理智与情感（全译本），ISBN：9787500122067，作者：（英）简·奥斯丁 著；武崇汉 译

英國最受推崇的時尚小說家珍‧奧斯汀，她的作品屢次被改編成電視與電影，也讓最愛讀書的英國人總要拿她當作十九世紀的代表人物。《珍‧奧斯汀讀書會》作者凱倫‧芙勒從少女時代起就是奧斯汀迷，她在《珍‧奧斯汀讀書會》一書中放入六個角色對應六部奧斯汀膾炙人口的小說，並經由讀書會的討論對話，巧妙結合小說與現實，讀者在不知不覺中彷彿也是讀書會的一員，並藉此更熟諳奧斯汀細膩迷人的文字世界。

《曼斯菲尔德庄园》内容简介：世界文学名著表现了作者描述的特定时代的文化。阅读这些名著可以领略著者流畅的文笔、逼真的描述、详细的刻画，让读者如同置身当时的历史文化之中。为此，我们将这套精心编辑的“名著典藏”奉献给广大读者。

艾瑪‧伍德郝斯秀外慧中、性情開朗，家境優渥，生長在和樂的家庭中，無疑是最幸福的女孩。她的家庭教師兼閨中密友泰勒小姐在她的撮合之下，與鄰居威斯頓先生結成神仙眷侶。當媒人上了癮了的艾瑪，看上了一位美麗純樸的私生女—海麗特‧史密斯小姐。雖然海麗特並不是眾人所認定的上流社會「淑女」，但艾瑪認為她潛力無限，值得為他挑選一位如意郎君。不過任性且又自以為是的艾瑪，不聽他人建言，忽略許多客觀因素，彷彿喬太守亂點鴛鴦譜，不但沒能為海麗特找到如意郎君，差點連自己的美好姻緣也賠上。幸好艾瑪的姻親喬治‧奈特利先生在她背後默默守護，適時地勸導、告誡艾瑪的行為，而艾瑪最終也恍然大悟，懊悔反省自己的魯莽與自作聰明。 雖然珍．奧斯汀曾經表示艾瑪是「除了她自己之外沒有人會喜歡的女主角」，但聰穎美麗的艾瑪從錯誤中學習的自我成長過程卻深深打動讀者的心。相較於珍．奧斯汀其他小說中的女主角，艾瑪是當中性格缺陷最明顯的一位。但也因為如此，艾瑪的一舉一動得到一般世俗大眾的普遍共鳴。雖然任性，但只要知錯能改，最終還是會得到邱比特的眷顧，與有情人終成眷屬。

《爱玛》是奥斯丁作品中艺术上、思想上最成熟的一部，也是一部匠心独具的天才喜剧之作。小说主人公爱玛是个聪明、漂亮、任性的地主小姐，她喜欢为别人做媒，并把邻近的一个孤女哈里特置于自己的保护之下，主观地安排她的恋爱。哈里特一次又一次地“爱”上爱玛给她选择的“求婚者”，却均以失败而告结束。终于在经历过一番戏剧性的小波折后她们都找到了与自己情投意合的人生伴侣。

《理智与情感》是奥斯汀早期的一部书信体小说，后由作者以第三人称改叙并更名。小说以英国乡音体面人家为背景，以婚姻嫁娶为主题，围绕埃莉诺和玛丽安两姐妹各自的恋爱和婚姻而展开的。小说一开始就是老望而却步主和父亲的相继谢世，使家产几乎全落到了两姐妹那同父异母的哥哥手里，她们和母亲一下陷入了经济拮据，寄人篱下的困境。为了摆脱这一切，她们终于找到德文郡乡下一座小别墅安顿下来。埃莉诺此时同爱德华之间已出现了朦朦胧胧的爱情，由于西迁，她只得暂同心上人分了手。在德文郡，玛丽安同恐怖 俊潇洒的威洛比邂逅机遇，一见钟情，沉浸在热恋中，可不久威洛比突有事去了伦敦。

