It's a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before you're ready are uniquely revealed through words and drawings as Greg records them in his diary. In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowley's star starts to rise, Greg tries to use his best friend's newfound popularity to his own advantage, kicking off a chain of events that will test their friendship in hilarious fashion.

在线阅读本书 With an Introduction and Notes by Owen Knowles, University of Hull Thackeray's upper-class Regency world is a noisy and jostling commercial fairground, predominantly driven by acquisitive greed and soulless materialism, in which the narrator himself plays a brilliantly versatile role as a serio-comic observer. Although subtitled 'A Novel without a Hero', Vanity Fair follows the fortunes of two contrasting but inter-linked lives: through the retiring Amelia Sedley and the brilliant Becky Sharp, Thackeray examines the position of women in an intensely exploitative male world.

Different Seasons，中文译名《四季奇谭》，是美国作家斯蒂芬·金于1982年出版的短篇小说集。《四季奇谭》包含四部短篇小说：《芮塔·海华丝与肖申克的救赎——春天的希望》、《纳粹高徒——夏日沉沦》、《总要找到你——不再纯真的秋天》、《呼·吸·呼·吸——暮冬重 生》。 前三部短篇都被改编成电影，其中以《肖申克的救赎》最为知名，深受广大影迷厚爱，并在1994年第67届奥斯卡电影金像奖上提名包括最佳电影在内的七项大奖，最终惜败给《阿甘正传》。《总要找到你》于1986年翻拍成电影，电影主题曲Stand By Me传唱至今，甚至红过电影本身。 《四季奇谭》的故事主题稍显沉重、严肃，与斯蒂芬·金见长的恐怖小说有些不同，但同样十分精彩。1982年出版，便一举拿下《纽约时报》畅销书排行榜冠军，至今在全球范围内已被翻译成30余种语言。

Navigating between the Indian traditions they've inherited and the baffling new world, the characters in Jhumpa Lahiri's elegant, touching stories seek love beyond the barriers of culture and generations. In "A Temporary Matter," published in The New Yorker, a young Indian-American couple faces the heartbreak of a stillborn birth while their Boston neighborhood copes with a nightly blackout. In the title story, an interpreter guides an American family through the India of their ancestors and hears an astonishing confession. Lahiri writes with deft cultural insight reminiscent of Anita Desai and a nuanced depth that recalls Mavis Gallant. She is an important and powerful new voice.

The first book in the New York Times bestselling Maze Runner series— The Maze Runner is a modern classic, perfectfor fans of The Hunger Games and Divergent . When Thomas wakes up in the lift, the only thing he can remember is his first name. His memory is blank. But he’s not alone. When the lift’s doors open, Thomas finds himself surrounded by kids who welcome him to the Glade—a large, open expanse surrounded by stone walls. Just like Thomas, the Gladers don’t know why or how they got to the Glade. All they know is that every morning the stone doors to the maze that surrounds them have opened. Every night they’ve closed tight. And every thirty days a new boy has been delivered in the lift. Thomas was expected. But the next day, a girl is sent up—the first girl to ever arrive in the Glade. And more surprising yet is the message she delivers. Thomas might be more important than he could ever guess. If only he could unlock the dark secrets buried within his mind.

This title celebrates the thirty years of comic genius of Douglas Adams. On 12 October 1979, the most remarkable book ever to come out of the great publishing corporations of Ursa Minor (and Earth) was made available to humanity - "The Hitchhiker's Guide to the Galaxy". It's an ordinary Thursday lunchtime for Arthur Dent until his house gets demolished. The Earth follows shortly afterwards to make way for a new hyperspace bypass and his best friend has just announced that he's an alien. At this moment, they're hurtling through space with nothing but their towels and an innocuous-looking book inscribed with the big, friendly words: Don't Panic. The weekend has only just begun. This title is volume one in the trilogy of five.

I Capture the Castle tells the story of seventeen-year-old Cassandra and her family, who live in not-so-genteel poverty in a ramshackle old English castle. Here she strives, over six turbulent months, to hone her writing skills. She fills three notebooks with sharply funny yet poignant entries. Her journals candidly chronicle the great changes that take place within the castle's walls, and her own first descent into love. By the time she pens her final entry, she has "captured the castle"-- and the heart of the reader-- in one of literature's most enchanting entertainments. Bonus: Reading Group Discussion Guide included in this edition

