芽生えの季節。萌芽の予感。 〈１２歳の少女---成海璃子〉 ドラマ『瑠璃の島』では主人公・瑠璃を演じ、初主演ながらみずみずしい演技と確かな存在感で大きな話題になっている成海璃子。 ドラマ『１リットルの涙』、現在放送中のドラマ『神はサイコロを振らない』に出演し、活躍中。人気も急上昇しています。 本写真集は、沖縄を訪れた彼女の、海辺の水着写真を多数収録し、他にも学校、民家、ゲームセンター、夜の街など、様々なシチュエーション撮影されました。 無邪気な笑顔、優しい佇まい、時折覗かせる女性の色気。 少女が大人の女性へと成長する過程の、かすかな始まりを予感させます。 今後、さらなる飛躍が期待される成海璃子の、自然な魅力を余すことなく収録した、贅沢なファースト写真集になりました。

《史蒂夫•麦凯瑞作品精选》内容简介：美国摄影师史蒂夫•麦凯瑞是国际公认的当今世界最优秀的摄影师之一，他曾荣获多项摄影顶级大奖。《史蒂夫•麦凯瑞作品精选》回顾了麦凯瑞过去三十几年来，在世界各地拍摄的那些最让人印象深刻和最优美的照片。麦凯瑞独特的能力，使他得以跨越语言和文化的界限，捕捉人类生活稍纵即逝的瞬间。他用敏锐的双眼审视事物的结构和色彩、图案的形状和对称性，他为我们打开了一扇通往其他世界的窗口。 《史蒂夫•麦凯瑞作品精选》按原版图书大小印刷，因此书中麦凯瑞的肖像作品极具非比寻常的直观性和震撼力，他壮丽的风光作品中连最小的细节都跃然纸上。与儿童、朝圣者和农民的肖像一同呈现的，是古老的庙宇、繁忙的街景、瑰丽的山地风光和安静的日常生活——人们在他的画面里钓鱼、嬉戏、工作和祈祷。 为了获得最佳的视觉效果，《史蒂夫•麦凯瑞作品精选》不间断地以单页或双页大小呈现麦凯瑞的摄影作品。在书的最后，附有详尽的作品注释，并配合彩色小图方便读者参阅。 海报：

《世界顶级摄影大师·摄影师的思想：迈克尔·弗里曼摄影构思与创作》： 任何影像均源自摄影师对被摄对象的认知、思考与再表达——摄影师的思想主导了影像最终呈现在观者面前的状态。没有思想，影像就失去力量。 《摄影师的思想——迈克尔·弗里曼摄影构思与创作》是知名摄影师迈克尔·弗里曼继超级畅销书《摄影师的视界》之后的又一力作。承继前书对摄影构图与设计的讨论，《摄影师的思想——迈克尔·弗里曼摄影构思与创作》对摄影的构思、审美与创作思路作出更深层次的探究，为读者从根本上揭开优秀摄影作品的秘密。 《世界顶级摄影大师·摄影师的思想：迈克尔·弗里曼摄影构思与创作》共分为三章，第一章阐述了摄影的视觉属性，论述了关于拍摄对象、摄影题材、摄影角度、摄影审美以及影像意义等方面的话题。第二章针对摄影风格、摄影构图以及视觉元素展开讨论。第三章旨在引导读者进行有意义的摄影创作与实践，通过独特的创作思路和切入角度获得理想的摄影作品。 《世界顶级摄影大师·摄影师的思想：迈克尔·弗里曼摄影构思与创作》适合摄影爱好者、摄影师、影像艺术家、媒体人员等阅读，亦适合艺术专业学生和教师作为研究于教学之用。 《摄影师的视界：迈克尔·弗里曼摄影构图与设计》： 无论是职业摄影师还是业余爱好者，都能从《摄影师的视界：迈克尔·弗里曼摄影构图与设计》学到摄影设计和构图的精髓，进而掌握拍摄优秀作品的关键技能。 《摄影师的视界：迈克尔·弗里曼摄影构图与设计》在全世界以15种语言火爆发行，全球畅销近25万册。作为指导数码摄影师解决构图与设计问题的第一本书，介绍了传统的拍摄构图和数码影像编辑，为图片构造带来新的可能。 《摄影师的视界：迈克尔·弗里曼摄影构图与设计》探讨了怎样分析场景和位置，以把握最佳的拍摄时机，使用来自实际摄影任务的清晰实例和示意图说明“怎么做”和“为什么”。 《光线与用光：迈克尔·弗里曼数码摄影用光完全指南》： 《光线与用光：迈克尔·弗里曼数码摄影用光完全指南》是一本由国际著名摄影大师撰写的摄影用光宝典。在平易近人的讲解和演示中，作者希图传达给读者正确的理解光的思路，以及实用的摄影用光技巧。其间的诸多精彩要点和不朽的实例，都是作者从业30年来的亲身体验和完美总结。通过这些知识，读者将会感悟到，用光是创作好照片的必备技巧，而不仅仅是辅助摄影的手段。 无论是一名刚刚走进门的摄影新手，还是对于摄影有着诸多思考的职业摄影师，在阅读此书之余，都将在不同层次的摄影用光意识上获得新的力量。

