The fiery and enigmatic masterpiece--one of the greatest novels of the Modernist era. "Nightwood," Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" ("TLS"). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna--a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction--there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person--a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, "Nightwood" still crackles with the same electric charge it had on its first publication in 1936.

This acclaimed book is a master teacher's tested program for turning clumsy prose into clear, powerful, and effective writing. A logical, expert, easy-to-use plan for achieving excellence in expression, "Style" offers neither simplistic rules nor endless lists of dos and don'ts. Rather, Joseph Williams explains how to be concise, how to be focused, how to be organized. Filled with realistic examples of good, bad, and better writing, and step-by-step strategies for crafting a sentence or organizing a paragraph, "Style" does much more than teach mechanics: it helps anyone who must write clearly and persuasively transform even the roughest of drafts into a polished work of clarity, coherence, impact, and personality. A textbook edition with exercises, "Style" is available from Longman.

Four adventurers step through a wardrobe door and into the land of Narnia--a land enslaved by the power of the White Witch. But when almost all hope is lost, the return of the Great Lion, Aslan, signals a great change . . . and a great sacrifice. 　　There are a thousand stories in the land of Narnia, and the first is about to be told in an extraordinary motion picture, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, from Walt Disney Pictures and Walden Media. This is the companion book to that movie. Here is a bold and striking contemporary new look for this classic series, designed especially for adult readers! Fifty years ago, C. S. Lewis created a land of wonder and enchantment in The Chronicles of Narnia. Since its first appearance, more than eighty-five million readers worldwide have come to love this definitive fantasy series. Now all seven perennially popular books are available in a brand-new adult trade paperback format. The story describes the never-ending war between good and evil. Narnia is a land frozen in eternal winter; a country waiting to be set free. Four adventurers step through a wardrobe door and into a land enslaved by the power of the White Witch. But when almost all hope is lost, the return of the Great Lion, Aslan, signals a great change and a great sacrifice. 　　Initially when Lewis turned to writing children's books, his publisher and some of his friends tried to dissuade him; they thought it would hurt his reputation as writer of serious works. J.R.R. Tolkien in particular criticized Lewis's first Narnia book, The Lion, the Witch and the Wardrobe. He thought that there were too many elements that clashed—a Father Christmas and an evil witch, talking animals and children. Thankfully, Lewis didn't listen to any of them. 　　Following the publication of The Lion, the Witch and the Wardrobe in 1950, Lewis quickly wrote 6 more Narnia books, publishing the final one, The Last Battle, in 1956. Although they were not well received at first by critics and reviewers, the books gained in popularity through word of mouth. The Narnia books have since sold more than 100 million copies and are among the most beloved books of classic children's literature. 　　　　　book height:204mm 　　　　　　　　 book width:137mm

A glorious, sweeping novel of desire, ambition, and the thirst for knowledge, from the # 1 New York Times bestselling author of Eat, Pray, Love and Committed In The Signature of All Things, Elizabeth Gilbert returns to fiction, inserting her inimitable voice into an enthralling story of love, adventure and discovery. Spanning much of the eighteenth and nineteenth centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittaker—a poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia. Born in 1800, Henry’s brilliant daughter, Alma (who inherits both her father’s money and his mind), ultimately becomes a botanist of considerable gifts herself. As Alma’s research takes her deeper into the mysteries of evolution, she falls in love with a man named Ambrose Pike who makes incomparable paintings of orchids and who draws her in the exact opposite direction—into the realm of the spiritual, the divine, and the magical. Alma is a clear-minded scientist; Ambrose a utopian artist—but what unites this unlikely couple is a desperate need to understand the workings of this world and the mechanisms behind all life. Exquisitely researched and told at a galloping pace, The Signature of All Things soars across the globe—from London to Peru to Philadelphia to Tahiti to Amsterdam, and beyond. Along the way, the story is peopled with unforgettable characters: missionaries, abolitionists, adventurers, astronomers, sea captains, geniuses, and the quite mad. But most memorable of all, it is the story of Alma Whittaker, who—born in the Age of Enlightenment, but living well into the Industrial Revolution—bears witness to that extraordinary moment in human history when all the old assumptions about science, religion, commerce, and class were exploding into dangerous new ideas. Written in the bold, questing spirit of that singular time, Gilbert’s wise, deep, and spellbinding tale is certain to capture the hearts and minds of readers.

