在线阅读本书 Holly Golightly, glittering socialite traveller, generally upwards, sometimes sideways and once in a while down. She's up all night drinking cocktails and breaking hearts. She's a shoplifter, a delight, a drifter, a tease. She hasn't got a past.She doesn't want to belong to anything or anyone. Not to 'Rusty' Trawler, the blue-chinned, cuff-shooting millionaire man about women about town. Not to Salvatore 'Sally' Tomato, the Mafia sugar-daddy doing life in Sing Sing. Not to a starving writer. Not even to her one-eyed rag-bag pirate of a cat. One day Holly might find somewhere she belongs. Until then she's travelling.

This deluxe trade paperback edition of Alice Sebold's modern classic features French flaps and rough-cut pages. Once in a generation a novel comes along that taps a vein of universal human experience, resonating with readers of all ages. The Lovely Bones is such a book - a phenomenal #1 bestseller celebrated at once for its narrative artistry, its luminous clarity of emotion, and its astoniishing power to lay claim to the hearts of millions of readers around the world. "My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973." So begins the story of Susie Salmon, who is adjusting to her new home in heaven, a place that is not at all what she expected, even as she is watching life on eath continue without her - her friends trading rumors about her disappearance, her killer trying to cover his tracks, her grief-stricken family unraveling. Out of unspeakable traged and loss, The Lovely Bones succeeds, miraculously, in building a tale filled with hope, humor, suspense, even joy "A stunning achievement." - The New Yorker "Deeply affecting. . . . A keenly observed portrait of familial love and how it endures and changes over time." - New York Times "A triumphant novel. . . . It's a knockout." - Time "Destined to become a classic in the vein of To Kill a Mockingbird. . . . I loved it." -Anna Quindlen "A novel that is painfully fine and accomplished." - Los Angeles Times "The Lovely Bones seems to be saying there are more important things in life on earth than retribution. Like forgiveness, like love." - Chicago Tribune

Spine-tingling and entertaining, The Invisible Man is a science fiction classic–and a penetrating, unflinching look into the heart of human nature. To its author, H. G. Wells, the novel was as compelling as “a good gripping dream.” But to generations of readers, the terrible and evil experiment of the demented scientist, Griffin, has conveyed a chilling nightmare of believable horror. An atmosphere of ever-increasing suspense begins with the arrival of a mysterious stranger at an English village inn and builds relentlessly to the stark terror of a victim pursued by a maniacal invisible man. The result is a masterwork: a dazzling display of the brilliant imagination, psychological insight, and literary craftsmanship that made H. G. Wells one of the most influential writers of his time.

"Someone was following her. She had read about stalkers, but they belonged in a different, faraway world. She had no idea who it could be, who would want to harm her. She was trying desperately not to panic, but lately her sleep had been filled with nightmares, and she had awakened each morning with a feeling of impending doom." Thus begins Sidney Sheldon's haunting new novel, Tell Me Your Dreams. When a series of brutal murders is committed, the police suspect three beautiful young women. An arrest is made and what follows is one of the most bizarre murder trials of the century. Based on actual events, Tell Me Your Dreams races at a feverish pace from London to Rome to Quebec to San Francisco, and builds to a shocking climax that will leave the listener stunned. This suspenseful follow-up to Sheldon's most recent bestseller, The Best Laid Plans (ten weeks on the New York Times bestseller list), is rich with tension and heart-stopping action. Laced with the kinds of plot twists and turns that his fans love, Tell Me Your Dreams is an entertaining and gripping story.