在线阅读本书 When it comes to photography, it’s all about the light. After spending more than thirty years behind the lens—working for National Geographic , Time , Life , and Sports Illustrated —Joe McNally knows about light. He knows how to talk about it, shape it, color it, control it, and direct it. Most importantly, he knows how to create it...using small hot shoe flashes. In The Hot Shoe Diaries , Joe brings you behind the scenes to candidly share his lighting solutions for a ton of great images. Using Nikon Speedlights, Joe lets you in on his uncensored thought process—often funny, sometimes serious, always fascinating—to demonstrate how he makes his pictures with these small flashes. Whether he’s photographing a gymnast on the Great Wall, an alligator in a swamp, or a fire truck careening through Times Square, Joe uses these flashes to create great light that makes his pictures sing. 点击链接进入中文版： 热靴日记:小型闪光灯的创造性应用

《photoshop cs5数码照片专业处理技法》作者scott kelby是photoshop user杂志的主编，曾撰写过多本photoshop方面的畅销书。他一直从事photoshop专业人员的培训工作，了解photoshop专业人员及数码摄影师共同关心的问题。《photoshop cs5数码照片专业处理技法》就是针对这些问题而编写的一本实用教程，其内容组织独具匠心，书中没有大套的理论，而是一些具体的方法和技巧，并针对每个问题详细地列出所有处理步骤和具体的参数设置。读者在阅读之后，就可以了解当今专业人员所使用的数码图像处理技巧。

《贝尔纳·弗孔》内容简介：《摄影馆》共八册，以每个人为单元，他们是：贝尔纳·弗孔、荒木经惟、吉尔伯特和乔治、辛迪·舍曼、南·戈尔丁、托马斯·鲁夫、莎丽·曼恩、杰夫·沃尔。内容包括摄影家评传、作品解读、相关文论、访谈、手记、年表等，较完整地剖析了活跃于当代艺术领域并拥有广泛影响的国际摄影大家。这些二十世纪艺术摄影界领军人物，他们给世界带来巨大视觉价值，树立起摄影的一个个新的标杆。