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground. Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber --This text refers to an out of print or unavailable edition of this title. Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices. Copyright 1996 Reed Business Information, Inc. --This text refers to the Hardcover edition. Jane Lapotaire, known to American audiences from her many PBS appearances, is a perfect choice to read Jane Austen's comedy of manners. Her rich and varied intonations capture just the right blend of artifice and empathy to recreate not only the lively and playfully witty Elizabeth Bennett and the handsome, albeit conceited, Mr. Darcy, but also the entire gamut of Bennett family members, friends and foes. Amazingly, Lapotaire even manages to conjure memories of the screen's Mr. D', Lawrence Olivier. This is an exquisite audio abridgment of the classic English satire. L.(H.)B. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title. We recently purchased three of your classics series hardcovers for our 15 year old daughter's birthday, and she was estatic. The books are beautifully done, and it was nice to see that they used the original versions' formatting. We anxiously look forward to any new volumes you may add. If we might make a suggestion for a future addition to this series, please consider Treasure Island, as this would be a most welcome addition to her new collection. Thanks for producing a wonderful product. --This text refers to an out of print or unavailable edition of this title. "It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife." --This text refers to an out of print or unavailable edition of this title. "Cover to Cover's unabridged readings of classic novels are in a class of their own." --This text refers to the Audio Cassette edition. "These Cover to Cover tapes offer up a delectable feast for fans of the spoken word. We're talking class act here-from the elegant covers to the accomplished readers." --This text refers to the Audio Cassette edition. "Irene Sutcliffe provides the passionate and strong reading of Austen's classic story." --This text refers to the Audio Cassette edition. "Jane Austen's Pride and Prejudice is read here by Irene Sutcliffe and is a delight from beginning to end." --This text refers to the Audio Cassette edition. "The wit of Jane Austen has for partner the perfection of her taste." --Virginia Woolf --This text refers to the Paperback edition.

在线阅读本书 Book Description Judd Stevens is a psychoanalyst faced with the most critical case of his life. If he does not penetrate the mind of a murderer he will find himself arrested for murder or murdered himself... Two people closely involved with Dr. Stevens have already been killed. Is one of the doctor's patients responsible? Someone overwhelmed by his problems? A neurotic driven by compulsion? A madman? Before the murderer strikes again, Judd must strip away the mask of innocence the criminal wears, uncover the inner emotions, fears, and desires, to expose... Book Dimension length: (cm)17.1 　　　 　　　　　 　　　　　 width:(cm)10.5

A delightfully dishy novel about the all-time most impossible boss in the history of impossible bosses. Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of Runway magazine, Andrea finds herself in an office that shouts Prada! Armani! Versace! at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child. THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

Gr 8 Up-Actress Elizabeth McGovern reads this acceptable abridgement with precise, clear diction. Her expressive voice is pleasant, effectively using breath sounds and pauses to recreate dramatic moods. Her usually quick tempo keeps the text from being ponderous, but it can be slower when necessary. Given the time period of the original work, her formal tone is appropriate. Her speech changes slightly for the different characters, but there is not much dialogue. The abridgement retains the continuity of the story. Consider purchasing this version for special education students who can't handle the longer, original text.-Claudia Moore, W.T. Woodson High School, Fairfax, VA

Amazon.com "They carried all the emotional baggage of men who might die. Grief, terror, love, longing--these were intangibles, but the intangibles had their own mass and specific gravity, they had tangible weight. They carried shameful memories. They carried the common secret of cowardice.... Men killed, and died, because they were embarrassed not to." A finalist for both the 1990 Pulitzer Prize and the National Book Critics Circle Award, The Things They Carried marks a subtle but definitive line of demarcation between Tim O'Brien's earlier works about Vietnam, the memoir If I Die in a Combat Zone and the fictional Going After Cacciato, and this sly, almost hallucinatory book that is neither memoir nor novel nor collection of short stories but rather an artful combination of all three. Vietnam is still O'Brien's theme, but in this book he seems less interested in the war itself than in the myriad different perspectives from which he depicts it. Whereas Going After Cacciato played with reality, The Things They Carried plays with truth. The narrator of most of these stories is "Tim"; yet O'Brien freely admits that many of the events he chronicles in this collection never really happened. He never killed a man as "Tim" does in "The Man I Killed," and unlike Tim in "Ambush," he has no daughter named Kathleen. But just because a thing never happened doesn't make it any less true. In "On the Rainy River," the character Tim O'Brien responds to his draft notice by driving north, to the Canadian border where he spends six days in a deserted lodge in the company of an old man named Elroy while he wrestles with the choice between dodging the draft or going to war. The real Tim O'Brien never drove north, never found himself in a fishing boat 20 yards off the Canadian shore with a decision to make. The real Tim O'Brien quietly boarded the bus to Sioux Falls and was inducted into the United States Army. But the truth of "On the Rainy River" lies not in facts but in the genuineness of the experience it depicts: both Tims went to a war they didn't believe in; both considered themselves cowards for doing so. Every story in The Things They Carried speaks another truth that Tim O'Brien learned in Vietnam; it is this blurred line between truth and reality, fact and fiction, that makes his book unforgettable. --Alix Wilber--This text refers to the Paperback edition.

This sprawling and often brutal novel, set in the rich farmlands of California's Salinas Valley, follows the intertwined destinies of two families--the Trasks and the Hamiltons--whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel.