Book Description In a brief statement on Friday night, Minister for Magic Cornelius Fudge confirmed that He Who Must Not Be Named has returned to this country and is once more active. "It is with great regret that I must confirm that the wizard styling himself Lord - well, you know who I mean - is alive and among us again," said Fudge." These dramatic words appeared in the final pages of "Harry Potter and the Order of the Phoenix". In the midst of this battle of good and evil, "Harry Potter and the Half-Blood Prince" takes up the story of Harry Potter's sixth year at Hogwarts School of Witchcraft and Wizardry, with Voldemort's power and followers increasing day-by-day. Amazon.co.uk Review Harry Potter and the Half-Blood Prince, the sixth book in J.K. Rowling’s bestselling series, picks up shortly after we left Harry at the end of The Order of the Phoenix. Lord Voldemort is acting out in the open, continuing his reign of terror which was temporarily stopped almost 15 years beforehand. Harry is again at the Dursleys, where the events of the previous month continue to weigh on his mind, although not as much as the impending visit from his Headmaster, Albus Dumbledore. Given their last meeting, Harry is understandably confused as to why the old wizard would want to visit him at home. Rowling opens with a chapter she had wanted to use for the first book, of The Philosopher’s Stone --Lord Voldemort has been creating chaos in the Wizard and Muggle communities alike, the war is in full swing and the Wizarding community now lives in fear. The press have been questioning the events at the Ministry which led to the admission of Voldemort’s return, and of course Harry’s name is mentioned a number of times. Harry’s got his problems, but his anxiety is nothing compared to Hermione’s when the OWL results are delivered. There’s a new Defence Against The Dark Arts teacher, an assortment of new characters and creatures, and startling revelations about past characters and events. Gone is the rage-filled Harry of The Order of the Phoenix --he’s not being kept in the dark any more, his unjustified Quidditch ban has been lifted and he has matured considerably in his short time out of school. Half-Blood Prince follows Harry into the world of late-teens, and his realisation that nobody is infallible has made his growth that much easier. Accepting his destiny, Harry continues to behave as teenagers do, enjoying his time with his friends, developing his relationships outside of his usual circle, and learning more about how he must, eventually, do what he is destined to do. J.K. Rowling delivers another fantastic tale which will have the readers gasping for more, capturing the characters perfectly and continuing a tale which readers will enjoy over and over again. 　　　　　　　　　　　　　　　　　　　　　　　　　　　　--Ziggy Morbi Book Dimension length: (cm)19.8 　　　 　　　　　 　　　　　 width:(cm)12.9 点击链接进入中文版： 哈利•波特与混血王子(简体中文版)

'Every family is a ghost story ...' As a child, Charley Benetto was told by his father, 'You can be a mama's boy or a daddy's boy, but you can't be both.' So he chooses his father, only to see him disappear when Charley is on the verge of adolescence. Decades later, Charley is a broken man. His life has been destroyed by alcohol and regret. He loses his job. He leaves his family. He hits rock bottom after discovering he won't be invited to his only daughter's wedding. And he decides to take his own life. Charley makes a midnight ride to his small hometown: his final journey. But as he staggers into his old house, he makes an astonishing discovery. His mother - who died eight years earlier - is there, and welcomes Charley home as if nothing had ever happened. What follows is the one seemingly ordinary day so many of us yearn for: a chance to make good with a lost parent, to explain the family secrets and to seek forgiveness.

In 1862 Charles Lutwidge Dodgson, a shy Oxford mathematician with a stammer, created a story about a little girl tumbling down a rabbit hole. Thus began the immortal adventures of Alice, perhaps the most popular heroine in English literature.

Countless scholars have tried to define the charm of the Alice books—with those wonderfully eccentric characters the Queen of Hearts, Twe...

The Overlook Hotel is more than just a home-away-from-home for the Torrance family. For Jack, Wendy, and their young son, Danny, it is a place where past horrors come to life. And where those gifted with the shining do battle with the darkest evils. Stephen King's classic thriller is one of the most powerfully imagined novels of our time. The Shining

84, Charing Cross Road is a charming record of bibliophilia, cultural difference, and imaginative sympathy. For 20 years, an outspoken New York writer and a rather more restrained London bookseller carried on an increasingly touching correspondence. In her first letter to Marks & Co., Helene Hanff encloses a wish list, but warns, "The phrase 'antiquarian booksellers' scares me somewhat, as I equate 'antique' with expensive." Twenty days later, on October 25, 1949, a correspondent identified only as FPD let Hanff know that works by Hazlitt and Robert Louis Stevenson would be coming under separate cover. When they arrive, Hanff is ecstatic -- but unsure she'll ever conquer "bilingual arithmetic." By early December 1949, Hanff is suddenly worried that the six-pound ham she's sent off to augment British rations will arrive in a kosher office. But only when FPD turns out to have an actual name, Frank Doel, does the real fun begin. Two years later, Hanff is outraged that Marks & Co. has dared to send an abridged Pepys diary. "i enclose two limp singles, i will make do with this thing till you find me a real Pepys. THEN i will rip up this ersatz book, page by page, AND WRAP THINGS IN IT." Nonetheless, her postscript asks whether they want fresh or powdered eggs for Christmas. Soon they're sharing news of Frank's family and Hanff's career. No doubt their letters would have continued, but in 1969, the firm's secretary informed her that Frank Doel had died. In the collection's penultimate entry, Helene Hanff urges a tourist friend, "If you happen to pass by 84, Charing Cross Road, kiss it for me. I owe it so much."