"Prodigies in photography are singularly rare; women prodigies virtually unheard of." - Abigail Solomon-Godeau. Francesca Woodman (1958-1981) has become one of the most talked about, most studied, and most influential of late twentieth century photographers. She started taking photographs when she was barely thirteen and in less than a decade created a body of work that has now secured her a reputation as one of the most original American artists of the 1970s. Woodman brought an understanding of Baroque painting, Modernist art and contemporary post-minimalist practice to her haunting, sensual images. Both in her work with models, and in sometimes disturbing self-portraits, Woodman made a thoroughgoing challenge to the certainties of photography. Interested in how people relate to space, and how the three-dimensional world can be reconciled with the two dimensions of the photographic image, Woodman played complex games of hide-and-seek with her camera. One of the enduring appeals of her work is the way in which she constructs enigmas that trap our gaze. She depicts herself seemingly fading into a flat plane, merging with the wall under the wallpaper, dissolving into the floor, or flattening herself behind glass. But is this disappearing act really the artist putting in an appearance? That we are never completely sure what we are looking at means that we keep looking. Woodman constantly compares the fragility of her own body with the physical environment around her. Fascinated by transformation and the permeability of seemingly fixed boundaries, Woodman's work conjures the precarious moment between adolescence and adulthood, between presence and absence. This comprehensive monograph includes over 250 of Woodman's works - some of which have never been exhibited or published before - as well as extracts from her journals selected by her father George Woodman. There are examples of her large-scale blueprints and reproductions of her photobooks, including "Some Disordered Interior Geometries", which was published in 1981, the year she took her own life. An extensive text by Chris Townsend examines the influences of gothic literature, surrealism, feminism and post-minimalist art on Woodman's photographs. Townsend places Woodman in relation to her contemporaries, such as Cindy Sherman and Richard Prince. This book confirms Woodman's position as one of America's most talented photographers and important artists since 1970, with an influence lasting well beyond her own time. Interested in how people relate to space, and how the three-dimensional world can be reconciled with the two dimensions of the photographic image, Woodman played complex games of hide-and-seek with her camera. One of the enduring appeals of her work is the way in which she constructs enigmas that trap our gaze. She depicts herself seemingly fading into a flat plane, merging with the wall under the wallpaper, dissolving into the floor, or flattening herself behind glass. But is this disappearing act really the artist putting in an appearance? That we are never completely sure what we are looking at means that we keep looking. Woodman constantly compares the fragility of her own body with the physical environment around her. Fascinated by transformation and the permeability of seemingly fixed boundaries, Woodman's work conjures the precarious moment between adolescence and adulthood, between presence and absence.

像摄影这样的机械性事物从来都被人作为一种毫无艺术创造感的事物来看待。但在过去的一个世纪里,它终于获得了自身的力量，发现了自身的根本立场并树立起客观性视觉的形态。这一个世纪可以说是各种现代主义此起彼伏的一个世纪，“后现代主义唤起了对历史的关注”，而对历史的记录，摄影的作用无疑是最为明显的。后现代影响着摄影，摄影也把后现代种种历史记忆记录在的它的照片里。 本书在后现代艺术背景之下，对后现代摄影的产生和发展作了精彩的描述;对后现代摄影代表性的12家：罗伯特・梅普勒索普、安德烈斯・塞拉诺、托马斯・斯特鲁斯、森村泰昌、琼・斯彭斯、迪・谢尔曼、石内都、雪莉・莱维、南・哥尔丁、杰夫・沃尔等,作了详尽的述评。图文并茂是本书的最大特点。

[ 关于书 ] 这是一本摄影集 纯胶片拍摄 独立出版 不公开发行 限定500本 ＃win.tam＃ 与 ＃nice映画机构＃ 合作出版 全书180p 收录近180幅作品 尺寸：17x22.9X1.6cm 锁线胶装本 双封套 至于装帧包装 留一个惊喜给大家 前200本预定 附赠卡片一套（6枚入）以及签名 书中部分内容限定18+ 请在家长陪同下阅读 这是win.tam第一本纯摄影集 书中图片都是作者自己精选的作品 还有很多未公开的相片 诚意之作 如果你也是个热爱纸质印刷品 又喜欢小情色或是小文艺 那这本摄影集 不需要我多做介绍 你一定需要拥有一本 [ 书里的话 ] 整本集子是关于男生的 关于他们的身体 生活 以及呼吸间夹杂着的希望跟绝望 焦躁跟美好 …… 这本摄影集收录了将近180幅照片 全胶片拍摄 有的含蓄 有的直观 很多人问我拍这些照片的用意 说实话 我自己也没有好好想过拍这些照片的用意 反倒变成全凭直觉的一次次按动快门的意志使然 我找不到什么准确的标签来定义这本集子 我没有那么高的艺术觉悟 始终觉得自己做着市井创作 因为我没有更高层面的游说力跟精神指导力 我没有办法为每张照片写出一段冠冕堂皇的故事背景 更多的 兴许是出于对某种美的固执 再世俗点 也不免有为满足一己私欲 想要扒掉层层衣衫 窥视肉体的一种病态 希望大家可以喜欢这本摄影集 对我来说 这意义重大 我也希望大家能在这些画面里找到那个像你一般的 某个眼神 某个低头的瞬间 我始终相信 boys like u 男孩似你 男孩爱你

