Stanley Yelnats is under a curse. A curse that began with his no-good-dirty-rotten-pig-stealing-great-great-grandfather and has since followed generations of Yelnatses. Now Stanley has been unjustly sent to a boys' detention center, Camp Green Lake, where the warden makes the boys "build character" by spending all day, every day, digging holes: 5 feet wide and 5 feet deep. It doesn't take long for Stanley to realize there's more than character improvement going on at Camp Green Lake. The boys are digging holes because the warden is looking for something. But what could be buried under a dried-up lake? Stanley tries to dig up the truth in this inventive and darkly humorous tale of crime and punishment -- and redemption.

"In me are the memories of a boy's life, spent in that realm of enchantments. These are the things I want to tell you...."Robert McCammon delivers "a tour de force of storytelling" ("BookPage") in his award-winning masterpiece, a novel of Southern boyhood, growing up in the 1960s, that reaches far beyond that evocative landscape to touch readers universally."Boy's Life" is a richly imagined, spellbinding portrait of the magical worldview of the young -- and of innocence lost.Zephyr, Alabama, is an idyllic hometown for eleven-year-old Cory Mackenson -- a place where monsters swim the river deep and friends are forever. Then, one cold spring morning, Cory and his father witness a car plunge into a lake -- and a desperate rescue attempt brings his father face-to-face with a terrible, haunting vision of death. As Cory struggles to understand his father's pain, his eyes are slowly opened to the forces of good and evil that surround him. From an ancient mystic who can hear the dead and bewitch the living, to a violent clan of moonshiners, Cory must confront the secrets that hide in the shadows of his hometown -- for his father's sanity and his own life hang in the balance....

A SCIENTIST'S CASE FOR THE AFTERLIFE Thousands of people have had near-death experiences, but scientists have argued that they are impossible. Dr. Eben Alexander was one of those scientists. A highly trained neurosurgeon, Alexander knew that NDEs feel real, but are simply fantasies produced by brains under extreme stress. Then, Dr. Alexander's own brain was attacked by a rare illness. The part of the brain that controls thought and emotion—and in essence makes us human—shut down completely. For seven days he lay in a coma. Then, as his doctors considered stopping treatment, Alexander's eyes popped open. He had come back. Alexander's recovery is a medical miracle. But the real miracle of his story lies elsewhere. While his body lay in coma, Alexander journeyed beyond this world and encountered an angelic being who guided him into the deepest realms of super-physical existence. There he met, and spoke with, the Divine source of the universe itself. Alexander's story is not a fantasy. Before he underwent his journey, he could not reconcile his knowledge of neuroscience with any belief in heaven, God, or the soul. Today Alexander is a doctor who believes that true health can be achieved only when we realize that God and the soul are real and that death is not the end of personal existence but only a transition. This story would be remarkable no matter who it happened to. That it happened to Dr. Alexander makes it revolutionary. No scientist or person of faith will be able to ignore it. Reading it will change your life.

王尔德作品选，ISBN：9787510036392，作者：（英）王尔德 著

From Pulitzer Prize-winner Katherine Boo, a landmark work of narrative nonfiction that tells the dramatic and sometimes heartbreaking story of families striving toward a better life in one of the twenty-first century’s great, unequal cities. In this brilliantly written, fast-paced book, based on three years of uncompromising reporting, a bewildering age of global change and inequality is made human. Annawadi is a makeshift settlement in the shadow of luxury hotels near the Mumbai airport, and as India starts to prosper, Annawadians are electric with hope. Abdul, a reflective and enterprising Muslim teenager, sees “a fortune beyond counting” in the recyclable garbage that richer people throw away. Asha, a woman of formidable wit and deep scars from a childhood in rural poverty, has identified an alternate route to the middle class: political corruption. With a little luck, her sensitive, beautiful daughter—Annawadi’s “most-everything girl”—will soon become its first female college graduate. And even the poorest Annawadians, like Kalu, a fifteen-year-old scrap-metal thief, believe themselves inching closer to the good lives and good times they call “the full enjoy.” But then Abdul the garbage sorter is falsely accused in a shocking tragedy; terror and a global recession rock the city; and suppressed tensions over religion, caste, sex, power and economic envy turn brutal. As the tenderest individual hopes intersect with the greatest global truths, the true contours of a competitive age are revealed. And so, too, are the imaginations and courage of the people of Annawadi. With intelligence, humor, and deep insight into what connects human beings to one another in an era of tumultuous change, Behind the Beautiful Forevers carries the reader headlong into one of the twenty-first century’s hidden worlds, and into the lives of people impossible to forget.