"I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life and stir with an uneasy, half-vital motion." A summer evening's ghost stories, lonely insomnia in a moonlit Alpine's room, and a runaway imagination--fired by philosophical discussions with Lord Byron and Percy Bysshe Shelley about science, galvanism, and the origins of life--conspired to produce for Marry Shelley this haunting night specter. By morning, it had become the germ of her Romantic masterpiece, Frankenstein . Written in 1816 when she was only nineteen, Mary Shelley's novel of "The Modern Prometheus" chillingly dramatized the dangerous potential of life begotten upon a laboratory table. A frightening creation myth for our own time, Frankenstein remains one of the greatest horror stories ever written and is an undisputed classic of its kind.

Joyce's first major work, written when he was only twenty-five, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. He writes of social decline, sexual desire and exploitation, corruption and personal failure, yet creates a brilliantly compelling, unique vision of the world and of human experience.

Book Description Harry Potter is lucky to reach the age of thirteen, since he has survived the murderous attacks of the feared Dark Wizard Voldemort three times. But his hopes for a quiet term concentrating on Quidditch are dashed when a maniacal mass-murderer escapes from Azkaban, pursued by the soul-sucking Dementors who guard the prison. It's assumed that Hogwarts is the safest place for Harry to be. But is it a coincidence that he can feel eyes watching him in the dark, and should he be taking Professor Trelawney's ghoulish predictions seriously? From Amazon.co.uk The worry, when faced with the follow-up to books as good as Harry Potter and the Philosopher's Stone and Harry Potter and the Chamber of Secrets (both winners of the Nestlé Smarties Prize Gold Award), is that it won't be as good. With J.K. Rowling's Harry Potter and the Prisoner of Azkaban any concerns are banished from page one. This, the third in the series, continues where the previous two left off and is a fantastic adventure of mystery, magic and mayhem combined with liberal doses of humour and plenty of suspense. Forced to do his homework in the dead of night and forbidden to refer to his magic skills or his life at Hogwarts school, Harry Potter is forced to endure the summer holidays with the dreaded Dursleys. The arrival of Aunt Marge is the final straw and, in a fit of anger, Harry breaks all the rules and casts a spell on her, causing her to blow up like a balloon. Running away from his dreaded relatives, Harry expects to be expelled from Hogwarts for his blatant flaunting of the rule not to use magic outside term time. However, the arrival of the mysterious Knight Bus and a meeting with Cornelius Fudge, the Minister of Magic, result in Harry enjoying the rest of the holidays in the wonderful surroundings of the Leaky Cauldron. The escape of Sirius Black--one time friend of Harry's parents, implicated in their murder and follower of "You- Know-Who"--from Azkaban, has serious implications for Harry for it would appear that Black is bent on revenge against Harry for thwarting "You-Know-Who". Back at Hogwarts, Harry's movements are restricted by the presence of the Dementors--guards from Azkaban on the look out for Black--however, this doesn't stop him throwing himself into the new Quidditch season and going about his normal business--or at least attempting to. Despite warnings Harry is determined to get to the bottom of the mystery surrounding Sirius Black--how could this one-time close friend of his parents become the cause of their deaths? And why does the presence of the Dementors have such a devastating effect on him, causing him to hear the last moments of his mother's life? With another four Harry Potter novels planned, Jo Rowling is creating a series of books which will become classics to rival C.S. Lewis'Chronicles of Narnia--books written for children but loved by adults too. (Ages 9 and up) 　　　　　　　　　　　　　　　　　　　　　　　　　　　--Philippa Reece Book Dimension length: (cm)17.8 　　　 　　　　　 　　　　　 width:(cm)11.1