《曼斯菲尔德庄园(文集)》由上海译文出版社出版。

爱玛（季羡林主编，双色印刷），ISBN：9787506813440，作者：（英）奥斯丁 著；张经浩 译

A perennial favorite in the Norton Critical Editions series, Pride and Prejudice is based on the 1813 first edition text, which has been thoroughly annotated for undergraduate readers. "Backgrounds and Sources" includes biographical portraits of Austen by members of her family and by acclaimed biographers Claire Tomalin and David Nokes. Seventeen of Austen's letters—eight of them new to the Third Edition—allow readers to glimpse the close-knit society that was Austen's world, both in life and in her writing. Samples of Austen's early writing—from the epistolary Love and FriendshipA Collection of Letters—allow readers to trace her growth as a writer as well as to read her fiction comparatively. "Criticism" features eighteen assessments of the novel by nineteenth- and twentieth-century commentators, six of them new to the Third Edition. Among them is an interview with Colin Firth on the recent BBC television adaptation of the novel. Also included are pieces by Richard Whately, Margaret Oliphant, Richard Simpson, D. W. Harding, Dorothy Van Ghent, Alistair Duckworth, Stuart Tave, Marilyn Butler, Nina Auerbach, Susan Morgan, Claudia L. Johnson, Susan Fraiman, Deborah Kaplan, Tara Goshal Wallace, Cheryl L. Nixon, David Spring, Edward Ahearn, and Donald Gray. Also included are a Note on Money, a Chronology of Austen's life and work—new to the Third Edition—and an updated Selected Bibliography. About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehenive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

《简·奥斯汀食谱》讲述了让我最终也开始爱上烹饪的原因既有经济因素也有友情的力量。在大学里的时候，学校并不负责提供假日里的饮食，而如果假期只有一星期左右的话，我还特意跑回家去一趟，路费实在有些贵。我的父母为我支付学费已经很辛苦，而要想让学校全包食宿的话费用非常贵。于是，我没有请求父母为我支付假日里的饮食费用，而是选择晚上玩扑克，把本钱留出来，然后用赢来的钱去买第二天的食物。开始的时候我总是去便利店里买些最便宜的即食食品，可渐渐地难免吃腻。因此，下一个假期开始时，我买了一把木匙、一个碗和一本食谱。

《诺桑觉寺(英文全本)》内容简介：世界文学名著表现了作者描述的特定时代的文化。阅读这些名著可以领略著者流畅的文笔、逼真的描述、详细的刻画，让读者如同置身当时的历史文化之中。为此，我们将这套精心编辑的“名著典藏”奉献给广大读者。

《简•奥斯汀全集》全五册，包括《傲慢与偏见》《理智与情感》《爱玛》《曼斯菲尔德庄园》《诺桑觉寺• 劝导》。简•奥斯汀是第一个现实地描绘日常平凡生活中平凡人物的小说家。她的作品反映了当时英国中产阶级生活的喜剧，显示了家庭文学的可能性。她多次探索青年女主角从恋爱到结婚中自我发现的过程。这种着力分析人物性格以及女主角和社会之间紧张关系的做法，使她的小说摆脱了18世纪的传统而接近于现代的生活。正是这种现代性，加上她的机智和风趣，她的现实主义和同情心，她的优雅的散文和巧妙的故事结构，使她的小说能够长期吸引着世界读者的目光。

Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot. For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber --This text refers to an out of print or unavailable edition of this title. This is another case where a classic is being reprinted simply as a tie-in to a TV/feature film presentation. Libraries, nonetheless, can benefit by picking up a quality hardcover for a nice price. Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title. The luxury of the unabridged edition requires a certain commitment. But a luxury it is. Jenny Agutter's reading is perfectly suited to the story, both in tone and pace. She brings out the comic insight that is the hallmark of Austen's stories, making one laugh out loud at times, so well has she caught the moment or the temperament of the characters. The genius of Austen's wit often depends, not on what is said, but on how it is said, and Agutter has given the perfect voice to this lighthearted classic, delicately differentiating each character's personality. A glorious way to experience the essential Austen. K.R. (c)AudioFile, Portland, Maine --This text refers to an out of print or unavailable edition of this title. First published in 1816, is generally regarded as Jane Austen's most technically brilliant book. But that's not the reason to read it. Read it to see how a scheming heiress who is determined not to marry ends up embracing love and growing in maturity without dying or becoming impossibly insipid, the fate of so many nineteenth-century heroines. As her fourth novel was taking shape, Jane Austen noted "I am going to take a heroine whom no one but myself will much like." She was wrong. It is easy to love Emma Woodhouse. She is a snob, a meddler, and a spoiled child - she is also smart, funny, generous, and compassionate. Determined to control the arrangements of other people's lives, Emma takes on the self-appointed role of matchmaker in a world that grants little public power to women. Small wonder that Emma, who has a "mind lively and at ease," wastes her considerable creative powers dreaming up romantic scenarios that consistently and comically fail all reality checks. As in all of Jane Austen's works, the simple theme of courtship belies the complexity of her vision of human nature and of our need for power. Technical brilliance? Yes. Moral brilliance? Most definitely. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. --This text refers to an out of print or unavailable edition of this title. "Jane Austen is my favorite author! ... Shut up in measureless content, I greet her by the name of most kind hostess, while criticism slumbers." ?EM Forster From the Trade Paperback edition. --This text refers to the Mass Market Paperback edition.

