshop Artistry 数码暗房之道(全彩)》分为上、下两篇，共12章。上篇为高品质数码图像处理基础，讲解Photoshop相关设定、全局色彩校正的理论、方法与工具、在互联网上展示图片的技巧、Adobe Camera RAW应用及数码摄影技术探索等内容。下篇为数码暗房高级应用技术，通过多个实例分别讲解纪实类、风光类、人物类、高品质黑白照片的处理技巧，以及数码暗房特效，如何进行色彩管理与输出。《Photoshop Artistry 数码暗房之道(全彩)》内容丰富实用，可操作性极强，光盘中配有相应图片素材和作者亲自录制的动作文件，帮助读者快速跨越数码后期的门槛，成为数码暗房真正的应用者。同时赠送Superlib图库管理软件、《摄影常识与拍摄技巧使用手册》和《Photoshop快捷键技巧手册》。 《数码暗房之道》作者高函老师，技术讲座火热报名！！！ 讲座题目：突破摄影后期瓶颈，展现数码影像品质 Break through later period bottleneck of Photography, display digital image quality. 讲座时间：2009年6月20日 下午15：30——17：30 地点：中关村图书大厦五层多功能厅 主讲人：高函 作者介绍：资深IT咨询顾问，信息资源规划IRP技术倡导者。有20多年发烧摄影的经历，拍摄了大量人文地理、风光类图片，参与编著《好摄之旅》（福建科技出版社）；专著《数码暗房专业指南》出版在即(电子工业出版社)。 2005年开始钻研数码摄影及其图像捕捉、图像处理、打印输出等方面的数字技术，2007年成立函数码工作室。在学习总结国外先进数码暗房技术的基础上，率先在国内提出了“全局色彩校正”的图像处理工作流程及其理论和方法，并掌握彩色转黑白、高品质数字图像展示输出等方面的先进技术。 报名方式： 电话报名：010-88254155 短信报名：13910927071 邮件报名：yl@fecit.com.cn(请注明您的姓名及联系电话)　联系人：业蕾、易俗

《我的朋友》记录了从柴犬Maru和一茶初次见面的瞬间，到成为相互间不可替代的兄弟般情谊的生活片段，充满暖暖情意的写真随笔集；记载着与美丽的密歇根州的四季，共同成长的一茶，以及形影不离的Maru之间的故事。

One of the legendary classics among German photography books, August Sander's Face of Our Time, is now available again. Compiled by August Sander himself, the book was first published in 1929, with a foreword by German writer Alfred D????blin. On its first publication, it was advertised as follows: "The sixty shots of twentieth-century Germans which the author includes in his Face of Our Time represent only a small selection drawn from August Sander's major work, which he began in 1910 and which he has spent twenty years producing and adding fresh nuances to. The author has not approached this immense self-imposed task from an academic standpoint, nor with scientific aids, and has received advice neither from racial theorists nor from social researchers. He has approached his task as a photographer from his own immediate observations of human nature and human appearances, of the human environment, and with an infallible instinct for what is genuine and essential.

モデルや女優、ミュージシャンなど16人の女の子たちの可愛い写真集。雑誌「Soup.」での連載を1冊にまとめました。

Izima Kaoru Landscapes with a Corpse Izima Kaoru (*1954 in Kyoto). Lives and works in Tokyo. Izima Kaoru has been working with photography, video, and film since the late nineteen-seventies. He has worked for a variety of magazines and has been publishing his own magazine, zyappu, since 1994. “The death of a beautiful woman is unquestionably the most poetical topic in the world,” wrote Edgar Allan Poe. And one is tempted to be of the same opinion when considering Ophelia, Madame Bovary, or Anna Karenina. This concept is also deeply rooted in Far Eastern culture: Buddhism even recommends daily meditation on one’s own death. The Japanese artist Izima Kaoru (*1954 in Kyoto) lets the most beautiful of the beautiful generate ideas about their own impermanence, about their own death, which he then translates into images. Starting with classic and strict landscape photographs, his highly aesthetic images slowly approach the victims of self-inflicted or external violence—right down to detailed close-ups of their faces—who have experienced death in perfect beauty. His visual sources range from traditional Japanese Ukiyo-e woodcuts to Pop Art—and the results are always characterized by a bewitching, melancholic beauty and sadness. Among the blossoming bushes of an overgrown park, Itaya Yuka, a famous Japanese actress, lies on the naked ground. Her red dress stands out among the lilac colored hydrangeas; a couple of fallen petals decorate her throat. In Hanakotoba, the Japanese “language” of plants, the hydrangea is traditionally considered a symbol of pride—has the beauty’s pride doomed her, perhaps? In the wild Garden of Eden, the hydrangea, which, after all, originally comes from Japan, seems as strange and exotic as the beautiful dead woman.