最新消息 罗琳于2月1日更新了她的官方网站，里面登出了Harry Potter and the Deathly Hallows 《哈利波特与死圣》的出版日期。哈利波特7将于今年7月21日英国夏令时间00：01分开始发售。当然，今年也是《哈利波特与魔法石》的发售十周年纪念。 太阳报消息，罗琳在 Balmoral 旅馆的大理石像后边写下了下面的内容：“罗琳于2007年1月11日在此房间(652) 内完成Harry Potter and the Deathly Hallows 《哈利波特与死圣》的写作。”现在这条消息目前已经得到了BBC的证实。 The latest news about Harry Potter and the Deathly Hallows March 29th Bloomsbury Publishing Plc is delighted to release the book jacket images for Harry Potter and the Deathly Hallows by J.K.Rowling, to be published on 21st July 2007. The cover illustration for the children’s edition is by Jason Cockcroft, who drew the cover illustrations for the previous two Harry Potter books: Harry Potter and the Order of the Phoenix and Harry Potter and the Half-Blood Prince. The cover design for the adult edition is from a photograph by Michael Wildsmith, who has photographed all the adult edition jackets. These covers will be used throughout the world on the English language editions excluding the USA. Scholastic US have also released their cover images of Harry Potter and the Deathly Hallows. Bloomsbury will publish the children’s edition, adult edition, special edition, audio (read by Stephen Fry) and large print editions on 21st July 2007. The RNIB will publish the Braille edition simultaneously. The book jackets and all the pages will be printed on 100% Ancient Forest Friendly pulp, made from a mixture of FSC pulp and Post-Consumer Waste recycled pulp. Fast Fact About Harry Potter 7 * The last chapter was written back in 1999; it dealt with "what happens to the survivors afterward"; the last word is scar; this chapter will still be tweaked * The book will contain a lot of the back story of the Potters * Aunt Petunia has never performed magic, and never will, but there's more to her than meets the eye; the letter left with Harry on the doorstep was not the first one Dumbledore sent Petunia * The Sorting Hat is not a horcrux, but there's more to it than what we've read in the first books * "Ravenclaw will have their day" * No book character has returned from the future * There is significance to the fact that Harry has his mother's eyes * Book 7 will be released on July 21, 2007 * There is a frighteningly large universe of Harry Potter fan sites which, among other things, collect and analyze interviews with JK Rowling Publisher Comments : New York, NY (February 1, 2007) — Harry Potter and the Deathly Hallows, the seventh and final book in the bestselling series by J. K. Rowling, has been scheduled for release at 12:01 a.m. on July 21, 2007, it was announced today by Scholastic, the global children's publishing, education, and media company. In making the announcement, Lisa Holton, President of Scholastic Children's Books said, "We are thrilled to announce the publication date of the seventh installment in this remarkable series. We join J. K. Rowling's millions of readers — young and old, veterans and newcomers — in anticipating what lies ahead." Harry Potter and the Half-Blood Prince, Rowling's sixth Harry Potter book, was released on July 16, 2005, and was the fastest-selling book in history, with 6.9 million copies sold in the first 24 hours. All six Harry Potter books, Harry Potter and the Sorcerer's Stone, Harry Potter and the Chamber of Secrets, Harry Potter and the Prisoner of Azkaban, Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix and Harry Potter and the Half-Blood Prince have been number one bestsellers in the United States, the U.K., and around the world. There are currently over 120 million copies of the Harry Potter books in print in the United States alone. Wikipedia Harry Potter and the Deathly Hallows will be the seventh book in the Harry Potter series of novels by J. K. Rowling. It will feature the final adventures of Harry Potter as he attempts to bring an end to his nemesis, Lord Voldemort. The book title was announced on 21 December, 2006 via the publisher and a special Christmas-themed "hangman" puzzle on J.K. Rowling's website. Rowling has stated that the final volume relates so closely to the previous book in the series, Harry Potter and the Half-Blood Prince, that "I feel almost as though they are two halves of the same novel." Rowling has also stated that she has no intention of writing any further stories about the Harry Potter characters. However, she might produce an encyclopedia of the Wizarding world based on her copious notes, possibly for charity as in the case of her two other Harry Potter books (Quidditch Through the Ages and Fantastic Beasts and Where to Find Them). As of 2007, she has been working on the Harry Potter stories for over 17 years. On 1 February, 2007, it was officially announced that Book 7 will be released in English-speaking countries around the world at 00:01 British Summer Time on 21 July, 2007. In the USA, however, the book will be released at 00:01 local time. Rowling left a signed statement written on a marble bust of Hermes in her room at the Balmoral Hotel in Edinburgh saying; "JK Rowling finished writing Harry Potter and the Deathly Hallows in this room (652) on 11th Jan 2007". The book reached the top spot on both the Amazon and Barnes and Noble best-seller lists just a few hours after the date was announced. The meaning of hallows Hallow is a word usually used as a verb, meaning "to make holy or sacred, to sanctify or consecrate, to venerate". However, in Harry Potter and the Deathly Hallows, the word hallows appears as a noun. In modern English, the word is used as a noun in "All Hallows' Day" or "All Saints' Day," which is the day after Hallowe'en or "All Hallows' Eve". Hallows can refer to saints, the relics of saints, or the relics of gods. One story where hallows play a crucial role is in the grail legend, where the Fisher King is the guardian of the four hallows, which include the Grail itself, the serving dish/or stone, the sword or dagger, and the spear. Many scholars have since identified the connection of these four hallows with four treasures of the Tuatha de Danaan, which include a chalice (Grail), a baton or wand (spear), a pentacle (serving dish), and a sword. There has been much speculation from many Harry Potter fans about whether the grail legend might play a part in the final Harry Potter book. Many Harry Potter fans have seen a connection between the four founders of Hogwarts, their relics, and the four hallows in the grail legend. It is known from the books that Godric Gryffindor's relic is a sword, Helga Hufflepuff's relic is a cup (chalice), and Salazar Slytherin's relic is a locket (pentacle), presumably leaving Rowena Ravenclaw's relic as a spear or wand. In addition, many scholars have argued that the four hallows in the Grail legend symbolize the four natural elements (earth, fire, water, and air). J. K. Rowling has explicitly stated that the four Hogwarts founders represent the four natural elements. Presumably Helga Hufflepuff and her house Hufflepuff connects with earth (the house's symbol is a Badger), Rowena Ravenclaw and Ravenclaw with air (the symbol is a bird), Salazar Slytherin and Slytherin with water and Godric Gryffindor and Gryffindor with fire (fire is often associated with