"On the Road" chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." As "Sal Paradise" and "Dean Moriarty," the two roam the country in a quest for self-knowledge and experience. Kerouac's love of America, his compassion for humanity, and his sense of language as jazz combine to make "On the Road" an inspirational work of lasting importance. Chronicles Jack Kerouac's years traveling the North American continent with his friend Neal Cassady, "a sideburned hero of the snowy West." On the Road, Jack Kerouac's whirling, swirling celebration of the generation we call Beat, was first published in 1957, by The Viking Press in the States, and André Deutsch in the UK. To celebrate its fiftieth birthday, we're publishing the unexpurgated scroll for the first time, in a beautiful hardback edition that is absolutely exquisite. Legend has it that Kerouac wrote the novel in a fury of movement: fuelled by caffeine and cigarettes, he typed this magisterial work on a series of pieces of paper, taped together to make a rudimentary `scroll', flowing down the page, unstoppable, rather like the energetic road trip he and his friend, Neal Cassady, took across America, and that he documents in the novel. For the first time, you can finally read exactly what Kerouac wrote - the edition we all know and love was strongly edited, to excise the more racy bits that were deemed to be too strong meat for the `50s crowd. References to sex and drugs - though not entirely expunged - were toned down and tempered. The text was chopped up into neat paragraphs, to be easy on the eye. But now you can read the full, out-of-breath paean to the heady joys of living with the wind in your hair and only a dollar in your pocket. In the New York Times, Luc Sante writes that `The novel that "On the Road" became was inarguably the book that young people needed in 1957, but the sparse and unassuming scroll is the living version for our time.' Too right. If you haven't read the scroll yet, I envy you hugely.

There has to be a moment at the beginning when you wonder whether you’re in love with the person or in love with the feeling of love itself. If the moment doesn’t pass, that’s it—you’re done. And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it’s even there when you thought you were searching for something else, like an escape route, or your lover’s face. How does one talk about love? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? Taking a unique approach to this problem, the nameless narrator of David Levithan’s The Lover’s Dictionary has constructed the story of his relationship as a dictionary. Through these short entries, he provides an intimate window into the great events and quotidian trifles of being within a couple, giving us an indelible and deeply moving portrait of love in our time.

《一九八四(英文注释版)》通过阅读英语名著学英语一直以来被公认为行之有效的学习方法，也是经过了数代人的实践得出来的真理。因为名著的语言一般比较规范和地道，即人们经常说的“原汁原味的英语”。因此，阅读这些著作对形成英语的语感大有裨益。同时，阅读名著可以扩大词汇量，丰富百科知识，有助于增进对英语国家的了解。而本套丛书可谓“精华中的精华”，阅读这些书籍，读者一方面会沉浸于文学的殿堂中，感受书中的情节美、人物形象塑造美以及语言艺术美，提高文学的素养，同时又在不知不觉中浸染在“原汁原味”的英语当中，提高英语的表达能力和丰富英语文化知识。当然，对有些读者来说，阅读名著很多时候会存在一定的难度或遇到一些词汇、句法或背景知识的障碍，这时读者不免会产生一种“受挫感”。而本套丛书的注释正是为了帮助读者克服这样的“受挫感”，使读者不必阅读简易读物就能直接进入到原著气势恢宏的“殿堂”当中，定会愉快地将文学欣赏与英语学习有效的结合在一起。 海报：

Wrongfully imprisoned for fourteen years, Edmond Dantes escapes to the island of Monte Cristo. What awaits him there is a fortune in gold-and a new identity with which to persue his revenge and redemption.

The more than 600 stories written by O. Henry provided an embarrassment of riches for the compilers of this volume. The final selection of the thirty-eight stories in this collection offers for the reader's delight those tales honored almost unanimously by anthologists and those that represent, in variety and balance, the best work of America's favorite storyteller. They are tales in his most mellow, humorous, and ironic moods. They give the full range and flavor of the man born William Sydney Porter but known throughout the world as O. Henry, one of the great masters of the short story.

This classic reference is a must-have for any student or writer. In this brief handbook, Strunk identifies the principal requirements of proper American English style and concentrates on the most often violated rules of composition. Authoritative and engagingly written, this is simply the greatest book of its kind.

世界文学名著表现了作者描述的特定时代的文化。阅读这些名著可以领略著者流畅的文笔、逼真的描述、详细的刻画，让读者如同置身当时的历史文化之中。为此，我们将这套精心编辑的“名著典藏”奉献给广大读者。 本书找来了专门研究西方历史、西方文化的专家学者，请教了专业的翻译人员，精心挑选了可以代表西方文学的这部著作《瓦尔登湖》，并听取了一些国外专门研究文学的朋友的建议，不删节、不做任何人为改动，严格按照原著的风格，提供原汁原味的西方名著，让读者能享受纯正的英文名著。

《热爱生命》讲述了一个美国西部的淘金者在返回的途中被朋友抛弃，不得不独自跋涉在无垠的荒原上。冬天逼近了，他已经没有一点食物了，并且他的腿受了伤，脚在流血，他只能蹒跚在布满沼泽、丘陵的荒原上，艰难前行。此时，一匹病狼舔舐着他的血迹一直尾随着他。最终在人与狼的战斗中人获得了胜利，使生命绽放出耀眼的光芒。

