Written with the erudition and wit that made The Closing of the American Mind a #1 best-seller, Love and Friendship is a searching examination of the basic human connections at the center of the greatest works of literature and philosophy throughout the ages. In a spirited polemic directed at our contemporary culture, Allan Bloom argues that we live in a world where love and friendship are withering away. Science and moralism have reduced eros to sex. Individualism and egalitarianism have turned romantic relationships into contractual matters to be litigated. Survey research has made every variety of sexual behavior seem normal, and thus boring. In sex education classes, children learn how to use condoms, but not how to deal with the hopes and risks of intimacy. We no longer know how to talk and think about the peril and promise of attraction and fidelity. What has been lost is what separates human beings from beasts - the power of the imagination, which can transform sex into eros. Our impoverished feelings are rooted in our impoverished language of love. To recover the danger, the strength, and the beauty of eros, we must study the great literature of love, in the hope of rekindling the imagination of beauty and virtue that fuels eros. We must love to learn, in order to learn to love again. Like The Closing of the American Mind, this is an exhilarating journey of ideas in search of the truths that great writers and philosophers have offered about our most precious and perilous longings. Love and Friendship dissects Rousseau's invention of Romantic love, meant to provide a new basis for human connection, amid the atomism of bourgeois society, and exposes the reasons for its ultimate failure. Bloom tells of the Romantics' idea of the sublime and Freud's theory of sublimation. He takes us into the universe of Shakespeare's plays, where love is a natural phenomenon that gives rise to both the brightest hopes and the bitterest conflicts and disappointments.

Publisher Comments: The Closing of the American Mind, a publishing phenomenon in hardcover, is now a paperback literary event. In this acclaimed number one national best-seller, one of our country's most distinguished political philosophers argues that the social/political crisis of 20th-century America is really an intellectual crisis. Allan Bloom's sweeping analysis is essential to understanding America today. It has fired the imagination of a public ripe for change. Synopsis: The Closing of the American Mind, a publishing phenomenon in hardcover, is now a paperback literary event. In this acclaimed number one national best-seller, one of our country's most distinguished political philosophers argues that the social/political crisis of 20th-century America is really an intellectual crisis. Allan Bloom's sweeping analysis is essential to understanding America today. It has fired the imagination of a public ripe for change. Contents Foreword by Saul Bellow Preface Introduction: Our Virtue PART ONE. STUDENTS The Clean Slate Boob Music Relationships Self-Centeredness Equality Race Sex Separateness Divorce Love Eros PART TWO. NIHILISM, AMERICAN STYLE The German Connection Two Revolutions and Two States of Nature The Serf Creativity Culture Values The Nietzscheanization of the Left or Vice Versa Our Ignorance PART THREE. THE UNIVERSITY From Socrates' Apology to Heidegger's Rektoratsrede Tocqueville on Democratic Intellectual Life The Relation Between Thought and Civil Society The Philosophic Experience The Enlightenment Transformation Swift's Doubts Rousseau's Radicalization and the German University The Sixties The Student and the University Liberal Education The Decomposition of the University The Disciplines Conclusion Index

Alan Bloom’s new translation of Emile, Rousseau’s masterpiece on the education and training of the young, is the first in more than seventy years. In it, Bloom, whose magnificent translation of Plato’s Republic has been universally hailed as a virtual rediscovery of that timeless text, again brings together the translator’s gift for journeying between two languages and cultures and the philosopher’s perception of the true meaning and significance of the issues being examined in the work. The result is a clear, readable, and highly engrossing text that at the same time offers a wholly new sense of the importance and relevance of Rousseau’s thought to us.In addition to his translation, Bloom provides a brilliant introduction that relates the structure and themes of the book to the vital preoccupation's of our own age, particularly in the field of education, but also more generally to the current concerns about the limits and possibilities of human nature. Thus in this translation Emile, long a classic in the history of Western thought and educational theory, becomes something more: a prescription, fresh and dazzling, for the bringing up of autonomous, responsible—that is, truly democratic—human beings.

"No-one can make us love love as much as Shakespeare, and no-one can make us despair of it as effectively as he does". William Shakespeare is the only classical author to remain widely popular - not only in America but throughout the world - and Allan Bloom argues that this is because no other writer holds up a truer mirror to human nature. Unlike the Romantics and other moderns, Shakespeare has no project for the betterment or salvation of mankind - his poetry simply gives us eyes to see what is there. In particular, we see the full variety of erotic connections, from the "star-crossed" devotions of Romeo and Juliet to the failed romance of Troilus and Cressida to the problematic friendship of Falstaff and Hal. This volume includes essays on five plays, "Romeo and Juliet", "Anthony and Cleopatra", "Measure for Measure", "Troilus and Cressida" and "The Winter's Tale", and within these Bloom meditates on Shakespeare's work as a whole. He also draws on his formidable knowledge of Plato, Rousseau and others to bring both ancients and moderns into the conversation. The result is a truly synoptic treatment of eros, not only a philosophical reflection on Shakespeare, but a survey of the human spirit and its tendency to seek what Bloom calls the "connectedness" of love and friendship. These highly original interpretations of the plays convey a deep respect for their author and a deep conviction that we still have much to learn from him. In Bloom's view, we live in a love-impoverished age; he asks us to turn once more to Shakespeare because the playwright gives us a rich version of what is permanent in human nature without sharing our contemporary assumptions about erotic love.

Taking the classical view that the political shapes man's consciousness, Allan Bloom considers Shakespeare as a profoundly political Renaissance dramatist. He aims to recover Shakespeare's ideas and beliefs, and to make his work once again a recognized source for the serious study of moral and political problems. In essays looking at "Julius Caesar", "Othello", and "The Merchant of Venice" Bloom shows how Shakespeare presents a picture of man that does not assume privileged access for only literary criticism. With this claim, he argues that political philosophy offers a comprehensive framework within which the which the problems of the Shakespearean heroes can be viewed. In short, he argues that Shakespeare was an eminently political author.