protection from evil in Harry Potter, for example it is used to combat Inferi). This solidifies the connection between the four founders and the four hallows in the Grail legend. It is also known that Harry Potter must find four horcruxes, and that Voldemort wanted a hallow, or relic, from each of the four founders. The Final Chapter The pubdate of the seventh and final Harry Potter book has been announced, and the rumours are already circulating - what are the Deathly Hallows? Who will make it through to the end? This is set to be the best book out of the series, and we at Amazon.co.uk are so excited that we are giving you the chance to pre-order your copy now! We promise to give you our best price before publication even if you order now and do continue to watch this space, as we will keep you up to date with the latest information and news as soon as we hear it. Why We Love Harry Favorite Moments from the Series There are plenty of reasons to love Rowling's wildly popular series--no doubt you have several dozen of your own. Our list features favorite moments, characters, and artifacts from the first five books. Keep in mind that this list is by no means exhaustive (what we love about Harry could fill ten books!) and does not include any of the spectacular revelatory moments that would spoil the books for those (few) who have not read them. Enjoy. The Series of Harry Potter The Harry Potter series was originally published as a children's book by British publisher Bloomsbury, and American publisher Scholastic Press. However, it rapidly became a phenomenal success amongst children and adults alike. The books each chronicle one year at school for the characters concerned and follows a long tradition of children's series about life in schools. Perhaps unlike some of the traditional series of this format, each book has matured and expanded in complexity and scope compared to the last, approximately developing with the age of the principal characters (later books are also significantly darker in tone than earlier ones). Although the author has said that she comprehensively plotted the entire series of books before the first was published, and that this plot remains unchanged, she has also stated that it has undergone a number of revisions as it has progressed. The books started as relatively slim volumes (223 pages Philosopher's Stone UK ed.), but have grown as the series progressed (766 pages Order of the Phoenix UK ed.). The books contain a significant element of fantasy and magic, but this is combined with a detective-novel approach to the story. Each volume contains a complete problem and task for the heroes to complete, but each has also added to the background information about the wizarding world in general and contains many pieces of information whose importance only becomes apparent in later volumes (known as foreshadowing). Thus a considerable fan following has developed of people wanting to discover how the many loose ends and unfinished adventures in the book will finally be completed. The author has stated that, more than with any other book in the series, the final volume continues the unfinished story in book six. She has also stated that she doesn't have plans for any other novels concerning Harry Potter. Harry Potter and the Sorcerer's Stone * Harry's first trip to the zoo with the Dursleys, when a boa constrictor winks at him. * When the Dursleys' house is suddenly besieged by letters for Harry from Hogwarts. Readers learn how much the Dursleys have been keeping from Harry. Rowling does a wonderful job in displaying the lengths to which Uncle Vernon will go to deny that magic exists. * Harry's first visit to Diagon Alley with Hagrid. Full of curiosities and rich with magic and marvel, Harry's first trip includes a trip to Gringotts and Ollivanders, where Harry gets his wand (holly and phoenix feather) and discovers yet another connection to He-Who-Must-No-Be-Named. This moment is the reader's first full introduction to Rowling's world of witchcraft and wizards. * Harry's experience with the Sorting Hat. Harry Potter and the Chamber of Secrets * The de-gnoming of the Weasleys' garden. Harry discovers that even wizards have chores--gnomes must be grabbed (ignoring angry protests "Gerroff me! Gerroff me!"), swung about (to make them too dizzy to come back), and tossed out of the garden--this delightful scene highlights Rowling's clever and witty genius. * Harry's first experience with a Howler, sent to Ron by his mother. * The Dueling Club battle between Harry and Malfoy. Gilderoy Lockhart starts the Dueling Club to help students practice spells on each other, but he is not prepared for the intensity of the animosity between Harry and Draco. Since they are still young, their minibattle is innocent enough, including tickling and dancing charms. Harry Potter and the Prisoner of Azkaban * Ron's attempt to use a telephone to call Harry at the Dursleys'. * Harry's first encounter with a Dementor on the train (and just about any other encounter with Dementors). Harry's brush with the Dementors is terrifying and prepares Potter fans for a darker, scarier book. * Harry, Ron, and Hermione's behavior in Professor Trelawney's Divination class. Some of the best moments in Rowling's books occur when she reminds us that the wizards-in-training at Hogwarts are, after all, just children. Clearly, even at a school of witchcraft and wizardry, classes can be boring and seem pointless to children. * The Boggart lesson in Professor Lupin's classroom. * Harry, Ron, and Hermione's knock-down confrontation with Snape. Harry Potter and the Goblet of Fire * Hermione's disgust at the reception for the veela (Bulgarian National Team Mascots) at the Quidditch World Cup. Rowling's fourth book addresses issues about growing up--the dynamic between the boys and girls at Hogwarts starts to change. Nowhere is this more plain than the hilarious scene in which magical cheerleaders nearly convince Harry and Ron to jump from the stands to impress them. * Viktor Krum's crush on Hermione--and Ron's objection to it. * Malfoy's "Potter Stinks" badge. * Hermione's creation of S.P.E.W., the intolerant bigotry of the Death Eaters, and the danger of the Triwizard Tournament. Add in the changing dynamics between girls and boys at Hogwarts, and suddenly Rowling's fourth book has a weight and seriousness not as present in early books in the series. Candy and tickle spells are left behind as the students tackle darker, more serious issues and take on larger responsibilities, including the knowledge of illegal curses. Harry Potter and the Order of the Phoenix * Harry's outburst to his friends at No. 12 Grimmauld Place. A combination of frustration over being kept in the dark and fear that he will be expelled fuels much of Harry's anger, and it all comes out at once, directly aimed at Ron and Hermione. Rowling perfectly portrays Harry's frustration at being too old to shirk responsibility, but too young to be accepted as part of the fight that he knows is coming. * Harry's detention with Professor Umbridge. Rowling shows her darker side, leading readers to believe that Hogwarts is no