Bill Bryson describes himself as a reluctant traveller: but even when he stays safely in his own study at home, he can't contain his curiosity about the world around him. A Short History of Nearly Everything is his quest to find out everything that has happened from the Big Bang to the rise of civilization - how we got from there, being nothing at all, to here, being us. Bill Bryson's challenge is to take subjects that normally bore the pants off most of us, like geology, chemistry and particle physics, and see if there isn't some way to render them comprehensible to people who have never thought they could be interested in science. It's not so much about what we know, as about how we know what we know. How do we know what is in the centre of the Earth, or what a black hole is, or where the continents were 600 million years ago? How did anyone ever figure these things out? On his travels through time and space, he encounters a splendid collection of astonishingly eccentric, competitive, obsessive and foolish scientists, like the painfully shy Henry Cavendish who worked out many conundrums like how much the Earth weighed, but never bothered to tell anybody about many of his findings. In the company of such extraordinary people, Bill Bryson takes us with him on the ultimate eye-opening journey, and reveals the world in a way most of us have never seen it before.

在线阅读本书 Ostensibly a discussion of the nature of justice, The Republic presents Plato's vision of the ideal state, covering a wide range of topics: social, educational, psychological, moral, and philosophical. It also includes some of Plato's most important writing on the nature of reality and the theory of the "forms." Translated with an Introduction by Desmond Lee

Oscar Wilde's story of a fashionable young man who sells his soul for eternal youth and beauty is one of his most popular works. Written in Wilde's characteristically dazzling manner, full of stinging epigrams and shrewd observations, the tale of Dorian Gray's moral disintegration caused something of a scandal when it first appeared in 1890. Wilde was attacked for his decadence and corrupting influence, and a few years later the book and the aesthetic/moral dilemma it presented became issues in the trials occasioned by Wilde's homosexual liaisons, trials that resulted in his imprisonment. Of the book's value as autobiography, Wilde noted in a letter, "Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be--in other ages, perhaps."

One of the world’s most beloved and bestselling writers takes his ultimate journey -- into the most intriguing and intractable questions that science seeks to answer. In A Walk in the Woods , Bill Bryson trekked the Appalachian Trail -- well, most of it. In In A Sunburned Country , he confronted some of the most lethal wildlife Australia has to offer. Now, in his biggest book, he confronts his greatest challenge: to understand -- and, if possible, answer -- the oldest, biggest questions we have posed about the universe and ourselves. Taking as territory everything from the Big Bang to the rise of civilization, Bryson seeks to understand how we got from there being nothing at all to there being us. To that end, he has attached himself to a host of the world’s most advanced (and often obsessed) archaeologists, anthropologists, and mathematicians, travelling to their offices, laboratories, and field camps. He has read (or tried to read) their books, pestered them with questions, apprenticed himself to their powerful minds. A Short History of Nearly Everything is the record of this quest, and it is a sometimes profound, sometimes funny, and always supremely clear and entertaining adventure in the realms of human knowledge, as only Bill Bryson can render it. Science has never been more involving or entertaining.

One night Max puts on his wolf suit and makes mischief of one kind and another, so his mother calls him 'Wild Thing' and sends him to bed without his supper. That night a forest begins to grow in Max's room and an ocean rushes by with a boat to take Max to the place where the wild things are. Max tames the wild things and crowns himself as their king, and then the wild rumpus begins. But when Max has sent the monsters to bed, and everything is quiet, he starts to feel lonely and realises it is time to sail home to the place where someone loves him best of all. When Maurice Sendak won the American Library Association's Caldecott Medal for WHERE THE WILD THINGS ARE, he said: 'Max, the hero of my book, discharges his anger against his mother, and returns to the real world sleepy, hungry and at peace with himself...from their earliest years children live on familiar terms with disrupting emotions, fear and anxiety are an intrinsic part of their everyday lives, they continually cope with frustration as best they can. And it is through fantasy that children achieve catharsis. It is the best means they have for taming Wild Things.'