在线阅读本书 Jane Austen is without question, one of England's most enduring and skilled novelists. With her wit, social precision, and unerring ability to create some of literature's most charismatic and believable heroines, she mesmerises her readers as much today as when her novels were first published. Whether it is her sharp, ironic gaze at the Gothic genre invoked by the adventures of Catherine Morland in "Northanger Abbey"; the diffident and much put-upon Fanny Price struggling to cope with her emotions in "Mansfield Park"; her delightfully paced comedy of manners and the machinations of the sisters Elinor and Marianne in "Sense and Sensibility"; the quiet strength of Anne Elliot in "Persuasion" succeeding in a world designed to subjugate her very existence; and "Emma" - 'a heroine whom no one but myself will like' teased Austen - yet another irresistible character on fire with imagination and foresight. Indeed not unlike her renowned creator. Jane Austen is as sure-footed in her steps through society's whirlpools of convention and prosaic mores as she is in her sometimes restrained but ever precise and enduring prose.

这是简・奥斯丁的一部非常好看的小说。热心的爱玛关心哈丽埃特的婚姻，要她拒绝农夫马丁的求婚，转而追求牧师埃尔顿。爱玛姐夫的哥哥奈特利比爱玛大16岁，他始终爱着爱玛，可是又经常批评她的缺点。在埃尔顿同霍金斯小姐结婚后，爱玛又要哈丽埃特去爱弗兰克・邱吉尔，但哈丽埃特却爱上了奈特利，这时候爱玛才大吃一惊，发觉自己一直爱着奈特利……

《曼斯菲尔德庄园》主要内容：善良懂事的芬妮由于家境穷困，从小被寄养在富裕的姨妈家。姨妈家的两个表姐虽然聪敏美丽，但都高傲任性，幸亏表兄埃德蒙的亲切关怀，才使她在寄人篱下的生活中得到安慰和快乐。成年后的芬妮也常随表姐表兄参加社交聚会，他们在牧师家里结识了风流倜傥的青年克劳福德和他的妹妹玛丽。埃德蒙对美丽机智的玛丽一见倾心，芬妮的两个表姐则拼命追求克劳福德，未料克劳福德在逢场作戏后发现自己真心喜欢的是芬妮，而芬妮深爱的却始终是温和真诚的埃德蒙……陷入感情纠葛的这几对青年男女最后的结局出入意料，却也在情理之中。

编辑推荐：《傲慢与偏见》描写四桩婚事：伊丽莎白与达西；简与宾利；莉迪亚与魏肯；夏洛蒂与柯林斯。故事是围绕着班纳特太太如何把女儿们嫁出去的问题展开的，情节起伏跌宕，妙趣横生，通篇闪耀着机智与幽默。大女儿吉英温柔美貌，与伦敦来的阔少爷彬格莱先生相爱，并默默等待他的求婚。二女儿伊丽莎白聪明活泼，拒绝了愚蠢的装腔作势的柯林斯牧师的求婚。可“傲慢”的贵族青年达西却情不自禁地爱上了她，但伊丽莎白听信了青年军官

《傲慢与偏见》简介 珍妮・奥斯汀（JaneAusten），生于1775 年，卒于1817年，英国著名女作家，以描绘日 常平凡生活中的普通人物名世。一生著有六 部小说，《傲慢与偏见》是她的代表作。 《傲慢与偏见》讲述的是一对青年的爱情 故事，因一方的傲慢与另一方的偏见而导致 好事多磨。作者以女性特有的敏锐和细腻观 察、描绘了有钱、有闲阶级恬静舒适的田园生 活以及绅士淑女的爱情与婚姻，以高超的艺 术技巧反映了18世纪英国乡镇日常生活情 景，给当时小说创作吹进了朴素的现实主义 之风，在英国小说史上起着承上启下的作 用。 小说情节曲折，富有戏剧性，语言清新流 畅，充满机智，是奥斯汀最受欢迎的一部小 说。