longer a safe haven for young wizards. Dolores represents a bureaucratic tyrant capable of real evil, and Harry is forced to endure their private battle of wills alone. * Harry and Cho's painfully awkward interactions. Rowling clearly remembers what it was like to be a teenager. * Harry's Occlumency lessons with Snape. * Dumbledore's confession to Harry. Harry Potter and the Half-Blood Prince * The introduction of the Horcrux. * Molly Weasley asking Arthur Weasley about his "dearest ambition." Rowling has always been great at revealing little intriguing bits about her characters at a time, and Arthur’s answer "to find out how airplanes stay up" reminds us about his obsession with Muggles. * Harry's private lessons with Dumbledore, and more time spent with the fascinating and dangerous pensieve, arguably one of Rowling’s most ingenious inventions. * Fred and George Weasley’s Joke Shop, and the slogan: "Why Are You Worrying About You-Know-Who? You Should Be Worrying About U-NO-POO--the Constipation Sensation That's Gripping the Nation!" * Luna's Quidditch commentary. Rowling created scores of Luna Lovegood fans with hilarious and bizarre commentary from the most unlikely Quidditch commentator. * The effects of Felix Felicis. About Author J. K. (Jo) Rowling was born in Chipping Sodbury in the UK in 1965. Such a funny-sounding name for a birthplace may have contributed to her talent for collecting odd names. Jo moved house twice when she was growing up. The first move was from Yate (just outside Bristol in the south west of England) to Winterbourne. Jo, her sister and friends used to play together in her street in Winterbourne. Two of her friends were a brother and sister whose surname just happened to be Potter! The second move was when Jo was nine and she moved to Tutshill near Chepstow in the Forest of Dean. Jo loved living in the countryside and spent most of her time wandering across fields and along the river Wye with her sister. For Jo, the worst thing about her new home was her new school. Tutshill Primary School was a very small and very old-fashioned place. The roll-top desks in the classrooms still had the old ink wells. Jo's teacher, Mrs Morgan, terrified her. On the first day of school, she gave Jo an arithmetic test, which she failed, scoring zero out of ten. It wasn't that Jo was stupid - she had never done fractions before. So Jo was seated in the row of desks far to the right of Mrs Morgan. Jo soon realised that Mrs Morgan seated her pupils according to how clever she thought they were: the brightest sat to her left, and those she thought were dim were seated to her right. Jo was in the 'stupid' row, 'as far right as you could possibly get without sitting in the playground'. From Tutshill Primary, Jo went to Wyedean Comprehensive. She was quiet, freckly, short-sighted and not very good at sports. She even broke her arm playing netball. Her favourite subject by far was English, but she also liked languages. Jo always loved writing more than anything. 'The first story that I ever wrote down, when I was five or six, was about a rabbit called Rabbit. He got the measles and was visited by his friends, including a giant bee called Miss Bee. And ever since Rabbit and Miss Bee, I have wanted to be a writer, though I rarely told anyone so. I was afraid they'd tell me I didn't have a hope.' At school, Jo would entertain her friends at lunchtime with stories. 'I used to tell my equally quiet and studious friends long serial stories at lunchtimes.' In these stories, Jo and her friends would be heroic and daring. As she got older, Jo kept writing but she never showed what she had written to anyone, except for some of her funny stories that featured her friends as heroines. After school, Jo attended the University of Exeter in Devon where she studied French. Her parents hoped that by studying languages, she would enjoy a great career as a bilingual secretary. But as Jo recalls, 'I am one of the most disorganised people in the world and, as I later proved, the worst secretary ever.' She claims that she never paid much attention in meetings because she was too busy scribbling down ideas. 'This is a problem when you are supposed to be taking the minutes of the meeting,' she says. When she was 25, Jo started writing a third novel ('I abandoned the first two when I realised how bad they were'). A year later, she went to Portugal to teach English, which she really enjoyed. Working afternoons and evenings, she had mornings free to write. The new novel was about a boy who was a wizard. When she returned to the UK, Jo had a suitcase full of stories about Harry Potter. She moved to Edinburgh with her young daughter and worked as a French teacher. She also set herself a target: she would finish the 'Harry' novel and get it published. In 1996, one year after finishing the book, Bloomsbury bought Jo's first novel, Harry Potter and the Philosopher's Stone. 'The moment I found out that Harry would be published was one of the best of my life,’ says Jo. A few months after 'Harry' was accepted for publication in Britain, an American publisher bought the rights for enough money to enable Jo to give up teaching and write full time - her life's ambition! 作者简介： J. K. (Jo) Rowling was born in Chipping Sodbury in the UK in 1965. Such a funny-sounding name for a birthplace may have contributed to her talent for collecting odd names. She was quiet, freckly, short-sighted and not very good at sports. She even broke her arm playing netball. Her favourite subject by far was English, but she also liked languages. Jo always loved writing more than anything. 'The first story that I ever wrote down, when I was five or six, was about a rabbit called Rabbit. He got the measles and was visited by his friends, including a giant bee called Miss Bee. And ever since Rabbit and Miss Bee, I have wanted to be a writer, though I rarely told anyone so. I was afraid they'd tell me I didn't have a hope.' As she got older, Jo kept writing but she never showed what she had written to anyone, except for some of her funny stories that featured her friends as heroines. Jo attended the University of Exeter in Devon where she studied French. When she was 25, Jo started writing a third novel ('I abandoned the first two when I realised how bad they were'). A year later, she went to Portugal to teach English, which she really enjoyed. Working afternoons and evenings, she had mornings free to write. The new novel was about a boy who was a wizard. When she returned to the UK, Jo had a suitcase full of stories about Harry Potter. She moved to Edinburgh with her young daughter and worked as a French teacher. She also set herself a target: she would finish the 'Harry' novel and get it published. In 1996, one year after finishing the book, Bloomsbury bought Jo's first novel, Harry Potter and the Philosopher's Stone. 'The moment I found out that Harry would be published was one of the best of my life,’ says Jo. A few months after 'Harry' was accepted for publication in Britain, an American publisher bought the rights for enough money to enable Jo to give up teaching and write full time - her life's ambition!