Penguin classcis Read Red

During her treatment for cancer, Mary Anne Schwalbe and her son Will spent many hours sitting in waiting rooms together. To pass the time, they would talk about the books they were reading. Once, by chance, they read the same book at the same time—and an informal book club of two was born. Through their wide-ranging reading, Will and Mary Anne—and we, their fellow readers—are reminded how books can be comforting, astonishing, and illuminating, changing the way that we feel about and interact with the world around us. A profoundly moving memoir of caregiving, mourning, and love—The End of Your Life Book Club is also about the joy of reading, and the ways that joy is multiplied when we share it with others.

Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The play will receive its world premiere in London’s West End on July 30, 2016. It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.

This completely revised and expanded edition of English Prepositions Explained (EPE), originally published in 1998, covers approximately 100 simple, compound, and phrasal English prepositions of space and time – with the focus being on short prepositions such as at, by, in, and on. Its target readership includes teachers of ESOL, pre-service translators and interpreters, undergraduates in English linguistics programs, studious advanced learners and users of English, and anyone who is inquisitive about the English language. The overall aim is to explain how and why meaning changes when one preposition is swapped for another in the same context. While retaining most of the structure of the original, this edition says more about more prepositions. It includes many more figures – virtually all new. The exposition draws on recent research, and is substantially founded on evidence from digitalized corpora, including frequency data. EPE gives information and insights that will not be found in dictionaries and grammar handbooks.

Don't Let Life Pass You By Feel like you're always rushing but never catching up? Are you doing more, but enjoying it less? The frantic pace and pressure of modern life can take a serious toll on your happiness and your health, but there is a way to step off the treadmill without giving up your career or activities. The answer lies not in sacrificing your work productivity or your lifestyle but rather in changing your attitude. By using the simple exercises in this book to slow down your thoughts and focus on the present moment, you can actually achieve greater productivity and creativity—all while maintaining a calmer, healthier state of mind.

Enzo knows he is different from other dogs: he thinks and feels in nearly human ways. He has educated himself by watching extensive television, and by listening very closely to the words of his master, Denny Swift, an up-and-coming race car driver. Through Denny, Enzo realizes that racing is a metaphor: that by applying the techniques a driver would apply on the race track, one can successfully navigate the ordeals and travails one encounters in life. Enzo relates the story of his human family, sharing their tragedies and triumphs. In the end, despite what he sees as his own limitations as a dog, Enzo comes through heroically to preserve the Swift family. The Art of Racing in the Rain is a testament to a man's life, given by his dog. But it is also a testament to the dog, himself. Though Enzo cannot speak, he understands everything that happens around him as he bears witness to his master's problems. His enforced muteness only refines his listening ability, and allows him to understand many of life's nuances that are lost on most humans. With humour, sharp observation, and a courageous heart, Enzo guides the reader to the bittersweet yet ultimately satisfying conclusion: there are no limitations to what we can achieve, if we truly know where we want to be.

It’s summer vacation, the weather’s great, and all the kids are having fun outside. So where’s Greg Heffley? Inside his house, playing video games with the shades drawn. Greg, a self-confessed “indoor person,” is living out his ultimate summer fantasy: no responsibilities and no rules. But Greg’s mom has a different vision for an ideal summer . . . one packed with outdoor activities and “family togetherness.” Whose vision will win out? Or will a new addition to the Heffley family change everything?

Ten superb new stories by one of our most beloved and admired writers—the winner of the 2009 Man Booker International Prize. In the first story a young wife and mother receives release from the unbearable pain of losing her three children from a most surprising source. In another, a young woman, in the aftermath of an unusual and humiliating seduction, reacts in a clever if less-than-admirable fashion. Other stories uncover the “deep-holes” in a marriage, the unsuspected cruelty of children, and how a boy’s disfigured face provides both the good things in his life and the bad. And in the long title story, we accompany Sophia Kovalevsky—a late-nineteenth-century Russian émigré and mathematician—on a winter journey that takes her from the Riviera, where she visits her lover, to Paris, Germany, and, Denmark, where she has a fateful meeting with a local doctor, and finally to Sweden, where she teaches at the only university in Europe willing to employ a female mathematician. With clarity and ease, Alice Munro once again renders complex, difficult events and emotions into stories that shed light on the unpredictable ways in which men and women accommodate and often transcend what happens in their lives. Too Much Happiness is a compelling, provocative—even daring—collection.

