這專為 LC-A 及 LC-A+ 愛好者而設的 LOMO book 全書 144 頁，載有 148 名來自日本的 lomographer 的照片，讓你再一次感受 LOMO 相機原始的神奇魔力。 在這本書內，你會找到 . . . [ Shooting procedure of Lomo LC-A+ ] 由著名攝影師 Akaogi Takeshi 傳授，使用 LC-A+ 的獨門秘技。 [ History of LC-A & LC-A+ ] 由 LC-A 到 LC-A+ ，開發過程中不為人知的精采故事。 [ The 10 Golden Rules of Lomography ] 使用 LOMO 相機的黃金十誡，身為愛好者的你當然不能錯過。*儘管那些都是 “不要想“ “忘記以上守則“ 之類的東西 規格：16.5cm x 24cm 頁數：144頁 語文：日文 资料来源：www.lomography.cn 在线浏览本书资料：http://www.lomographyasia.com/microsite/lomobookhk/

Made in Japan -- Made in Japan—these three simple words conjure playful wit, a delight in detail, formal elegance, and graphic energy. Author of Made in China, Reed Darmon has collected hundreds of images of everyday Japanese design and pop culture ephemera from the past century. Including perfume ads, art deco matchboxes, robot toys, action movie posters, Noh masks, kimono patters, sumo cards, children's books, household product packages, and much more, the fascinating objects assembled here reveal traditional Japanese artistry and techniques as applied to playfully modern design. A stylish object and graphic essay in one, Made in Japan is an extraordinary glimpse into the heart of Japanese popular culture.

在线阅读本书 Discover Japan Dodge flying fish at the world's greatest sashimi market Find yourself spirited away to Miyazaki's museum of anime Master the perfect double-clap and bow for your first shrine visit Earn your keep in a Buddhist temple In This Guide: Japan resident authors, 343 days of research, 120 detailed maps, three geisha sightings You asked for it, we researched it - everything you need to know about onsen (hot springs) and skiing, and more language assistance than ever Cost-saving tips even the locals don't know.

柯珊珊 SHAN SHAN KO 淡江大學日文系畢，五年級生。1996年曾至東京研讀社會情報年餘，返國工作後仍多次往返日本。目前擔任日文口譯工作。足跡踏遍亞澳美歐十多個國家。興趣為電影、音樂、閱讀、料理、旅遊。曾任旅遊雜誌採訪編輯、旅遊出版物主編、珠寶公司行銷企劃副理等職務。曾發表日文作品於日本《Director’s》影像雜誌。著有《日本，SoDesu》一書。

Drawing on a vast range of Japanese sources and illustrated with dozens of astonishing documentary photographs, Embracing Defeat is the fullest and most important history of the more than six years of American occupation, which affected every level of Japanese society, often in ways neither side could anticipate. Dower, whom Stephen E. Ambrose has called "America's foremost historian of the Second World War in the Pacific," gives us the rich and turbulent interplay between West and East, the victor and the vanquished, in a way never before attempted, from top-level manipulations concerning the fate of Emperor Hirohito to the hopes and fears of men and women in every walk of life. Already regarded as the benchmark in its field, Embracing Defeat is a work of colossal scholarship and history of the very first order. Winner of the Pulitzer Prize, the 1999 National Book Award for Nonfiction, finalist for the Lionel Gelber Prize and the Kiriyama Pacific Rim Book Prize, Embracing Defeat is John W. Dower's brilliant examination of Japan in the immediate, shattering aftermath of World War II.