Jonathan Swift's classic satirical narrative was first published in 1726, seven years after Defoe's Robinson Crusoe (one of its few rivals in fame and breadth of appeal). As a parody travel-memoir it reports on extraordinary lands and societies, whose names have entered the English language: notably the minute inhabitants of Lilliput, the giants of Brobdingnag, and the Yahoos in Houyhnhnmland, where talking horses are the dominant species. It spares no vested interest from its irreverent wit, and its attack on political and financial corruption, as well as abuses in science, continue to resonate in our own times.

在线阅读本书 With an Introduction and Notes by Owen Knowles, University of Hull Thackeray's upper-class Regency world is a noisy and jostling commercial fairground, predominantly driven by acquisitive greed and soulless materialism, in which the narrator himself plays a brilliantly versatile role as a serio-comic observer. Although subtitled 'A Novel without a Hero', Vanity Fair follows the fortunes of two contrasting but inter-linked lives: through the retiring Amelia Sedley and the brilliant Becky Sharp, Thackeray examines the position of women in an intensely exploitative male world.

George R.R. Martin's A SONG OF ICE AND FIRE -- the story so far. The greatest epic work of the modern age is now available in a collectible box set. A GAME OF THRONES has been adapted into a hit HBO original series. George R.R. Martin's A Song of Ice and Fire series has set the benchmark for contemporary epic fantasy. Labelled by Time magazine as one of the top 100 most influential people in the world, Martin has conjured a world as complex and vibrant as that of J.R.R. Tolkien's, populated by a huge cast of fascinating, complex characters, and boasting a history that stretches back twelve thousand years. Three great storylines weave through the books, charting the civil war for control of the Seven Kingdoms; the defence of the towering Wall of ice in the uttermost north against the unearthly threat of the Others; and across the Narrow Sea the rise to power of Daenerys Targaryen and the last live dragons in the world. The HBO adaption of A Game of Thrones is currently airing worldwide and has already proved so popular that a second season has been commissioned. The box set includes: A GAME OF THRONES A CLASH OF KINGS A STORM OF SWORDS, 1: STEEL AND SNOW A STORM OF SWORDS, 2: BLOOD AND GOLD A FEAST FOR CROWS