《查泰莱夫人的情人(英文版)》是英国著名小说家、诗人劳伦斯最后的一部长篇小说。《查泰莱夫人的情人(英文版)》讲的是，康妮(康斯坦斯的爱称)嫁给了贵族地主查泰莱为妻，但不久他便在战争中负伤，腰部以下终身瘫痪。在老家中，二人的生活虽无忧无虑，但却死气沉沉。庄园里的猎场守猎人重新燃起康妮的爱情之火及对生活的渴望，她经常悄悄来到他的小屋幽会，尽情享受原始的、充满激情的性生活。康妮怀孕了，为掩人耳目到威尼斯度假。这时守猎人尚未离婚的妻子突然回来，暴露了他们之间的私情。巨大的社会差距迫使康妮为生下孩子先下嫁他人，只能让守猎人默默地等待孩子的降生。

Sophie Amundsen (Sofie Amundsen in the Norwegian version) is a 14-year-old girl who lives in Norway in the year 1990. She lives with her mother and her cat, Sherekan, as well as with her goldfish, a tortoise, and two budgerigars. Her father is a captain of an oil tanker, and is away for most of the year. The book begins with Sophie receiving two anonymous messages in her mailbox (the first asking, "Who are you?", the second asking, "Where does the world come from?") and a postcard addressed to 'Hilde Møller Knag, c/o Sophie Amundsen'. Shortly afterwards, she receives a packet of papers, part of a correspondence course in philosophy. With these mysterious communications, Sophie becomes the student of a fifty-year-old philosopher, Alberto Knox. Initially, he is completely anonymous to Sophie, but he later reveals more and more about himself. The papers and the packet both turn out to be from him, but the post card is not; it is addressed from someone called Albert Knag, who is a major in a United Nations peacekeeping unit stationed in Lebanon. Alberto teaches her about the history of philosophy. She gets a substantive and understandable review from the Pre-Socratics to Jean-Paul Sartre. Along with the philosophy lessons, Sophie and Alberto try to outwit the mysterious Albert Knag, who appears to have God-like powers, which Alberto finds quite troubling. Sophie learns about medieval philosophy while being lectured by Alberto, dressed as a monk, in an ancient church, and she learns about Sartre and Simone de Beauvoir in a French café. Various philosophical questions and methods of reasoning are put before Sophie, as she attempts to work them out on her own. Many of Knox's philosophic packets to her are preluded by more short questions, such as "Why is Lego the most ingenious toy in the world?" Alberto takes Sophie from the Hellenistic civilization to the rise of Christianity and its interaction with Ancient Greek thought on to the Middle Ages. Over the course of the book, he covers the Renaissance, Baroque, Enlightenment and Romantic periods, with the philosophies that stemmed from them. Mixed in with the philosophy lessons is a plot rather more akin to normal teenage novels, in which Sophie interacts with her mother and her friend Joanna. This is not the focus of the story but simply serves to move the plot along. After the introduction to George Berkeley, the perspective of the novel shifts to the mysterious Hilde. Sophie and Alberto's entire world is revealed to be a literary construction by Albert Knag as a present for his daughter, Hilde, on her 15th birthday. The novel continues with Hilde's story as a framing device for Sophie's story, but the stories intertwine as Hilde's understanding of philosophy grows alongside Sophie's understanding. As Albert Knag continues to meddle with Sophie's life, Alberto helps her fight back by teaching her everything he knows about philosophy. That, he explains, is the only way to understand her world. Meanwhile, Alberto's lessons allow Hilde to develop her own understanding of Sophie's world and use her knowledge against her father for exercising too much power over Sophie's world. This is laced with events that appear to be scientifically impossible, such as Sophie seeing her reflection in a mirror wink at her with both eyes or actually seeing Socrates and Plato. Hilde's book (by her father) ends with Sophie and Alberto disappearing. Gaarder reveals that they have managed to escape Albert Knag's mind into Hilde's world as spirits.