Steamy, subversive, exotic and bizarre! Behind the Pink Curtain takes the reader on a wild joy ride deep into the hinterlands of Japanese culture, society and radical politics by way of the weird and wonderful world of the Pink Film and Roman Porno genres. Behind the Pink Curtain focuses on the art and industry of one of the most notorious sectors of Japanese filmmaking, the erotic Pink Film, or pinku eiga genre, and the closely related Roman Porno films produced by Nikkatsu studios from 1971 to 1988. A phenomenon distinct from the cheaply-produced hardcore Adult Video (AV) market, from the early '60s onwards major Japanese film studios and independent producers alike have kept up a conveyor belt level of output of pornographic features intended purely for cinema release. Still today, just short of 100 such titles are shot on 35mm every year intended for screening in a specialist network of adult cinema across the nation. In recent years, many have found themselves released on DVD in the West or screened at international film festivals, while many of Japan's most noted filmmakers today have cut their teeth in this industry. Just how close are the links between the arthouse and the grindhouse in Japan? Read about the ins and outs of Japanese censorship from the wartime onwards, and how topless deep sea diving girls came to woo local audiences in the '50s. Learn how a TV nature documentary maker ended up helming nude female Tarzan movies, and how '60s mavericks Kôji Wakamatsu and Masao Adachi met up with John and Yoko at Cannes while on the way to the Golan Heights to make a film about Palestinian revolutionaries. How Deep Throat's Harry Reems wound up in Tokyo starring in a zany sex comedy about a penis transplant gone awry, and how one of Japan's most famous literary figures ended up the subject of the country's first gay porno movie. How one of Nikkatsu's leading directors went it alone to make a film about powerboat racing and ended up in the bad books of the yakuza, and how the anti-Bush sex farce Horny Home Tutor: Teacher's Love Juice came to be re-titled as The Glamorous Life of Sachiko Hanai and became one of the most talked-about Japanese films of recent years, playing at over twenty international film festivals. Based on extensive interviews with many of the leading figures in the field, Behind the Pink Curtain is a colourful and exhaustive trawl through Japan's most vibrant and prolific filmmaking sector. CONTENTS: Chapter 1: The Japanese Sex Film: Art or Industry? An introduction to the world of pinku eiga, some facts, some definitions and a brief historical overview, looking at the state of the modern distribution network and who actually watches these films. Chapter 2: Sex, Censorship and Other Positions of Power: New Ways of Looking Is the pink film art or pornography? What is pornography anyway, and does it mean the same in Japan as over here? An introduction to Japan's obscenity laws and censorship history, within the context of the international development of erotic cinema. Chapter 3: Ama Glamour and the Rise of the Flesh Actress An overview of the output of Shintoho in the 50s, who introduced nudity to Japanese screens with films such as those in the Ama, or Girl Diver movies such as Girl Divers at Spook Mansion and Revenge of the Pearl Queen. Chapter 4: The Birth of the Eroduction The beginnings of the pink genre in 1962 with Satoru Kobayashi's Flesh Market and Koji Seki's legendary female Tarzan films and the formation of Kokuei, Okura Productions and the new Shintoho. Chapter 5: Pioneers of the Pink Film Introducing the early trailblazers of the pink film world and their work - Kan Mukai, Koji Seki, Satoru Kobayashi, Mamoru Watanabe and Shinya Yamamoto. Chapter 6: Pinkos in Pink Pink gets political. This chapter investigates how the pink film came to echo the radicalism of ultra-leftist groups on the streets of Tokyo, and details the political landscape of the era. Chapter 7: Emerging from the Underground: Wakamatsu Pro We investigate the major role played by Koji Wakamatsu and his coterie in bringing avant-garde pop culture, porn and politics to a wider market. Chapter 8: Eiga / Kakumei: The Story of Masao Adachi A survey of the radical films of Wakamatsu's partner-in-crime Masao Adachi. Chapter 9: The Golden Dawn of the New Porn: Nikkatsu's Roman Porno The sex film goes mass market in Japan, with the birth of Nikkatsu's Roman Porno line in 1971. Chapter 10: Roman Porno: The Films, Their Makers and Their Stars A closer look at some of Nikkatsu's top Roman Porno directors and their films. Chapter 11: Eros International International co-productions and international distribution - was the pink film ever a purely Japanese phenomenon? Chapter 12: I Am Curious (Pink) - An Industry in Flux The pink film underwent significant changes in the 70s, with the arrival of Roman Porno, and yet its output remained as strong as ever. A look at the major production companies of the decade, their staff and their films. Chapter 13: The Decade of Excess Japanese sex films became renowned for their excessive depictions of violence, rape and sadomasochism, but was it always this way, or was this a purely 80s development, and if so, why? Chapter 14: The Four Devils and the Pink Nouvelle Vague The renaissance of the pink film in the early 90s, following the death of Roman Porno and the arrival of Adult Video. Chapter 15: The Devils Themselves.... An overview of the films of the directors known as the Four Devils: Kazuhiro Sano, Hisayasu Sato, Toshiki Sato and Takahisa Zeze. Chapter 16: Girls and Boys Come Out to Play The modern-day audience for the pink film is more diverse than one might expect. This chapter looks at female viewers, female directors and the gay sub-sector of the pink film genre. Chapter 17: 21st Century Girl and the Seven Lucky Gods The latest new wave of pink directors known as the Seven Lucky Gods, including Mitsuru Meike, Shinji Imaoka and Yuji Tajiri have captured the attention of a new generation of audiences and have had their works screened widely abroad. But are they a continuation of or a reaction against their predecessors the Four Devils? Chapter 18: Final Curtain? In the era of DVD and the internet, is there still a market for the theatrical sex films, and where might the industry be heading in the future? Appendices: - List of Japanese titles, cast and credits and DVD availability. - Bibliography.