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground. Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber --This text refers to an out of print or unavailable edition of this title. Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices. Copyright 1996 Reed Business Information, Inc. --This text refers to the Hardcover edition. Jane Lapotaire, known to American audiences from her many PBS appearances, is a perfect choice to read Jane Austen's comedy of manners. Her rich and varied intonations capture just the right blend of artifice and empathy to recreate not only the lively and playfully witty Elizabeth Bennett and the handsome, albeit conceited, Mr. Darcy, but also the entire gamut of Bennett family members, friends and foes. Amazingly, Lapotaire even manages to conjure memories of the screen's Mr. D', Lawrence Olivier. This is an exquisite audio abridgment of the classic English satire. L.(H.)B. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title. We recently purchased three of your classics series hardcovers for our 15 year old daughter's birthday, and she was estatic. The books are beautifully done, and it was nice to see that they used the original versions' formatting. We anxiously look forward to any new volumes you may add. If we might make a suggestion for a future addition to this series, please consider Treasure Island, as this would be a most welcome addition to her new collection. Thanks for producing a wonderful product. --This text refers to an out of print or unavailable edition of this title. "It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife." --This text refers to an out of print or unavailable edition of this title. "Cover to Cover's unabridged readings of classic novels are in a class of their own." --This text refers to the Audio Cassette edition. "These Cover to Cover tapes offer up a delectable feast for fans of the spoken word. We're talking class act here-from the elegant covers to the accomplished readers." --This text refers to the Audio Cassette edition. "Irene Sutcliffe provides the passionate and strong reading of Austen's classic story." --This text refers to the Audio Cassette edition. "Jane Austen's Pride and Prejudice is read here by Irene Sutcliffe and is a delight from beginning to end." --This text refers to the Audio Cassette edition. "The wit of Jane Austen has for partner the perfection of her taste." --Virginia Woolf --This text refers to the Paperback edition.

A delightfully dishy novel about the all-time most impossible boss in the history of impossible bosses. Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of Runway magazine, Andrea finds herself in an office that shouts Prada! Armani! Versace! at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child. THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

The second volume of The Lord of the Rings trilogy relates a tale of the eternal battle between good and evil. "The author has intimate access to an epic tradition of Germanic history, civilized by the gentler genius of modern England." -- New York Times

盖茨比不仅是美国现实生活中幻想与现实冲突的具体体现，也是美国浪漫主义英雄的化身和“美国梦”的追随者。为了追求黛西而拼命赚钱的盖茨比始终坚信“通过个人努力可以取得成功”的美国梦，但这却无法挽回黛西的爱。他毕生追求的一切最终成了泡影。黛茜是盖茨比奋斗的动力与源泉，在他的心中，她象征着上流社会一切美好的东西。但实际上，黛西和其他的上流社会的人一样，追逐财富，道德堕落，沉溺享受，内心空虚。为了自己的利益，她和汤姆合谋策划, 让盖茨比充当了她的替罪羊, 使他惨遭枪杀, 做了他们的替死鬼。 这部小说在艺术上的成就是十分杰出的, 就连曾对小说猛烈抨击的批评家门肯也不得不承认：尽管故事平庸，但文笔玲珑剔透，丝丝入扣，光彩夺目。没有陈词滥调，句子流畅通达，如行云流水，熠熠发光，又变幻无穷。显然每一行都灌注了作者的智慧和艰辛……