《尼康D90实用详解》是一本针对尼康D90使用者的完整数码摄影教程。书中不但详细介绍了尼康D90的使用方法和使用技巧，而且以尼康D90为基础，系统地讲解了摄影基础知识和技术，内容涵盖曝光原理、补偿理论、光线控制、闪光摄影、弱光摄影和RAW格式拍摄等。《尼康D90实用详解》还介绍了如何发掘拍摄题材、如何培养影像洞察力等艺术素养相关的内容。针对学习摄影过程中的技术难点，书中还提供了大量精彩的图片实例，以便于读者参考并深入理解相关内容。 《尼康D90实用详解》主要面向尼康D90用户，对于其他类型数码相机用户和摄影爱好者也有一定的参考价值。虽然不同品牌相机的操作略有差异，但摄影术语和摄影技巧是完全相通的，因此书中介绍的通用的摄影基础知识和高级摄影技巧对于使用其他类型数码相机的摄影爱好者也有很好的指导意义。 点击链接进入英文版： The Nikon D90 Companion

More then those of any other living photographer, Sebastiao Salgado's images of the world's poor stand in tribute to the human condition. Salgado defines his work as "militant photography" dedicated to "the best comprehension of man"; over the decades he has bestowed great dignity on the most isolated and neglected among us-- from famine-stricken refugees in the Sahel to the indigenous peoples of South America. With "Workers," Salgado brings us a global epic that transcends mere image making to become an affirmation of the enduring spirit of working men and women. In this volume, three hundred fifty duotone photographs form an archaeological perspective of the activities that have defined hard work from the Stone Age through the Industrial Revolution to the present. With images of the infernal landscape of an Indonesian sulfur mine, the drama of traditional Sicilian tuna fishing, and the staggering endurance of Brazilian gold miners, Salgado unearths layers of visual information to reveal the ceaseless human activity at the core of modern civilization. "Workers" presents its subjects on several interactive levels: Salgado's introductory text expands his passionate photographic iconography, and extended captions, also written by Salgado, provide a historical and factual framework. Evoking the monumentality of Baroque sculpture, images of oil-fire fighters extinguishing Kuwaiti wells are informed by data detailing this perilous venture. Heroic photographs of Cuban and Brazilian peasants harvesting sugarcane are enriched by an overview of the history of the sugar trade, which documents centuries of colonialist exploitation. On the eve of the millennium, "Workers" serves as anelegy for the passing of traditional methods of labor and production. Yet its ultimate message is one of endurance and hope: entire Indian families serve as construction crews to build a dam that will bring life to their land, and laborers using contemporary technology connect England and France through Eurotunnel. Honoring the timeless and indomitable spirit of the manual laborer, "Workers" renders the human condition with honesty and respect.

《好摄达人教你拍:绝美人像摄影和后期处理》是绝美人像惊艳揭秘，海德娜娜多年经典人像作品+最新力作无保留全奉献。 　　我常常感到/摄影就像是连接我内心与外部坚硬世界的绳索/我非常乐意将自己的心情、梦想、不能讲出的秘密以及平凡的、不平凡的生活旅程/蕴藏于照片之内/再分享给大家/通过摄影来与这个世界对话/相机是我最可信赖的朋友/不论是温暖人心的如花面庞/世界都绽开笑颜/还是湿润的眼角正流淌着泪水/暗自神伤/这些与情感交织而成的记忆/通过我手中的相机都化为夺目的影像/为未来记录下这回不去的曾经/捕获每一个善感之人的心。