本书由资深的大学摄影讲师编写、取材自摄影课程的教材，以扼要的编排、易懂的文字，配以精彩的摄影作品示范，深入浅出地讲解摄影的光与曝光问题，适合传统相机及数码相机的摄影爱好者，令读者能在最短的时间内，掌握摄影用光与曝光的知识及技术。

对于有着崇高追求的摄影师而言，学会阅读照片与掌握拍摄技巧同等重要。摄影师不仅要看照片，还要能看懂照片。无论经典名作还是当代作品，任何形式的摄影总离不开从“意图”到“技术”的创作过程。“意图”是创作的源泉，而“技术”是呈现“意图”的手段。 通过分析上百幅经典名作与当代摄影巨作，国际摄影大师迈克尔·弗里曼在《摄影师的洞察力——迈克尔·弗里曼解读经典摄影名作》中为读者展现了摄影创作的真义。作者以专业摄影师的素养，带领读者了解摄影创作的全部过程，甚至重建拍摄现场，探究摄影大师拍摄时的想法与思路。作者以同行的角度剖析大师们开创独特视觉语言的过程。同时，作者也解读摄影家的“创作意图”是如何最终作品的呈现的——从题材的选择、拍摄的手法，到最后的冲印处理。《摄影师的洞察力——迈克尔·弗里曼解读经典摄影名作》既有摄影史的简述、摄影艺术的评论，还揭露了专业摄影师的拍摄秘密，同时还探讨了摄影界永远的议题：如何看待造假。 阅读经典摄影作品，了解伟大的摄影家，是提升摄影水平的绝佳途径。然而，迈克尔·弗里曼认为，摄影师对传统摄影风格的承继或借鉴都不能丢失个人的独特视觉与见解。如果只是一味地模仿前人的技巧与审美，拍出的作品将流失品格。从历史脉络审视摄影，将有助于创作者寻找个人的发展方向，观看者则能从评论者与史学家的高度进行思考，更深入地认识影像的内涵。

Beauty is in the feet of the beholder.-Jonathan williams

Jeff Wall is foremost among the artists who since the late 1960s have brought photography to the forefront of contemporary art. This revised and expanded edition of the definitive monograph on the Canadian artist, first published in 1996, includes a new fully illustrated essay on Wall's recent work by the French historian of art and photography Jean-François Chevrier, in addition to the artist's recent writings. Describing himself as 'a painter of modern life', Wall produces huge transparencies mounted onto light boxes which diffuse a brilliant glow through his photographs of contemporary urban scenes and 'constructed' social situations. These images employ the latest technology to create tableaux which are evocative of subjects ranging from Hollywood cinema to nineteenth-century history painting. When installed they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures. Wall engages at a sophisticated level with theories of representation both as an artist and as a theoretical writer on contemporary art and culture. Major surveys of his work have been presented at the Museum of Contemporary Art, Chicago (1995); the Galerie Nationale du Jeu de Paume, Paris (1995); the Whitechapel Art Gallery, London (1996), and the Musée d'Art Contemporain, Montreal (1999).

雑誌『CM NOW』連載の、堀北真希が直筆で綴るフォトエッセイ「コトノハ、きらり。」。全14回分に未公開写真や新たに書き下ろした「心に響いた10のコトノハ」などを加えて単行本化。トレーディングカード付き。

蜷川実花2011年最新作品，以櫻花為主題的春色爛漫！ 每年的春天，為日本披上代表色的就是櫻花。就算是在異國的土地上栽種櫻花，也會令那塊地方搖身一變成為日式和風之地。櫻花就是這樣一個與日本、春天劃上等號的植物。本攝影集中收錄的是蜷川実花鏡頭下的日本之櫻，在春天恣意開放的粉嫩櫻花，依舊傳達著濃濃的蜷川実花風格。 創作背景 2011年日本311大地震發生之後，全日本籠罩在災後的沉重氣氛中，人民的信心受到打擊，許多人甚至喪失了活下去的希望。就在這樣低迷的氣氛之下，身為攝影師的蜷川拿起了相機，以藝術家的清明之眼，看到了此時正在全日本各地盛開的櫻花。蜷川走訪日本各地七天，拍下了盛放的櫻花姿態，八重櫻、枝垂櫻、桃花…，似乎在告訴著世人，即使在最寒冷的三月，櫻花依然盛開，如同堅毅的日本精神，不畏一切。 這本精裝的攝影集，是蜷川實花首次以櫻花為主題而拍攝的作品。 精美的裝禎與印刷，濃濃的蜷川風格，在收藏的同時，更別具一番意義與深刻感動。