Ten strangers, apparently with little in common, are lured to an island mansion off the coast of Devon by the mysterious U.N.Owen. Over dinner, a record begins to play, and the voice of an unseen host accuses each person of hiding a guilty secret. That evening, former reckless driver Tony Marston is found murdered by a deadly dose of cyanide. The tension escalates as the survivors realise the killer is not only among them but is preparing to strike again and again.

Harry Potter thinks he is an ordinary boy. He lives with his Uncle Vernon, Aunt Petunia and cousin Dudley, who make him sleep in a cupboard under the stairs. Then Harry starts receiving mysterious letters and his life is changed for ever. He is whisked away by a beetle-eyed giant of a man and enrolled in Hogwarts School of Witchcraft and Wizardry. The reason: Harry Potter is a wizard!

这本书是所谓加注版，内容为英文，只是在很少数的地方有中文点评。

The Chronicles of Narnia have enchanted millions of readers over the last fifty years and the magical events described in C.S. Lewis's immortal prose have left many a lasting memory for adults and children alike. All seven Chronicles are bound together in this new paperback edition (rebranded with HarperCollins logo). The Chronicles of Narnia have enchanted millions of readers over the last fifty years and the magical events described in C.S. Lewis's immortal prose have left many a lasting memory. For here is a world where a witch decrees eternal winter; where there are more talking animals than people; and where battles are fought by Centaurs, Giants and Fauns.

are its fruits; thus does a man garner in the sweet and bitter fruitage of his own husbandry. "Thought in the mind hath made us, What we are By thought was wrought and built. If a man's mind Hath evil thoughts, pain comes on him as comes The wheel the ox behind.... ..If one endure In purity of thought, joy follows him As his own shadow--sure." Man is a growth by law, and not a creation by artifice, and cause and effect is as absolute and undeviating in the hidden realm of thought as in the world of visible and material things. A noble and Godlike character is not a thing of favour or chance, but is the natural result of continued effort in right thinking, the effect of long-cherished association with Godlike thoughts. An ignoble and bestial character, by the same process, is the result of the continued harbouring of grovelling thoughts. Man is made or unmade by himself; in the armoury of thought he forges the weapons by which he destroys himself; he also fashions the tools with which he builds for

This is the epic saga of an earthling, Valentine Michael Smith, born and educated on Mars, who arrives on our planet with many psi powers, including the ability to take control of the minds of others—and complete innocence regarding the mores of man.

The Lessons of History is a book by historians Will Durant and Ariel Durant. In The Lessons of History the authors provided a summary of periods and trends in history they had noted upon completion of their momentous eleven volume The Story of Civilization. Will Durant stated that he and Ariel "made note of events and comments that might illuminate present affairs, future probabilities, the nature of man, and the conduct of states." The book thus presents an overview of the themes and lessons observed from 5000 years of world history examined from 13 perspectives such as geography, biology, race, character, morals, religion, economics, socialism, government, war, growth and decay and progress.

Was there a beginning of time? Could time run backwards? Is the universe infinite or does it have boundaries? These are just some of the questions considered in an internationally acclaimed masterpiece which begins by reviewing the great theories of the cosmos from Newton to Einstein, before delving into the secrets which still lie at the heart of space and time.

For nearly twenty years, small-talk expert Don Gabor has helped thousands of people communicate with wit, confidence, and enthusiasm with his bestseller How to Start a Conversation and Make Friends. This new edition brings the art of having a conversation up to date. By following the simple and dynamic guidelines in this easy-to-read book, you'll be ready to strike up a great conversation with anyone anywhere! And you'll learn how to keep the conversation going by asking the right questions, using body language effectively, and avoiding conversation pitfalls. Packed with charts, hundreds of opening lines, real-life examples, FAQs, helpful hints, and solid professional advice, How to Start a Conversation and Make Friends shows you how to: Identify your personal conversational style Talk to people from other countries and cultures Avoid mistakes while on a mobile phone or on-line in chatrooms Boost your personal and professional speaking skills to the next level