《提问李少白:摄影家的思考与创作》内容简介：摄影不仅仅是使用相机去记录身边的点点滴滴，更多的时候则是要使用相机去发现和记录我们身边那些“看不见”的影像。《提问李少白:摄影家的思考与创作》作者李少白先生恰恰是善于发现和捕捉这种“看不见”的影像的摄影家。《提问李少白:摄影家的思考与创作》在讲解过程中采用新颖的问答形式和通俗易懂的文字介绍了枯燥的摄影基本技术，全面细致地解答了广大摄影爱好者在拍摄中可能遇到的诸多问题。在讲解一些基本的拍摄技法，如构图、用光以及各类主题应怎样拍摄等基本要素的同时，对摄影过程中应该如何观察和思考，如何以摄影家的眼光判断摄影作品成功与否等方面阐述了独到的见解。全文从始至终贯穿了李少白先生多年艺术创作过程中独有的创作之道，通过摄影家对各种问题的分析，使读者对摄影的认识从只是简单的记录升华到艺术创作的阶段，并在作品中详细描述了如何将其他的艺术形式与摄影相结合的方法。 《提问李少白:摄影家的思考与创作》适合所有摄影爱好者及喜欢艺术创作的读者阅读学习。初、中级的摄影爱好者可以通过阅读《提问李少白:摄影家的思考与创作》掌握摄影家的拍摄技法，分享摄影家的实战经验，学会如何才能拍出自己满意的作品。高级摄影爱好者及摄影发烧友则可以通过阅读《提问李少白:摄影家的思考与创作》提高对摄影艺术层面的理解，掌握摄影家在艺术创作过程中那些超越摄影技巧本身、独具艺术内涵的观点和观察方式，从而以摄影家的境界去进行思考和创作。

《他们为什么要摄影:中国当代摄影家访谈录(新闻卷)》将以访谈的形式，带领我们去认识我国当代19位摄影家的人生轨迹及其背后更大的社会背景。每个访谈之后，还荟萃了历史学、哲学、社会学、人类学、民族学、影像学、艺术史学等学科专家、学者对该摄影家的学术评价与定位。

First published in France in 1958, then in the United States in 1959, Robert Frank's The Americans changed the course of twentieth-century photography. In 83 photographs, Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians and rendered numb by a rapidly expanding culture of consumption. Yet he also found novel areas of beauty in simple, overlooked corners of American life. And it was not just his subject matter--cars, jukeboxes and even the road itself--that redefined the icons of America; it was also his seemingly intuitive, immediate, off-kilter style, as well as his method of brilliantly linking his photographs together thematically, conceptually, formally and linguistically, that made The Americans so innovative. More of an ode or a poem than a literal document, the book is as powerful and provocative today as it was 50 years ago. Published to accompany a major exhibition at the National Gallery of Art, the San Francisco Museum of Modern Art and the Metropolitan Museum of Art, Looking In: Robert Frank's "The Americans" celebrates the fiftieth anniversary of this prescient book. Drawing on newly examined archival sources, it provides a fascinating in-depth examination of the making of the photographs and the book's construction, using vintage contact sheets, work prints and letters that literally chart Frank's journey around the country on a Guggenheim grant in 1955-1956. Curator and editor Sarah Greenough and her colleagues also explore the roots of The Americans in Frank's earlier books, which are abundantly illustrated here, and in books by photographers Walker Evans, Bill Brandt and others. The 83 original photographs from The Americans are presented in sequence in as near vintage prints as possible. The catalogue concludes with an examination of Frank's later reinterpretations and deconstructions of The Americans, bringing full circle the history of this resounding entry in the annals of photography. This richly illustrated expanded edition of Looking In: Robert Frank's "The Americans" contains several engaging essays by curator Sarah Greenough that explore the roots of this seminal book, Frank's travels on a Guggenheim fellowship, the sequencing of The Americans and the book's impact on his later career. In addition, essays by Anne Wilkes Tucker, Stuart Alexander, Martin Gasser, Jeff L. Rosenheim, Michel Frizot and Luc Sante offer focused analyses of Frank's relationship with Louis Faurer, Edward Steichen, Gotthard Schuh, Walker Evans, Robert Delpire and Jack Kerouac, while Philip Brookman writes about his work with Frank on several exhibitions in the last 30 years. This edition also reproduces many of Frank's earlier photographic sequences, as well as all of the photographs in The Americans and selected later works. In addition, Looking In: Robert Frank's "The Americans"-Expanded Edition includes a wealth of additional materials, essential information for all interested in twentieth-century photography. It contains all of Frank's vintage contact sheets related to The Americans, a section that re-creates his preliminary sequence and presents variant croppings of the first and subsequent editions of the book and a map and chronology, along with letters and manuscript materials by Frank, Walker Evans and Jack Kerouac related to Frank's Guggenheim fellowship, his travels around the United States in 1955-1956, and his construction of the book. This groundbreaking 528-page catalogue is certain to be the definitive source of information on The Americans for years to come.