Book Description This work tells the story of 30 pilgrims who meet by chance at the Tabard Inn in Southwark, London, and journey together to the shrine of St Thomas Becket in Canterbury cathedral. To pass the time along the way, they tell stories to one another, shot through with cunning wit and dry humour. About this book: Geoffey Chaucer (c.1340-1400) was one of the finest storytellers in the English language, as well as being a great poet and an accomplished prose writer. The Canterbury Tales, although incomplete at the time of Chaucer's death, is generally regarded as his greatest work. The Canterbury Tales tells the story of 30 pilgrims who meet by chance at the Tabard Inn in Southwark, London and journey together to the shrine of St. Thomas Becket in Canterbury cathedral. To pass the time along the way, they tell stories to one another. The Tales themselves range from the exemplary saints' lives told by the nuns, to the bawdy, comic tales of the miller and the reeve, always shot through with Chaucer's cunning wit and dry humour. Chaucer leaves his readers with the impression that the whole of medieval society has passed before their eyes. This new transcription and edition is taken from British Library MS Harley 7334, a beautifully decorated, volume produced within ten years of Chaucer's death. The aim of the present edition, with its 'on-page' notes and glosses, is to enable readers with little or no previous experience of medieval English to read and enjoy this landmark in English Literature. Book Dimension : length: (cm)19.8 　　　 　　　　　 　　　　　 width:(cm)12.6

Arthur Rimbaud was one of the wildest, most uncompromising poets of his age, although his brief literary career was over by the time he was twenty-one when he embarked on a new life as a trader in Africa. This edition brings together his extraordinary poetry and more than a hundred of his letters, most of them written after he had abandoned literature. A master of French verse forms, the young Rimbaud set out to transform his art, and language itself, by a systematic "disordering of all the senses," often with the aid of alcohol and drugs. The result is a highly innovative, modern body of work, obscene and lyrical by turns—a rigorous journey to extremes. Jeremy Harding and John Sturrock’s new translation includes Rimbaud’s greatest verse, as well as his record of youthful torment, A Season in Hell (1873), and letters that unveil the man who turned his back on poetry.

Montresor tells the story of the night that he took his revenge on Fortunato, a fellow nobleman. Angry over some unspecified insult, he plots to murder his friend during Carnival when the man is drunk, dizzy, and wearing a jester's motley. He baits Fortunato by telling him he has obtained what he believes to be a pipe (about 130 gallons) of Amontillado, a rare and valuable sherry wine. He claims he wants his friend's expert opinion on the subject. Fortunato goes with Montresor to the wine cellars of the latter's palazzo, where they wander in the catacombs. Montresor offers De Grave, a wine, to Fortunato; at one point, Fortunato makes an elaborate and—to the narrator's eyes—grotesque gesture with an upraised wine bottle. When Montresor appears not to recognize the gesture, Fortunato asks, "You are not of the masons?" Montresor says he is, and when Fortunato, disbelieving, requests a sign, Montresor displays a trowel he had been hiding. Montresor warns Fortunato, who has a bad cough, of the damp, and suggests they go back; Fortunato insists on continuing, claiming that "[he] shall not die of a cough." During their walk, Montresor mentions his family coat of arms: a foot in a blue background crushing a snake whose fangs are embedded in the foot's heel, with the motto Nemo me impune lacessit (No one attacks me with impunity). When they come to a niche, Montresor tells his victim that the Amontillado is within. Fortunato enters and, drunk and unsuspecting, does not resist as Montresor quickly chains him to the wall. Montresor then declares that, since Fortunato won't go back, he must "positively leave [him]." Montresor walls up the niche, entombing his friend alive. At first, Fortunato, who recovers from his drunken state faster than Montresor anticipated he would, shakes the chains, trying to escape. The narrator stops working for a while so he can enjoy the sound. Fortunato then screams for help, but Montresor mocks his cries, knowing nobody can hear them. Fortunato laughs weakly and tries to pretend that he is the subject of a joke and that people will be waiting for him (including the Lady Fortunato). As the murderer finishes the topmost row of stones, Fortunato wails "For the love of God, Montresor!" Montresor replies, "Yes, for the love of God!" He listens for a reply but hears only the jester's bells ringing. Before placing the last stone, he drops a burning torch through the gap. He claims that he feels sick at heart, but dismisses this reaction as an effect of the dampness of the catacombs. In the last few sentences, Montresor reveals that it has been 50 years since the murder, he has never been caught, and Fortunato's body still hangs from its chains in the niche where he left it. The murderer, seemingly unrepentant, ends the story by remarking: In pace requiescat (may he rest in peace).