梁实秋是现代著名散文家、学者、文学批评家、翻译家。2016年是莎士比亚逝世四百周年，我们将梁实秋的译本从台湾迎回，与大陆读者见面，选取最受中国读者欢迎的10部莎翁作品，组成“梁实秋译莎士比亚经典”丛书，出版双语纪念单行本。 ★ 梁实秋先生是中国现代著名文学家、文学批评家、翻译家 ★ 梁实秋历时37年独立翻译完成《莎士比亚全集》，是中国翻译史和中国莎学研究史上的一座丰碑 ★ 独家引进台湾版权，企鹅与中译出版社联袂打造精品力作 ★ 梁实秋对莎翁作品中各种双关语、熟语、俚语、典故等，不但直译，而且加了大量注释 ★ 每剧均有序言，并对该剧的版本、着作年代、故事来源、舞台历史、该剧的意义及批评意见等均有论述

Book Description The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles. This novel is the deeply disturbing story of a monstrous creation which has terrified and chilled readers ever since its first publication in 1818. The novel is the outcome of reflection on Gothic horror, galvanism, the then theories concerning the origin of life and the myth of Prometheus. Amazon.com Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelg?nger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. From 500 Great Books by Women; review by Jesse Larsen After being rescued from an iceberg, Dr. Frankenstein relates his autobiography to the ship's captain, complete with vivid descriptions of his idyllic childhood and passionate cries of regret that not even his love for Elizabeth could control his fanatic ambition. Dr. Frankenstein has been consumed by his desire to create a fully-grown living creature. When he reaches his goal, he perceives his creation as a monster, immediately regrets his work, and promptly abandons it. We also hear the poignant voice of the monster as he describes the spurning and physical attacks he has endured because of his ugliness; his desolate pain and loneliness; how he learns to love; how he finally finds and tries, unsuccessfully, to make peace with his maker; how he learns to hate. A story within a story, Frankenstein is a subtle and ironic prophecy that raises the question of who exactly is the real monster in this story. From Booklist Part of the Whole Story series, this is the full text of Mary Shelley's classic gothic story, which was first published in 1818 and has been a wild success ever since. Philippe Munch's illustrations have none of the power of Barry Moser's unforgettable woodcuts that evoke the loneliness of the grotesque outsider (in the Pennyroyal edition published by the University of California Press in 1984). The design here is crowded, and the type is small. However, the many period prints and maps in color and in black and white, with long, detailed captions, do provide the historical setting for the story, its geography, customs, and ideas. Teens enthralled by pop versions of the myth as well as science fiction fans will be interested in going back to the full version of what has been called the first science fiction novel and learning about the circumstances under which it was written by a woman, just 18 years old, 170 years ago. 　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　Hazel Rochman From School Library Journal Grade 9 Up-Full-color drawings, photographs, and reproductions with extended captions have been added to the unedited text of Shelley's novel, thus placing the work in the context of the era in which it was written. The artwork faithfully represents the text and makes this edition appealing to reluctant readers. Unfortunately, many of the captions provide tangential information that, although interesting, interrupts the flow of the story. However, readers will quickly learn that it is not necessary to read every caption and appreciate this volume for its many quality illustrations. 　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　Michele Snyder, Chappaqua Public Library, NY From AudioFile With so many poor adaptations of Mary Shelley's classic work in all forms of media, it's refreshing to come across a production that retains the quality, premise, and themes of the original book. As the title and principal character, Dr. Frankenstein has an affected voice that suits his tragically ambitious character. The supporting cast works well in a full range of emotions. The script and vocal characterizations de-emphasize Shelley's vision of an intelligent and cunning monster, but this is a quibble. This production is a boon for students new to the book, teachers looking for supplemental classroom materials, and fans of classic literature. A.F. About Author Mary Shelley was born Mary Wollstonecraft Godwin on August 30, 1797 in London, the daughter of William Godwin--a radical philosopher and novelist, and Mary Wollstonecraft--a renowned feminist and the author of Vindication of the Rights of Woman. She eloped to France with Shelley in 1814, although they were not married until 1816, after the suicide of his first wife. She began work on Frankenstein in 1816 in Switzerland, while they were staying with Lord Byron, and it was published in 1818 to immediate acclaim. She died in London in 1851. Book Dimension : length: (cm)19.8 　　　 　　　　　 　　　　　 width:(cm)12.6