After being dumped by his longtime girlfriend, twenty-eight-year-old Justin Halpern found himself living at home with his seventy-three-year-old dad. Sam Halpern, who is "like Socrates, but angrier, and with worse hair," has never minced words, and when Justin moved back home, he began to record all the ridiculous things his dad said to him: "That woman was sexy. . . . Out of your league? Son, let women figure out why they won't screw you. Don't do it for them." "Do people your age know how to comb their hair? It looks like two squirrels crawled on their heads and started fucking." "The worst thing you can be is a liar. . . . Okay, fine, yes, the worst thing you can be is a Nazi, but then number two is liar. Nazi one, liar two." More than a million people now follow Mr. Halpern's philosophical musings on Twitter, and in this book, his son weaves a brilliantly funny, touching coming-of-age memoir around the best of his quotes. An all-American story that unfolds on the Little League field, in Denny's, during excruciating family road trips, and, most frequently, in the Halperns' kitchen over bowls of Grape-Nuts, Sh*t My Dad Says is a chaotic, hilarious, true portrait of a father-son relationship from a major new comic voice.

An International Bestselling Sensation A murder mystery, family saga, love story, and a tale of financial intrigue wrapped into one satisfyingly complex and entertainingly atmospheric novel. Harriet Vanger, scion of one of Sweden's wealthiest families, disappeared over forty years ago. All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pieced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption. 点击链接进入中文版： 龙文身的女孩

Few books have captivated the imagination and won the devotion and praise of readers and critics everywhere as has George R. R. Martin’s monumental epic cycle of high fantasy. Now, in A Feast for Crows, Martin delivers the long-awaited fourth book of his landmark series, as a kingdom torn asunder finds itself at last on the brink of peace...only to be launched on an even more terrifying course of destruction. A Feast for Crows It seems too good to be true. After centuries of bitter strife and fatal treachery, the seven powers dividing the land have decimated one another into an uneasy truce. Or so it appears....With the death of the monstrous King Joffrey, Cersei is ruling as regent in King’s Landing. Robb Stark’s demise has broken the back of the Northern rebels, and his siblings are scattered throughout the kingdom like seeds on barren soil. Few legitimate claims to the once desperately sought Iron Throne still exist—or they are held in hands too weak or too distant to wield them effectively. The war, which raged out of control for so long, has burned itself out. But as in the aftermath of any climactic struggle, it is not long before the survivors, outlaws, renegades, and carrion eaters start to gather, picking over the bones of the dead and fighting for the spoils of the soon-to-be dead. Now in the Seven Kingdoms, as the human crows assemble over a banquet of ashes, daring new plots and dangerous new alliances are formed, while surprising faces—some familiar, others only just appearing—are seen emerging from an ominous twilight of past struggles and chaos to take up the challenges ahead. It is a time when the wise and the ambitious, the deceitful and the strong will acquire the skills, the power, and the magic to survive the stark and terrible times that lie before them. It is a time for nobles and commoners, soldiers and sorcerers, assassins and sages to come together and stake their fortunes...and their lives. For at a feast for crows, many are the guests—but only a few are the survivors. From the Hardcover edition.

Book Description This is the story of a man named Charley who loses his job, leaves his family, and decides, one night, to end his life. Somewhere between this world and the next, he encounters his mother, who died years ago, and he spends one last day with her - a day he never had on earth. This 'ordinary' day covers the whole of their existence, and reveals how Charley, like many children, was constantly forced to choose between his mother and his father. He gets the chance many of us yearn for - to ask the questions never asked while our parents are alive. In the end, Charley learns how little he really knew about his mother, how her love saved their family, and how deeply he wants the chance to save his own. From Publishers Weekly In this second novel from Tuesdays with Morrie and The Five People You Meet in Heaven author Albom, grief-stricken Charles "Chick" Benetto goes into an alcoholic tailspin when his always-attentive mother, Pauline, dies. Framed as an "as told to" story, Chick quickly narrates her funeral; his drink-fueled loss of savings, job ("sales") and family; and his descent into loneliness and isolation. After a suicide attempt, Chick encounters Pauline's ghost. Together, the two revisit Pauline's travails raising her children alone after his father abandons them: she braves the town's disapproval of her divorce and works at a beauty parlor, taking an extra job to put money aside for the children's education. Pauline cringes at the heartache Chick inflicted as a demanding child, obnoxious teen and brusque, oblivious adult chasing the will-o'-the-wisp of a baseball career. Through their story, Albom foregrounds family sanctity, maternal self-sacrifice and the destructive power of personal ambition and male self-involvement. He wields pathos as if it were a Louisville Slugger—shoveling dirt into Pauline's grave, Chick hears her spirit cry out, " 'Oh, Charley. How could you?' "—but Albom often strikes a nerve on his way to the heart. (Sept. 26) From AudioFile Charlie's been drunk so often and disappointed his daughter so many times that she doesn't invite him to her wedding. He even fails at his suicide. Or does he? When his deceased mother returns to love him unconditionally for one more day, he's not quite sure what's going on. The author reads his book with a deep, resonant voice that matches the sentimental sermonizing in the story. Albom's narration singsongs as Charlie reflects on his mother's past support, his own failings, and the events of a confusing present in which he relishes his mother's care and sees his own life clearly for the first time. S.W. Book Dimension : length: (cm)19.8 　　　 　　　　　 　　　　　 width:(cm)12.6